This episode of Finding the Frame features a fascinating conversation with acclaimed Australian cinematographer Judd Overton, ACS. Host Chris Haigh explores Judd's remarkable journey, from his early days in the remote Australian Outback to his current success in Hollywood. Judd, known for his bold framing, "shoot from the hip" style, and ability to create distinct visual worlds, shares his insights on a wide range of topics, making this a must-listen for aspiring and experienced filmmakers alike.

The episode begins with Judd's unique upbringing and how early encounters with film crews sparked his passion for cinematography. He then discusses the pivotal role of the Australian Film School (AFTRS) in shaping his approach, emphasizing the collaborative learning environment and the importance of understanding both film and digital workflows. Judd then dives deep into his visual storytelling techniques. He reveals how he develops visual metaphors, carefully choosing framing, lighting, and lenses to convey mood and tone. Listeners will gain insights into his work on projects like Laid, Ride the Eagle, Totally Killer, and The Letdown, with specific examples of how he crafted unique looks for each.

Collaboration is a recurring theme, and Judd shares his experiences working closely with directors, particularly his ongoing collaboration with Nahnatchka Khan. He emphasizes the value of building a strong creative shorthand and the freedom that comes from a trusting relationship. The conversation also touches on the practical challenges of filmmaking. Judd recounts overcoming technical constraints and limited resources on projects like Ride the Eagle (shot during COVID) and Laid (with its demanding night shoots in Vancouver).

The episode explores Judd's approach to shooting comedy, including working with high-profile comedic talent, particularly when describing his experience on the series, No Activity. Furthermore, Judd emphasizes the importance of being thoroughly prepared for each shoot, and having a game plan for when things do not go according to plan.

Looking ahead, Judd offers his perspective on the future of cinematography. He discusses the impact of emerging technologies like AI, automated tools, and virtual production, while stressing the enduring importance of human stories and the cinematographer's role in telling them effectively.

This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland.