Flash Forward

Today week we take on a doomsday future! We haven’t done one of those this season. So, what would happen if all the active volcanoes in the world erupted at the same time? The short answer is: bad things. The long answer is, well, you’ll have to listen to the episode!

 First we talk to Jessica Ball, a volcanologist, who walks us through the different types of eruptions, what make something an active volcano, and just how bad ash is. Spoiler: it’s really bad. It gums up engines, cuts up your lungs, and is so heavy that it can collapse buildings.

 But the destruction of a massive volcanic eruption doesn’t stop there. Oh no. Then Ball tells us about the ways in which volcanoes can actually impact the climate. In fact, in 1815, a single volcanic eruption at Mount Tambora caused the entire Northern Hemisphere to experience “A Year Without a Summer,” resulting in famine, death, and Mary Shelly’s Frankenstein. (You’ll have to listen to the podcast to get that particular story.)

 So how does one live through this kind of apocalyptic event? To find out, I called up two people who, unlike me, would probably survive: Megan Hine and Pat Henry. Megan and Pat are both sort survival experts, but they go about it in really different ways. 

 Megan is an adventurer and wilderness expedition leader. She takes people out into the middle of nowhere, and trains them no how to survive. People like Bear Grills, the man of the Discovery Channel show Man vs. Wild. Bear has called Megan “the most incredible bushcraft, climbing and mountain guide you’ll ever meet.”

 Pat is a little bit different. Pat is a prepper, someone who is actively preparing today for a disaster that might come tomorrow. Pat is the founder and editor of a website called The Prepper Journal, which has pretty much everything you need to know about prepping, should you be worried about, say, all the volcanoes in the world going off at once. 

 Oh and Pat isn’t his real name. He uses a pseudonym, so that nobody knows that he has two years worth of food stored up. So when something terrible does happen, he doesn’t have to turn his unprepared friends and neighbors away.

 Both Megan and Pat said that the first way to survive is by being lucky. Don’t live or be near a volcano. But after that, surviving 1,500 volcanic eruptions is like surviving any other terrible thing. You’ll need food, water, shelter, medicine. You’ll have to fight off other humans. And you’ll probably be surprised by what you can do, when push comes to shove. 

 And we end the episode with a note about who you want in your little gang of survivalists. You’ll be surprised who’s actually a good addition to that team. Stay tuned to the end for that.

 Also! Right now I'm running a little survey for listeners. Tell me a bit about yourself, please. Thanks!

 Flash Forward is produced by me, Rose Eveleth, and is part of the Boing Boing podcast family. The intro music is by Asura and the outtro music is by Broke for Free. The voices for this week’s future scene were provided by Suzanne Fischer, Eddie Guimont, Guillermo Herrera, Wendy Hari, John Olier, Caroline Sinders and Kevin Wojtaszek whose name I think I might have finally pronounced correctly this time. The episode art is by Matt Lubchansky. 

 If you want to suggest a future we should take on, send us a note on Twitter, Facebook or by email at [email protected]. We love hearing your ideas! And if you think you’ve spotted one of the little references I’ve hidden in the episode, email us there too. If you’re right, I’ll send you something cool. 

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Today we go to a future where all pop stars use avatars, clones, robots or cartoons instead of their real bodies and faces. What does that do to music? Can everybody pull off an avatar? And why would any pop star even want that? 

 We start with a conspiracy theory. Jaya Saxena tells us about the theory that Beyonce is a clone. And one of the reasons Jaya thinks that people might think Beyonce is using a clone is because she’s so private, and hates doing press stuff. Which of course is not the case, Beyonce may seem perfect but she is in fact a single human woman. 

 But the idea that a pop star might want to use a clone or avatar to do some of the more boring and annoying tasks required of pop stars: red carpets, meet and greets, constant interviews, is believable. Kelsey McKinney, a culture writer at Fusion, says that most of the pop stars she’s interviewed would absolutely take an out if they were given one. She tells us about what the grind of pop-stardom is really like, and why so many stars eventually do break down. 

 Now, there are some pop stars who use fronts or avatars. The Gorillaz performed as a cartoon troupe. Daft Punk wears those helmetty things. Sia wears a big wig. Deadmaus often performs wearing a giant mouse head. There’s this rock band called The Residents that has a small but very intense cult following. MF Doom performed in this gladiator mask. There are lots of examples of this. But Kelsey points out that none of them have reached the level of fame that say Beyonce or Taylor Swift has. 

