As you might have noticed, we spend a...fair bit of time talking about the three labels at the heart of modern music—and tracking what their unprecedented centralization has done to the industry. And while that’s important, it’s only part of a far larger trend, one that cuts across pretty much all of the culture industries. Crucially, this is a process, not just of mergers or consolidation, but of financialization—a profit-driven effort to increase global capital’s hold over the workers who create culture.
 
But…how did this happen? When did it happen? And how has it impacted not just the firms that produce music and films—but the actual music and films themselves? To help us through this complex history, we’re joined by Andrew deWaard, author of “Derivative Media: How Wall Street Devours Culture,” taking us through a wide-ranging conversation about derivatives, the geopolitical implications of "financial discipline," mergers, acquisitions, board-member kickbacks, 30 Rock, play-listing Drake, modern cultural analysis, and more. Come for the doomerism you know and love. Stay for a better understanding of how our corporate overlords get it done.  
 
If you want to read Andrew's book--it's free and open source here! Also some sick charts to accompany the discussion.
 

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Music: Crumb - Ghostride

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