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In this episode we speak with Michael Cusack, an accomplished abstract painter, educator, and co-founder of the Byron School of Art in Mullumbimby. Michael’s career has spanned over three decades, with his paintings exhibited widely across Australia and internationally. His work is represented in major public and private collections, and he is known for his richly layered abstractions that explore colour, form, and the tension between control and chance.
Michael began teaching at TAFE NSW, where he developed a strong connection to art education and mentoring younger artists.
In 2013, alongside fellow artists Emma Walker, James Guppy and Christine Willcocks, Michael co-founded the Byron School of Art. Based in Mullumbimby, the school has grown into a respected independent art institution in the Northern Rivers, offering a range of programs, exhibitions, and a strong sense of creative community outside of the metropolitan art centres.
We talk about Michael’s journey from Ireland to Australia, his ongoing fascination with abstraction, and the role of teaching and community-building in sustaining a meaningful artistic practice.
Michael is represented in sydney by Olsen Gallery.
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Send us a text
In this episode we speak with Michael Cusack, an accomplished abstract painter, educator, and co-founder of the Byron School of Art in Mullumbimby. Michael’s career has spanned over three decades, with his paintings exhibited widely across Australia and internationally. His work is represented in major public and private collections, and he is known for his richly layered abstractions that explore colour, form, and the tension between control and chance.
Michael began teaching at TAFE NSW, where he developed a strong connection to art education and mentoring younger artists.
In 2013, alongside fellow artists Emma Walker, James Guppy and Christine Willcocks, Michael co-founded the Byron School of Art. Based in Mullumbimby, the school has grown into a respected independent art institution in the Northern Rivers, offering a range of programs, exhibitions, and a strong sense of creative community outside of the metropolitan art centres.
We talk about Michael’s journey from Ireland to Australia, his ongoing fascination with abstraction, and the role of teaching and community-building in sustaining a meaningful artistic practice.
Michael is represented in sydney by Olsen Gallery.
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