In this episode, we delve into the murky waters of intimate relationships, nuclear families, and revolutionary theatre practices with Andrej Zulawski’s Possession. From the film’s almost instant cult-status to its rocky release, we look at what has made Possession one of the great filmic break-ups and breakthroughs of the late 20th century.

 

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REQUIRED READING

Possession. Dir Andrej Zulawski, 1981.

EXTRA CREDIT

House of Psychotic Women. Kier-La Janisse’s examination from horror from her perspective. A ground-breaking and personal look at the genre.

 

Once Upon a Text: Hysteria from Hippocrates. Helen King’s chapter on the patriarchal uses of the term “hysteria.”

 

Five of the best… Sarah Kane Plays. The National Theatre’s overview of Kane’s writing with links, if you’d like to learn more about her.

 

Possession: A Marriage of the Natural and Supernatural. David West’s look at the film and Anna’s cryptic monologue.

 

The Coronavirus Crisis Shows It’s Time to Abolish the Family – an article on why emancipation from capitalism might mean the abolition of one of our most sacred institutions.

 

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