The guest for this episode is Dr. Nick Monk, who joins me for a consideration of perhaps McCarthy’s most idiosyncratic work.  The 90s were an exciting time for McCarthy fans.  In 92 he published the award winning All the Pretty Horses, followed two years later by the next installment in the Border Trilogy, The Crossing. Before he would go on to close out the trilogy in 98, however, in 1995 he also published a strange and fascinating play, The Stonemason. The play is about the Telfairs, a family of Black stone masons in Louisville, Kentucky.  The play examines the mystical and perhaps metafictional notion of stone masonry.  Using experimental techniques, we follow Ben Telfair in his worshipful relationship to his 100 year old stonemason grandfather, Papaw.  

The play was canceled both figuratively and literally before it was ever fully produced.  Was it shut down because of McCarthy’s appropriation of Black life? Or because the novelist included elements in the play which are more or less impossible to stage?  Both? 

Dr. Nick Monk is the author of True and Living Prophet of Destruction: Cormac McCarthy and Modernity, published in 2016 by the University of New Mexico Press, and he edited the collection Intertextual and Interdisciplinary Approaches to Cormac McCarthy: Borders and Crossings from 2012. Nick has also published on McCarthy and the ‘Desert Gothic,’ Native American literature – particularly Leslie Silko – intercultural communication, identity, and teaching and learning in higher education. Nick is currently Director of the Center for Transformative Teaching, and Honorary Professor in the Department of English, at the University of Nebraska, Lincoln.

As always, readers should beware: there be spoilers here.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll someday see the light.  We appreciate favorable reviews on your favorite podcasting platform.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt. 

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is also on Twitter.  The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...