For The Worldbuilders

For The Worldbuilders

By Seeda SchoolBusinessArts
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For The Worldbuilders episodes

  • 054. 9 Reasons We Need Your Weekly Dispatch Yesterday, Today and Tomorrow

    I hope you’ll Discover your Weekly Dispatch with us this Thursday, July 25th at 12pm EST in the last live Worldbuilding Workshop I’ll be giving on the Treehouse for the year. The Treehouse is a monthly membership holding you accountable to weekly returns to your Zone of Desire through live workshops, open studios, guided meditations and black feminist worldbuilding tools. And enrollment is now open! It’s $67 bucks a month, enrollment closes on Monday, July 29th. Join us inside the free workshop on the 25th to learn more.

    • Enroll in the Treehouse Membership and/or register for free Worldbuilding Workshop to discover your weekly dispatch and learn more before enrolling: https://www.seedaschool.com/treehouse (Enrollment closes Monday, July 29th, 2024)
    • This Week’s Newsletter: Remembering Yesterday, Practicing Today, Creating Tomorrow
    • “Creative life of refusal” is language borrowed from Alexis Pauline Gumb’s essay “The God of Everyday”
    • Follow Ayana on Instagram: ⁠@ayzaco⁠
    • Follow Seeda School on Instagram: ⁠@seedaschool
    • Cover Art: Adrian Piper, *Decide Who You Are: Right-Hand (Constant) Panel,* 1992. Silkscreened image-text collage printed on paper mounted on foamcore, silkscreened text. 185.4 cm x 109.2 cm. Various public and private collections. Copyright: Adrian Piper Research Archive Foundation Berlin.
    • 56 min
    • 053. Who Are You Outside of White Supremacy Culture?

      Who are we outside of white supremacy culture? Perhaps the simple answer is healers, holders, stewards. Perhaps the simple answer is the people that refuse, repair and restore. And perhaps we don’t have to go anywhere to learn these skills, perhaps the best teachers and stories are already embedded in our intuition and ancestry. Perhaps the stories they’re whispering invite us into a culture with more bearable and breathe-able characteristics where perfectionism becomes improvisation, individualism becomes collectivism and “right to comfort” becomes “right to transformation”.

      • Download Syllabus or Register for Workshop (Syllabus Included) Here: https://www.seedaschool.com/treehouse
      • This Week’s Newsletter: The River That Swallows All Rivers
      • “Creative life of refusal” is language borrowed from Alexis Pauline Gumb’s essay “The God of Everyday”
      • Follow Ayana on Instagram: ⁠@ayzaco⁠
      • Follow Seeda School on Instagram: ⁠@seedaschool
      • The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma (PDF) by Bessel Van Der Kolk. Referenced in podcast: Chapter 2 “Revolutions in Understanding Mind and Brain”, a subsection called “Adaptation or Disease” on page 38.
      • “White Supremacy Culture” (PDF). From Dismantling Racism: A Workbook for Social Change Groups, by Kenneth Jones and Tema Okun, ChangeWork, 2001. Shared inside “Queering Wealth” workshop facilitated by Jezz Chung and Mengwen Cao!
      • “These scalar experiments and mobile laboratories are speculative projects that envision new modalities of relation and offer blueprints for unanticipated existence.” — Saidiya Hartman, “Crawlspace Manifold” (February 12, 2023), published in “Torkwase Dyson: A Liquid Belonging” (October 3, 2023), pg.14
      • Cover Art: Lorraine O'Grady (American, born 1934). Art Is . . . (Girl Pointing), 1983/2009. Chromogenic photograph in 40 parts, 20 × 16 in. (50.8 × 40.64 cm.) Edition of 8 + 1 AP. Courtesy Alexander Gray Associates, New York.
      • 43 min
      • 052. Releasing the Burden of Being Complicit In Our Own Suffering

        I too, have put more value in the things that hurt because suffering is familiar. I know her. I know suffering. And I have plenty of evidence that the shelter of suffering has kept me safe, kept me “out the way”. But at what cost? There is rent for living underneath the shelter of suffering. As with everything, there is a sacrifice. The cost was often my inner child who needed me to tend to her wounds but I couldn’t bear her pain so I just kept looking away. The cost was often my body which needed my attention, my care, my tenderness, my grace but was often treated as a liability instead. The cost was often my dreams that needed my power, my protection, my faith but seemed too wild to be safe, too pleasurable to count on, too gooooood to be true.

