Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. A few months ago I caught wind of a book with an intriguing title: Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna. It turned out to be a collection of writings from when Wilder as a brash young journalist—his previous career before becoming one of Hollywood’s absolute greatest directors. It’s a fascinating read, and as for his career, you can’t go wrong with a track record like Sunset Boulevard, Double Indemnity, Some Like It Hot, The Apartment, Ace in the Hole, to name only a few. So I decided to bring together three colleagues to pick one Wilder movie apiece -- one per decade -- and share a few things we love about the director’s work. I was joined by three powerhouse critics of classic Hollywood who practically need no introduction: Farran Smith Nehme, Sheila O’Malley, and Steven Mears. Special thanks to Noah Isenberg who edited Billy Wilder on Assignment (Princeton University Press) which helps launch our conversation.

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Opening music: “Monserrate” by The Minarets

Photo by Steve Snodgrass