FRED Film Radio - English Channel

PODCAST | Chiara Nicoletti interviews Shannon Murphy, director of the film Babyteeth.

Shannon Murphy is one of the two women directors competing for the Golden Lion at the 76th Venice International Film Festival. Her debut film Babyteeth is a perfect mix between a coming of age story, a love story and a family one. Milla (Eliza Scanlen) is a teenager, she’s ill and could die. She has two soundly imperfect parents who constantly try to face their fear. She still has a babyteeth but her adolescence is kicking and screaming inside of her only to finally explode when she meets Moses (Toby Wallace), wild, impulsive, addicted to life, medicine and drugs. Moses is a breath of real life for Milla and rapidly becomes the only chance at living love before it’s too late. Shannon Murphy takes nothing for granted and explains how she keeps the balance between irony and drama, life and death from the beginning till the end. Colors, music and editing are in sync with Milla’s path.

Babyteeth: When seriously ill teenager Milla Finlay falls in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare. But as Milla’s first brush with love brings her a new lust for life, things get messy and traditional morals go out the window. Milla shows everyone in her orbit—her parents, Moses, a sensitive music teacher, a budding child violinist, and a disarmingly honest pregnant neighbor—how to live like you have nothing to lose. What might have been a disaster for the Finlay family instead leads to letting go and finding grace in the glorious chaos of life. Babyteeth joyously explores how good it is not to be dead and how far we will go for love.

If you want to know more about the film, click here.

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The post Shannon Murphy – Babyteeth #Venezia76 appeared first on Fred Film Radio.

PODCAST | Daily news and updates from the 76th Venice Film Festival, with Angelo Acerbi and Nicolò Comotti.

Angelo Acerbi and Nicolò Comotti team together for their last Engish daily show from the Venice Festival. They talk about Roger Waters Us+Them, about the winners of Giornate degli Autori (La Llorona by Jayro Bustamante) and of the Queer Lion Award (El Principe by Sebastian Munoz). Some attention is given to their personal best films from the festival: Ema by Pablo Larrain, J’Accuse by Roman Polanski, Marriage Story by Noah Baumbach, The Kingmaker by Lauren Greefield, among others.

The post Daily 6th September – Day 10 #Venezia76 appeared first on Fred Film Radio.

PODCAST | Nicolò Comotti interviews Tommaso Santambrogio, director of the film The Oceans Are the Real Continents.

Italian director Tommaso Santambrogio sits down with us to introduce his short film The Oceans Are the Real Continents, in the International Critics’ Week’s short film selection SIC@SIC.

The Oceans Are the Real Continents: Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

The post Tommaso Santambrogio – The Oceans Are the Real Continents #Venezia76 appeared first on Fred Film Radio.

PODCAST | Matt Micucci interviews Ahmad Ghossein, Karam Ghossein and Sahar Minkara, director and actors of the film All This Victory.

Director Ahmad Ghossein talks about his film, All This Victory, from the International Critics’ Week section of the 2019 Venice International Film Festival. We’re also joined by the actors Karam Ghossein and Sahar Minkara, who are part of the ensemble cast and talk about the experience of being part of the intense film production which finds them trapped inside a house, with the threat outside and unseen, in a style that recalls Alfred Hitchcock’s The Birds.

All This Victory: Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village. As the ceasefire is quickly broken, Marwan finds himself under the rain of bombs and takes shelter in a house with a group of elders. Suddenly, a group of Israeli soldiers enter the first floor. Trapped in the house and hostages of their own fears, the next three days will see the situation spiral out of control.

The post Ahmad Ghossein, Karam Ghossein, Sahar Minkara – All This Victory #Venezia76 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi and Chiara Nicoletti host the roundtable Diversity in the film industry, with Brian Robinson (Flare Film Festival London – Queer Lion Jury), Michel Reihlac (VR section at Biennale), Isabel Sandoval (director) and Sebastian Munoz (director).

The roundtable touched the issue of Diversity in the film industry, starting form the representation of diversity in film festivals, and the perception of diversities in the film industry, both independent and mainstream, including the VR world that is becoming bigger very fast and very inclusive.