        I just want us to consider, if only for this moment, how exhausting it is to be in perpetual disbelief of our power.

        • Download Syllabus or Register for Workshop (Syllabus Included) Here: https://www.seedaschool.com/treehouse
        • This Week’s Newsletter: I Sell the Shadow to Support the Substance
        • Sojourner Truth artifact: "I Sell the Shadow to Support the Substance” (1864)
        • Karen M. Rose’s post on the Cancer New Moon
        • Saidiya Hartman’s Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals
        • “Creative life of refusal” is language borrowed from Alexis Pauline Gumb’s essay “The God of Everyday”
        • Follow Ayana on Instagram: ⁠@ayzaco⁠
        • Follow Seeda School on Instagram: ⁠@seedaschool
        • Cover Art: Augusta Savage with her sculpture Realization in 1938. Collection of The New York Public Library, Schomburg Center. Photo: Courtesy of CCS Bard. I came across this photo after/at a talk given by the curator Nana Adusei-Poku presenting her research on “Black Melancholia”. “Black Melancholia pushes beyond the iconography of melancholia as an art historical subject and psychoanalytical concept to subvert highly racialized discourses in which notions of longing, despair, sadness, and loss were not only pathologized, but also reserved for white cis (fe-)male subjects. The exhibition aims to create a generative space for inspiration, solace, and refuge through a presentation that blends new and recent works with pieces from the late 19th to mid-20th century by artists whose careers never reached full recognition or potential during their lifetimes due to systemic erasure.” — CCS Bard
        • 40 min
        • 051. Recovering from the Tyranny of Ambition and Detaching from Outcomes

          I almost titled this podcast “On Aligning Your Practice with Your Capacity and Surrendering to the Air”. Both work. A question for you: What would it feel like to pause and breathe into a deep, longgggg stretch instead of a sprint? I need to continue challenging myself. Rigor, change and curiosity are the electricity of my life, I’m clear on that. Capricorn rising, Gemini Sun over here. But what might it look like to prioritize the steady over the surge, the flow over the wave? What might it look like to prioritize the practice over the launch?

          • Register for the free Worldbuilding Workshop, “Seed A Practice Rooted in the Truth of Your Desire” and check out the Worldbuilder’s Way Compass here.
          • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
          • Follow Ayana on Instagram: ⁠@ayzaco⁠
          • Follow Seeda School on Instagram: ⁠@seedaschool
          • Off the Grid episode titled, “Success is a Cycle (& Sometimes That Sucks)” by Amelia Hruby
          • Cover Art: Amy Sherald, If you surrendered to the air, you could ride it (2019) Oil on canvas. Overall: 130 × 108 × 2 1/2in. (330.2 × 274.3 × 6.4 cm)
          • 28 min
          • 050. Manifesting Beyond Survival and Toward Safety

            I’m sure you’ve seen it and maybe even felt it, experienced it. Manifestation is everywhere. Folks are talking about it on TikTok, Instagram and I wouldn’t even be surprised if it’s reached LinkedIn. Point being, the gospel of the woo-woo crew is spreading. We out here y’all! And thank goodness. I think this is a good thing, that we are learning how to see without images as Toni Morrison puts in her Nobel Lecture in 1993 when invoking the power of language. But how might we take this practice even further…how might we listen to the images while practicing a grammar of black feminist futurity?

