My guest this week the founder and CEO of Killphonic Rights, Caleb Shreve. Caleb began professional career in 1998 at Sony Music Studios in New York. As part of the Sony Music Special Projects team, he began working alongside artists such as Michael Jackson, Ricky Martin, Destiny’s Child and Marc Anthony. In early 2003, Caleb left Sony to work independently as a producer and engineer. He was quickly hired almost exclusively by music producer and executive, Sean “Puffy” Combs. Over the next decade and a half, Caleb wrote, produced and mixed countless records. He started Killphonic Rights in 2014 originally as a management company, but eventually pivoted to administrating publishing and neighboring rights for indie artists.During the interview we spoke about the importance of metadata in music publishing, why there are so many writers on some songs, collecting TikTok royalties, the idea of neighboring rights, and much more.I spoke with Caleb from his office in Los Angeles. On the intro I looked at what happens every minute on the internet, and who actually invented the microphone. var podscribeEmbedVars = { epId: 94825541, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Explore The Mixing Engineer’s Handbook (6th Edition), the go-to guide for modern mixing: https://a.co/d/eEEpPrL

This edition adds chapters on intelligent processor plugins, saturation and distortion, and mixing in small studios. Learn to use reference tracks, mix in Dolby Atmos and Sony 360RA, and master modern techniques like MS processing, frequency-based panning, and sidechain compression, all to make your mixes sound pro. 

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