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In this conversation from Fantastic Fest 2025, Jake Fittipaldi interviews editor Patrick Lawrence, exploring his journey into film editing, particularly in the horror genre, leading to his work on Shelby Oaks. Patrick shares insights into his editing process, the challenges of working on independent films, and the unique aspects of editing across different formats. He discusses his personal connection to horror films and how his experiences shape his work.
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The Rolling Tape Patreon
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Follow our interviewees online:
Patrick Lawrence Website, IMDb, Instagram
Follow our interview host online:
Jake Fittipaldi on Letterboxd, Instagram, and TikTok
Have questions? Email [email protected]
Support the show
Subscribe for Early Access and Video:
The Rolling Tape Patreon
Listen Here:
Spotify
Apple Podcasts
All Listening Platforms
Have questions? Email [email protected]
Podcast Website Link
Website & Publications: www.therollingtape.com
Social Platforms on Linktree
Credits:
By The Rolling Tape4.7
1919 ratings
In this conversation from Fantastic Fest 2025, Jake Fittipaldi interviews editor Patrick Lawrence, exploring his journey into film editing, particularly in the horror genre, leading to his work on Shelby Oaks. Patrick shares insights into his editing process, the challenges of working on independent films, and the unique aspects of editing across different formats. He discusses his personal connection to horror films and how his experiences shape his work.
Subscribe:
The Rolling Tape Patreon
Listen Here:
Spotify
Apple Podcasts
All Listening Platforms
Follow our interviewees online:
Patrick Lawrence Website, IMDb, Instagram
Follow our interview host online:
Jake Fittipaldi on Letterboxd, Instagram, and TikTok
Have questions? Email [email protected]
Support the show
Subscribe for Early Access and Video:
The Rolling Tape Patreon
Listen Here:
Spotify
Apple Podcasts
All Listening Platforms
Have questions? Email [email protected]
Podcast Website Link
Website & Publications: www.therollingtape.com
Social Platforms on Linktree
Credits:

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