            Seeda School Links

            • Register for the free Worldbuilding Workshop: Seed A Practice Rooted in the Truth of Your Desire
            • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
            • Follow Ayana on Instagram: ⁠@ayzaco⁠
            • Follow Seeda School on Instagram: ⁠@seedaschool
            • Citations

              • “You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures.” — Toni Morrison, Nobel Lecture (December 7, 1993)
              • Tina Campt, “Quiet Soundings: The Grammar of Black Futurity.” Listening to Images, p. 17.
              • Cover Art: Martina Bacigalupo, Gulu Real Art Studio (2014) Image Description: In “GULU_kid 5” a sitter is in front of a red background wearing an oversized checkered blazer atop a navy blue dress of many crescent moons. A small child, also in blue, is resting their head on the sitters lap who has a white box where their head used to be.
              • 24 min
              • 049. New Terms and Conditions with Ravon Ruffin Feliz

                Recently I had the absolute honor of being in conversation with Seeda School alumni, Ravon Ruffin Feliz. Ravon who goes by she/they is a cyber anthropologist, writer, educator and founder of Citation Studio, a Black feminist experimental thinking studio mapping the possibilities of computing, archives, and nature with/on/for/at the internet. Born in Chicago, now based in the Bronx — she has worked in the arts and culture sector for 10+ years, tending to public engagements with art, archives and the internet, URL and AFK (away from keyboard).

                Ravon is also the steward of the “Glossary for an Anti-Colonial Black feminist Critical Media Ecology”, tenderly referred to as the ABC Glossary as a short hand. They are building the glossary inside “New Terms and Conditions”, a newsletter they launched in January of this year.

                In the Preface of New Terms and Conditions, they speak clearly stating, this is “an attempt to define terms like cloud, seed, garden, and data, that make visible the exploitation on our land, our resources, and our communities, and to address the exploitations that are hiding in plain-sight. and even more so, begin to liberate these terms from the lips of our oppressors.”

                Inside this Episode:

                • Journey of Transformation
                • Embodying Citational Practice
                • Glossary as Black Method
                • Notes on an Ecological Approach
                • The Archive is Alive
                • Resources:

                  • Follow Ravon’s Studio: Citation Studio
                  • Follow Ravon on Instagram: @arayveeohen
                  • Subscribe to Ravon’s Newsletter: New Terms and Conditions
                  • Connect to Ravon’s Are.na: Follow Their Research Channels
                  • Subscribe to Ravon’s YouTube Channel: The Moody Minimalist
                  • Download Seeda School’s ⁠Creative Offer Questionnaire to Oneself⁠
                  • Subscribe to ⁠Seeda School's Newsletter for weekly essay and podcast releases straight into your inbox
                  • Follow Ayana on Instagram: ⁠@ayzaco⁠
                  • Follow Seeda School on Instagram: ⁠@seedaschool
                  • 1 hr 11 min
                  • 048. 31 Reflections at 31 on the 31st

                    These are just some reflections I jotted down during my birthday week and writing retreat in Shenandoah Valley. As the podcast title suggests this was my golden year. I turned 31 on the 31st of May and after being away for a few weeks it felt right to punctuate this moment of return with some reflections ahead of the release of the guest podcast episodes. Let’s go…

                    Here's 1 reflection out of 31: Artist is starting to feel like an insufficient title (for me) because it’s becoming clear you can be an artist and not dedicate every fiber of your imagination to black trans future. You can be an artist and stay silent on the overlapping genocides. You can be an artist and not wear a mask. I want to live into what it means to be an abolitionist instead, this is the framework I want to be accountable inside of. Moving forward, I want not living in alignment to my values to be incoherent against the backdrop of what I proclaim to be.

                    Links:

                    • Download the ⁠Creative Offer Questionnaire to Oneself⁠
                    • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
                    • Follow Ayana on Instagram: ⁠@ayzaco⁠
                    • Follow Seeda School on Instagram: ⁠@seedaschool
                    • #CITEBLACKWOMEN by Cite Black Women Collective
                    • Assemblage: Baby's Breath by Kay Brown
                    • Intimate Practice by Shivani Mehta Bhatia
                    • somatic semantics by Nènè Mk
                    • "the scales of solidarity and safety when we wanna chill with our kinfolk" by Denise Shante Brown
                    • 1 hr 31 min
                    • 047. To Crave Certainty is to Crave a Lie

                      The invitation of “safety as relation” (Mariame Kaba) is a huge one in a world that has taught us safety is the opposite of relation. A world that tries to convince us, with all it’s tools, that safety is domination, exploitation, segregation, etc. We are being called to be creative in a context where control and certainty are not introduced as triggering, but surrendering to each other’s gaze and no longer being strangers is taught to be the most triggering act we can imagine. Can we see how the core trauma of these systems of oppression is making us terrified of each other? THAT'S its animating, organizing framework. Being so terrified of the other that we can’t see the paralyzing fear of ourselves. What happens when we turn this creative bind into a creative prompt?

