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It's a week for tough cops who chafe under the soft libertarian justice system of modern democracy, dammit! And no cop is tougher than Maurizio Merli. Unless it's Charles Bronson, obviously. Bryce swings by to shoot the breeze and a whole heap of scumbag criminals, as we discuss 10 to Midnight (1983), directed by J. Lee Thompson, followed by Rome, Armed to the Teeth (1976), directed by Umberto Lenzi.
We don't think you can really spoil Rome, Armed to the Teeth, which only has a passing acquaintance with its own plot, but we will call out Spoiler Territory for 10 to Midnight. If you want to skip ahead from that point, you can rejoin the conversation at the 1:07:38 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
By Rob Spencer5
66 ratings
It's a week for tough cops who chafe under the soft libertarian justice system of modern democracy, dammit! And no cop is tougher than Maurizio Merli. Unless it's Charles Bronson, obviously. Bryce swings by to shoot the breeze and a whole heap of scumbag criminals, as we discuss 10 to Midnight (1983), directed by J. Lee Thompson, followed by Rome, Armed to the Teeth (1976), directed by Umberto Lenzi.
We don't think you can really spoil Rome, Armed to the Teeth, which only has a passing acquaintance with its own plot, but we will call out Spoiler Territory for 10 to Midnight. If you want to skip ahead from that point, you can rejoin the conversation at the 1:07:38 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

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