This is Part 2 of our conversation with Michele Pouliot. Michele is best known as a dog trainer, but she also has a strong horse background. , Since 1974 Michele has been a professional guide dog instructor with the largest US guide dog school serving the blind. Before entering the guide dog field, she was a professional in the field of horse training, mentoring under Linda Tellington Jones and Wentworth Tellington.

Michele retired from Guide Dogs for the Blind after 42 years of service. During her last 16 years, she held the position of Director of Research and Development for programs at Guide Dogs. In that position Michele was responsible for bringing science based Clicker Training to guide dog training and promoting the expansion of Clicker Training internationally within the guide dog field.

In her "hobby world", Michele has actively competed in both horse and dog sports since 1970. After successfully competing in dog obedience for 20 years, she moved into the new sport of agility in 1992.

In 2006, Michele became fascinated with the sport of canine musical freestyle and began a dog sport journey she continues to love. She has competed in canine musical freestyle with her English Springer spaniel, Cabo, Australian Shepherd, Listo and her young Springer spaniel Deja Vu. Michele thoroughly enjoys this artistic sport that combines the precision of obedience with trick behaviors and challenges her creative side through music and choreography. Michele has won numerous international competitions and Championship Titles. She thoroughly enjoys the ongoing challenges in the sport of canine freestyle and the use of Clicker Training to achieve innovative and entertaining routines.

In 2007, Karen Pryor invited Michele to join the faculty of Clicker Expo Conferences. Her presentations are for me always one of the highlights of the Expo.

In this episode Michele shares strategies she uses for developing her freestyle routines where she can’t click and treat during the performances. Maintaining her dog’s enthusiasm for the behaviors she asks for is essential if they are to succeed in competition. So the question is how do you go from clicking and treating every small effort to long sequences in which you can not include a click and treat mid-way through a performance.