                      • Download the ⁠Creative Offer Questionnaire to Oneself⁠
                      • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
                      • Paul Robeson, poem by Gwendolyn Brooks
                      • “Refusing Colonial Categorization and Claiming Fractal Possibility: Toni Morrison was in my dream yesterday...” (Nov 13, 2023) by Ayana Zaire Cotton
                      • Follow Ayana on Instagram: ⁠@ayzaco⁠
                      • Follow Seeda School on Instagram: ⁠@seedaschool
                      • Cover Art: Torkwase Dyson, Liveness and Distance, 2022, acrylic and wood on canvas, 90-1/2" × 72-1/2" × 2-3/4" (229.9 cm × 184.2 cm × 7 cm) Source: A Liquid Belonging
                      • 40 min
                      • 046. Standing On the Abundance Already Inside Your Creative Practice

                        Only YOU can create the offer calling on your spirit. Some creatives will say, “if you don’t create your idea someone else will”. That’s bullshit. There’s only one YOU, with YOUR unique lived experience and YOUR journey of transformation. So, no. No one else can create the offer calling on your spirit. Join us this spring, take your offer from spirit to material and witness the magic that’s been begging to be actualized all along.

                        Resources:

                        • Enroll into the Seed A World Retreat by Monday, April 29th, 2024 here.
                        • Register for the last Worldbuilding Workshop of the season if you have any questions before enrolling!
                        • Download the ⁠Creative Offer Questionnaire to Oneself⁠
                        • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
                        • Neta Bomani — Dark matter objects: Technologies of capture and things that can't be held
                        • Martine Syms — The Mundane Afrofuturist Manifesto
                        • Sonya Renee Taylor — Where Do I Want A Slave?: AI and the White Male Imagination
                        • Follow Ayana on Instagram: ⁠@ayzaco⁠
                        • Follow Seeda School on Instagram: ⁠@seedaschool
                        • Cover Art: Jack Whitten, Atopolis: For Édouard Glissant (2014), Source: MoMA
                        • 56 min
                        • 045. Will You Let Us Perceive You?

                          "May our visibility be an offering of gratitude to those we dedicate our practice to. The ancestors, past selves, younger cousins, teachers and non-human creatures we owe our breath and possibility to. We didn’t come from nowhere. We come from the freedom fighters who took their imagination to the streets, we come from the parents whose direct action was reading us Tar Beach at night, we come from the hands that prepared the meals for the meeting. Praying hands. We come from all the black feminist theory we now get the privilege to rehearse in theater of the street, the home, the classroom. I show up if only to say thank you, thank you, thank you. It wasn’t in vain, it wasn’t in vain because of you I am possible. It wasn’t in vain. Because of you WE are possible." — Ayana Zaire Cotton

                          Resources:

                          • Enroll here using code EARLY-SPRING-24 for $100 off
                          • Register for the last Worldbuilding Workshop of the season if you have any questions before enrolling!
                          • Download the ⁠Creative Offer Questionnaire to Oneself⁠
                          • Subscribe to ⁠Seeda School Substack⁠ for weekly essay and podcast releases straight into your inbox
                          • Listen to "Off The Grid" interview with Amelia Hruby on Softer Sounds or any podcast player.
                          • Follow Ayana on Instagram: ⁠@ayzaco⁠
                          • Follow Seeda School on Instagram: ⁠@seedaschool
                          • Cover Art: Tschabalala Self, Out of Body, 2015. Oil and fabric collage on canvas 72 × 60 inches (182.9 × 152.4 cm). Photo by Charles Mayer. Acquavella Galleries. © Tschabalala Self
                          • 48 min

                          About For The Worldbuilders

                          From the publisher's feed

                          Dispatching from Seeda School, the world's first black feminist business school, with your host Ayana Zaire Cotton.

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