New year, same Bullshit Mountain. Alex and Emily are joined by feminist technosolutionism critics Eleanor Drage and Kerry McInerney to tear down the ways AI is proposed as a solution to structural inequality, including racism, ableism, and sexism -- and why this hype can occlude the need for more meaningful changes in institutions.

Dr. Eleanor Drage is a Senior Research Fellow at the Leverhulme Centre for the Future of Intelligence. Dr. Kerry McInerney is a Research Fellow at the Leverhulme Centre for the Future of Intelligence and a Research Fellow at the AI Now Institute. Together they host The Good Robot, a podcast about gender, feminism, and whether technology can be "good" in either outcomes or processes.

Watch the video version of this episode on PeerTube.

References:

HireVue promo: How Innovative Hiring Technology Nurtures Diversity, Equity, and Inclusion

Algorithm Watch: The [German Federal Asylum Agency]'s controversial dialect recognition software: new languages and an EU pilot project

Want to see how AI might be processing video of your face during a job interview? Play with React App, a tool that Eleanor helped develop to critique AI-powered video interview tools and the 'personality insights' they offer.

Philosophy & Technology: Does AI Debias Recruitment? Race, Gender, and AI’s “Eradication of Difference” (Drage & McInerney, 2022)

Communication and Critical/Cultural Studies: Copies without an original: the performativity of biometric bordering technologies (Drage & Frabetti, 2023)

Fresh AI Hell

Internet of Shit 2.0: a "smart" bidet

Fake AI “students” enrolled at Michigan University

Synthetic images destroy online crochet groups

“AI” for teacher performance feedback

Palette cleanser: “Stochastic parrot” is the American Dialect Society’s AI-related word of the year for 2023!

Check out future streams at on Twitch, Meanwhile, send us any AI Hell you see.

Our book, 'The AI Con,' comes out in May! Pre-order now.

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Emily

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Alex

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• Mastodon: dair-community.social/@alex
• Twitter: @alexhanna

Music by Toby Menon.
Artwork by Naomi Pleasure-Park.
Production by Christie Taylor.