The post FRED Roundtable – Diversity in the film industry #Venezia76 appeared first on Fred Film Radio.

PODCAST | Daily news and updates from the 76th Venice Film Festival, with Nicolò Comotti and Matt Micucci.

FRED’s Matt Micucci and Nicolò Comotti come to you with a brand new daily report from the 76th Venice International Film Festival. Films presented at this festival and discussed on this podcast include Sergei Loznitsa’s State Funeral, a Francesco Rosi-themed documentary called Citizen Rosi co-directed by her daughter Carolina, Oliver Hermanus’s return to the Lido with his brand new Moffie and more.

The post Daily 5th September – Day 9 #Venezia76 appeared first on Fred Film Radio.

PODCAST | Nicolò Comotti interviews Shahad Ameen, director of the film Scales.

Shahad Ameen tells the story behind the fascinating film Scales her first feature film which was selected for the 34th edition of the International Critics’ Week in Venice. A fantastic and dystopian tale that carries a courageous social and political message, Scales is a mature debut for Aamen, who is surely not afraid of creating challenging and ambitious cinema.

Scales: Set in a dystopian landscape, Scales is the story of a young strong-willed girl, Hayat, who lives in a poor fishing village governed by a dark tradition in which every family must give one daughter to the sea creatures who inhabit the waters nearby. In turn the sea creatures are hunted by the men of the village. Saved from this fate by her father, Hayat is considered a curse on the village and grows up an outcast. Nevertheless, she does not surrender to this fate and fights for a place within her village. After her mother gives birth to a baby boy, Hayat must accept the brutal custom of giving herself to the sea creatures or finding a way to escape.

The post Shahad Ameen – Scales #Venezia76 appeared first on Fred Film Radio.

PODCAST | Nicolò Comotti interviews Costa Gavras, director of the film Adults in the Room.

We had the pleasure to welcome the acclaimed director Costa Gavras in our Venice studios to have a chance to talk and know more about his latest film Adults in the Room, an astonishing rendition of what really went down between austerity-riddled Greece and the European bureaucrat-bots. Brilliantly written and with a commendable cast, Adults in the Room sheds a light to a chapter of contemporary European history that should never be repeated…and yet nothing has changed so far.

Adults in the Room: Behind closed doors, a human tragedy plays out. A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them. A tragedy in the Ancient Greek sense: the characters are not good or evil, but driven by the consequences of their own conception of what it is right to do. A tragedy for our very modern time.

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The post Costa Gavras – Adults in the Room #Venezia76 appeared first on Fred Film Radio.

PODCAST | Matt Micucci interviews Roy Andersson, director of the film About Endlessness. 

An interview with Roy Andersson, whose film About Endlessness was presented in the competition of the 2019 Venice International Film Festival. This is a continuation of his previous work, A Pigeon Sat on a Branch Reflecting on Existence, which won the Golden Lion in Venice in 2014. Here, he returns to his reflections on existence in his now trademark style. He talks about this style which he has developed, his admiration of Albert Camus, his impulsiveness and more.

About Endlessness: A reflection on human life in all its beauty and cruelty, its splendour and banality. We wander, dreamlike, gently guided by our Scheherazade-esque narrator. Inconsequential moments take on the same significance as historical events: a couple floats over a war-torn Cologne; on the way to a birthday party, a father stops to tie his daughter’s shoelaces in the pouring rain; teenage girls dance outside a café; a defeated army marches to a prisoner of war camp. Simultaneously an ode and a lament, Om det oändliga presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.

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The post Roy Andersson – About Endlessness #Venezia76 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi and Chiara Nicoletti host Gender Equality roundtable with Amy Darling (producer), Savina Neirotti (Head of Programme Biennale College Cinema and VR) and Marta Balaga (journalist – Cineuropa).

The roundtable focused on the issue of Gender Equality in festival and film industry; the pros and cons of pink quotas in festival selection, the education of the film exec on non discrimination and the equality of roles in the production and pre-production.

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