My guest this week is Kevin Kelly, who’s a producer, mixer and long-time audio educator with a host of major label, film score and jingle credits. These include projects by Blondie, Edgar Winter and Rick Wakeman, among many others that he worked on from his well-known studio called The Workshoppe.

For 14 years, Kevin was the producer/engineer for the WLIR-FM live concert series that featured Hall & Oates, Billy Joel, The Police, Charlie Daniels Band, Peter Tosh, Ziggy Marley, Pure Prairie League and many more, and also served as co-producer and chief engineer for a series of short-form radio shows for Sixty Second LP.

Kevin also taught studio recording technology for 22 years at Nassau Community College, and continues to teach one adjunct course per semester there.

During the interview we spoke about the importance of networking, the new generation of plugins, how mutlitasking has changed attention spans, analog summing during mixing, and much more.

I spoke with Kevin via zoom from his studio in Huntington, NY.

On the intro I’ll take a look at how being a Grammy nominee might be detrimental to your career, and a new kind of greener vinyl is on the horizon.

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