 The one possible place we can find a true pop star that is represented by an avatar is Hatsune Miku. Now, if you’re not familiar with Hatsune Miku, she’s a 16 year old Japanese popstar. She’s 5 feet 2 inches tall, and she weighs 93 pounds and she’s got this really striking blue hair that is usually in these super long pigtails. And she is not real, she’s a cartoon or hologram. Hatsune Miku is a particularly interesting case to me because unlike The Gorillaz or Daft Punk or Sia, Hatsune Miku isn’t a front for a person. There is no artist laboring behind the scenes, who then goes out and uses the Hatsune Miku cartoon character to perform. She’s entirely a fabrication of a company, and I swear to you that I am not making this up, the company’s name is Crypton Future Media. And Crypton Future Media makes these singing synthesizer programs. And that’s where Hatsune Miku’s voice comes from, it’s totally created by a computer. 

 And last week when I was doing some research for this episode I realized that Hatsune Miku was actually playing at Hammerstein Ballroom in New York City where I live, in just a couple days. So, obviously I bought tickets and this past weekend I dragged my very patient boyfriend to her show. You can hear how that went in the episode.

 But of course I can’t interview Hatsune Miku, since she’s not real. So instead I called my favorite anonymous musician: the man behind Hussalonia. You can read about the back story to Hussalonia on their site, but here’s the gist: Hussalonia is a pop music cult, which was purchased by an evil soap company called Nefarico, which demanded that Jesse no longer use his name or face in the songs, and also required him to put out two albums of soap jingles. And the man behind Hussalonia, Jesse Mank, tells us about why he came up with this story, and why he didn’t even do interviews until recently. 

 Finally, we all discuss what kinds of avatars people would choose, whether certain types of music are better suited to avatars, and what kind of fan art might spring up from these avatars. 

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Today we travel to a future where it’s possible to know exactly when you will die. Do you chose to find out?

 Now, this is, impossible. Totally impossible. And I’m not even going to try and come up with some strange pseudoscientific explanation for how this might happen. It’s not a thing. Just go with me here. Some people asked for more weird episodes this season, so, here you go! 

 We start the episode talking to Chanel Reynolds, the founder of a site called Get Your Shit Together which helps people get their shit together around death and dying. Stuff like: writing a living will, getting it executed, getting disability insurance, putting together an emergency plan, all that shit that, if you’re like me, you do not have together. Chanel started Get Your Shit Together a few years after losing her husband to a sudden accident, and realizing that she really didn’t know what to do, and didn’t have any of her own shit together.

 And she tells us about all the reasons it’s good to think about your own death, even if it’s really far away. You never know what might happen, and you don’t want to leave your family, pets and loved ones without a good sense for how you want the end of your life managed. 

 Then we talk to Sheldon Solomon a professor of psychology at Skidmore College and one of the leading researchers in a field called terror management theory. Terror management theory basically says that we live, all of us, all the time, with this underlying rumble of terror beneath the surface. Terror that we are going to die. Which, we are, at some point. And when we’re reminded of death, that terror bubbles up and impacts our behavior in some not so good ways. 

 Sheldon has done tons of experiments that show that when you remind someone of their own death, just for a fleeting moment, a tiny reminder, it can make you more racist, xenophobic, hateful, war mongering and rude. They’ve done experiments where they’ve asked people to evaluate ideas or other people after seeing a death reminder. And in tons of experiments they’ve found that death reminders make us worse people. They make Christians dislike Jews more, they make Germans more likely to sit next to other people who look German and away from folks who look not-German, they make Iranians more supportive of suicide bombers and they make Americans more supportive of Trump (seriously).

 So, in this future, if we know exactly when we’re going to die, and we think about it all the time, we might turn into horrible people. 

 There is other research that says that for some people, these effects aren’t as strong, and for some they’re actually positive. But researchers don’t really know what makes someone more likely to become better or worse after being reminded of their own death. 

 Next we talked to Ryan North, the creator of Dinosaur Comics. Back in 2005, Ryan published an episode of Dinosaur Comics that outlined the premise of the machine of death: you go to the machine, it takes a blood sample, and it spits out a card that sells you how you’re going to die. Maybe it says “poisoned apple,” or “drowned,” or “old age.” Ryan thought it would just be a one off joke, but his friends Matthew Bennardo and David Malki started exploring little short stories based on the premise, and eventually they opened up the idea to general submissions. So far there have been two Machine of Death anthologies, each full of stories about what happens when the machine of death comes to town. They’re really fun, I highly recommend them.

 Ryan and I talked about all the weird ways that the option to know your death date might change the world. Does health insurance even make sense anymore? Can you get your kids tested? Should you get your kids tested? Could you make armies of people you knew wouldn’t die that day? 

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Today we travel to a world with universal translation devices. Where the babelfish from The Hitchhiker's Guide to the Galaxy comes true (although probably not in the form of an evolved organism, but let's not fret about the details). 

