Fallingwater, perched above Bear Run in southwestern Pennsylvania is Frank Lloyd Wright’s masterpiece, a house perhaps as recognizable as any other in the United States–and it's not even on the nickel. Less known is that it was designed and built at the end of decades of despair and seeming futility in the architect's life, a series of circumstances that would have broken nearly anyone else. Fallingwater is not only an instantiation of Wright’s developing philosophy of architecture, but of his near fanatical determination to prevail against all enemies — often, most notably, himself.  But Fallingwater is also a monument to the Depression era, even though it seems very far removed from our mental images of what "the Depression" was like.

With me today is Catherine W. Zipf, an award-winning architectural historian. She is executive Director of the Bristol, historical and preservation Society in Bristol, Rhode Island, and author of Frank Lloyd Wright’s Fallingwater: American Architecture in the Depression Era, which is the subject of our conversation today

For Further Investigation

Fallingwater

Frank Lloyd Wright's Taliesin: the one in Wisconsin

Midway Gardens

Wingspread

The classic book to read about Chicago and its hinterland is William Cronon's Nature's Metropolis: Chicago and the Great West

William R. Drennan, Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders

Wright in Los Angeles, and his "California Romanza": The Hollyhock House, and the Ennis House

This 1996 Library of Congress exhibit, "Frank Lloyd Wright: Designs for an American Landscape, 1922-1932", covers one of the decades that Catherine Zipf and I talked about. It is full of beautiful designs, none of which were ever built. Some of the most impressive things in the exhibit are the meticulous models of the landscape in which Wright proposes to build.

Catherine briefly mentioned that many houses of the 1920s, most of which are in revival style. For proof of this, see the architectural plans sold by Dover Publications

Frank Lloyd Wright explains why he wrote his Autobiography

Lincoln Logs and the Hollywood Bowl

Listeners to recent podcasts will note some resonance with aspects of my recent conversation about Henry Wallace; but attentive long-time listeners will also note some curious resonance over the question of what is natural with Episode 222, about the career and views of Harvey Wiley.