Today on Fantasy Writing for Barbarians, we’re tackling a listener email about how writers can unfold a character’s past without overwhelming the reader. Jon breaks down when to use flashbacks effectively, plus how you can handle offscreen POVs. And we reference authors like Robin Hobb to engage with emotional revelations, George R.R. Martin’s approach to one-off POV chapters, and how to make sure the past is always interfering with the present.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera Magazine. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a listener email about one of the trickiest parts of writing epic fantasy: the dreaded travel montage. How do you keep the story moving when your characters are literally just…moving? Jon dives into the dos and don’ts of long journeys, how to use travel to reveal character, and when description on its own is actually a bad thing.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a heartfelt listener email about knowing when to walk away from a draft and when to double down. If you’ve ever felt stuck between revising an old novel that no longer excites you and chasing that shiny new story idea, then this episode can help you out.

Jon reflects on his own publishing history, including a beloved but unfinished trilogy and his long journey rewriting The Pixar Theory. We unpack the guilt that comes with “giving up,” the difference between quitting and redirecting, and how to tell if your reluctance is just new-idea fever…or a sign you’ve outgrown the story. Producer Bridget chimes in with sciencey brain stuff and Drawfee quotes, and we explore how outlining, reframing, and cannibalizing your own work (in a good way!) can help you stay excited about writing.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re looking at what fantasy writers can learn from James Gunn’s Superman. Yes, really. Turns out, this big-hearted, punch-heavy superhero flick has a lot to teach us about crafting godlike characters, writing vulnerability, and making your emotional arcs land harder than a Kryptonian haymaker.

In this episode, we break down 10 storytelling lessons hiding under the cape, like how to ground overpowered characters in real emotional stakes and why your worldbuilding should serve your story (not the other way around). Plus, how you can use humor to raise tension instead of killing it. So whether you’re writing a chosen-one saga or a magical kitchen sink drama, there’s something here for you, especially if your protagonist is a little too good at everything.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener wrestling with the cosmic chaos of time magic. They're drafting a novel with temporal twists (bending, looping, and slowing time within a magical system) and they’re spiraling a bit. Can you blame them? Time magic is infamous for breaking stories, confusing readers, and creating paradoxes so convoluted they collapse your plot like a flan in a cupboard.

In this episode, we unpack how to write time magic without losing your readers (or your sanity). We define the major types of time magic, from prophecy to chronomancy, and break down the dangers of paradoxes, the reset-button problem, and why the emotional cost of time magic matters more than how technically “tight” your system is.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener looking to break into the world of editing. Put simply, how do you do it without getting overwhelmed, underpaid, or lost in the weeds?

In this episode, we break down what editing actually means (developmental vs. line editing vs. critique), how to start editing for others and yourself, and why editing is more than catching typos. It’s about evolving a story on the sentence and soul level. Whether you’re looking to shift careers or simply trying to sharpen your revision skills, this episode is your practical (and slightly chaotic) roadmap to becoming the kind of editor authors actually thank in the acknowledgments.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. You can read some of his original short fiction for free over on Cetera. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering an email from a listener deep in the weeds of writing their dark, grimdark high fantasy series. It’s got all the makings of a brutal, layered epic: tangled character histories, world-shifting subplots, and the ever-haunting question...how do you keep hope alive in a story designed to crush it?

In this episode, I break down the key challenges of writing dark fantasy without losing your readers to despair. We talk about how to weave deep character history into the page without lore dumps, why subplots shouldn’t hijack your story’s spine, and how to make hope feel like a hard-won prize.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re reacting to Carl Duncan’s video, “5 Signs You Wrote an Unlikable Character” through the lens of writing unforgettable characters in fantasy (and we're only addressing 3 of them so you can check out the other two and support his channel!) Whether you’re crafting morally gray heroes, tragic villains, or chaotic-neutral scene-stealers, we’re breaking down what likability really means in a genre built on prophecy, politics, and peril.

Here's a link to Carl's full video, where you can also subscribe to his channel.

Want your question about fantasy writing featured on the show? Email your advice prompt to [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re pulling off a full breakdown of how to write a fantasy heist (Victorian steampunk edition). One of our listeners wrote in with a killer manuscript concept: a disgraced engineer, a team of rogues, and a sentient magical vault that reshapes itself to trap them inside. It’s Six of Crows meets The Prestige, with a twist of Dishonored and Howl’s Moving Castle.

In this episode, I walk through the core structure of a fantasy heist using six-act story theory, exploring how to build tension through character secrets, break-in mechanics, and emotional payoff. We dive into worldbuilding tricks (like turning your setting into an antagonist), the importance of controlled surprise, and why the best heists feel like pressure cookers that test every belief your characters hold.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re doing something a little unorthodox: I’m diving into what The Elder Scrolls IV: Oblivion—yes, the 2006 RPG recently remastered—can teach us about writing unforgettable fantasy novels. From its cult-favorite guild quests to the eerie Oblivion Gates, this game isn’t just a nostalgic masterpiece. It’s a creative writing course disguised as a game.

We break down why Oblivion’s worldbuilding still holds up, how its implied history and lived-in lore set the gold standard for immersive storytelling, and what every fantasy author can learn from its layered factions like the Dark Brotherhood and Mages Guild. I unpack how Oblivion builds stakes through specificity, uses cozy peace to sharpen chaos, and lets its clunky weirdness become a strength instead of a flaw.

Have a question or topic you want me to get into for the show? Email us at [email protected] or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.