 We start this episode with Barry Slaughter Olsen, who's the co-president of Interpret America. Barry tells us all about what interpreting and translation actually is, and why it will be really hard to replace human translation with machines.

 Then we talked to Julie Sedivy, a writer and language scientist based in Calgary. She helps us think about what these kinds of devices might do for language loss and cultural assimilation of immigrants. Do people still learn English when they move to America or Canada?

 Last we talked to Erin McKean, the editor of Wordnik, the world's largest English Language dictionary. She walks us through a ton of fun future possibilities like branded Taylor Swift language plugins and online translation truthers.

 Links and references mentioned in today's episode:

 Interpret America

 Is the language barrier really about to fall? 

 Long wait to come to America for Iraqis, Afghans who served U.S. troops

 Julie Sedivy writes about losing and regaining Czech

 Wordnik

 A Spanish town's Google Translate fail

 Cops use Google Translate to question woman 

 Flash Forward is produced by me, Rose Eveleth, and is part of the Boing Boing podcast family. The intro music is by Asura and the outtro music is by Broke for Free. Special thanks this week to Ciarán Doyle, David Faiz, Josh Newman and Noé Ramalleira. The episode art is by Matt Lubchansky. The episode art is by Matt Lubchansky. 

 If you want to suggest a future we should take on, send us a note on Reddit, Twitter, Facebook or by email at [email protected]. We love hearing your ideas! And if you think you’ve spotted one of the little references I’ve hidden in the episode, email us there too. If you’re right, I’ll send you something cool. 

 And if you want to support the show, there are a few ways you can do that too! We have a Patreon page, where you can donate to the show. But if that’s not in the cards for you, you can head to iTunes and leave us a nice review or just tell your friends about us. Those things really do help. 

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Today we travel to a future where America has converted to a direct democracy. Everybody votes on everything! 

 Hey, did you know it was an election year in the United States? I know, you've probably not really heard about this, it's not like it's on the news 24/7. But for all the coverage and the fights you might be getting into on Facebook, tons of people in the United States aren't going to vote in this election. The Pew Research Center has some pretty depressing statistics on just how many Americans go to the polls every year.

 People in the U.S. don't vote for a lot of reasons. The main one is time. But the second most common answer (16 percent) that Americans give, when asked by the Census Bureau why they don't vote, is that they weren't interested. And eight percent of people said they didn't vote because they didn't like the candidates or the issues.

 It's no secret that Americans hate their government. In 2015, a Gallup poll estimated that only eight percent of Americans have faith in Congress as an institution. Eight percent!

 So what if we did things differently? What if we put the vote back to the people, and had Americans actually vote on the issues directly. What if America was a direct democracy? 

 To find out what might happen we talked to Kerri Milita, an assistant professor at Illinois State University who studies direct democracy in America.

 We also talked to talked to Daniel Castro who's the vice president of the Information Technology and Innovation Foundation about what an accessible voting app would look like. A few years ago, they looked at accessible voting technology, and found that when you can let people vote on their own apps in their own places that are already safe and customized to them makes a big difference.

 So let’s say that this all works perfectly. Just go with me to the utopia for a second. Everything works really great, everybody is happy, we’re all securely and safely writing bills and voting on our phones. And because there are no barriers to voting anymore, turnout and participation skyrockets. Now, most people vote! Yay! What does that United States look like when all the people who don't vote today, start voting.

 To find out, we called Sean McElwee, a policy analyst for an organization called Demos. Sean told us about his research on the differing opinions between voters and non-voters, which you can read here. 

 We also talk about security and voting, and what happens if nobody actually votes because they're overwhelmed.

 We didn't get to talk about a few things in the show. Like how Sweden uses direct democracy, why Estonia has online voting and we don't, the history of direct democracy, or the proposals to change the forms of democracy we see in the United States.

 What do you think? Do you vote yes or no on direct democracy? Tell us! Send us a voice memo to [email protected] or call and leave a voicemail at (347) 927-1425. 

 Flash Forward is produced by me, Rose Eveleth, and is part of the Boing Boing podcast family. The intro music is by Asura, the break music is by MC Cullah and the outtro music is by Broke for Free. The episode art is by Matt Lubchansky. Special thanks this week to Dara Lind, who suggested this episode, and Rob Tannen, who provided valuable insight into election app design. 

 If you want to suggest a future we should take on, send us a note on Twitter, Facebook or by email at [email protected]. We love hearing your ideas! And if you think you’ve spotted one of the little references I’ve hidden in the episode, email us there too. If you’re right, I’ll send you something cool.

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