From Scream Queens to Final Girls, women have been at the center of horror cinema since its rise in the late 60s. Violence on screen mirrored the violence real women faced off screen. From the allusions to reproductive control in Rosemary’s Baby, to the undertones of domestic violence in The Shining, horror’s female protagonists cannot be divorced from political and social commentary. In her new book “Scream with Me: Horror Films and the Rise of American Feminism (1968-1980), Eleanor Johnson, professor of English and comparative literature at Columbia University, views some of our most popular scary movies through a feminist lens. And once you see the themes of women’s oppression, it’s hard to look at a horror film the same way again. This week on FilmWeek, Larry speaks with Johnson about her new book and reanalyze some horror classics together.

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