FRED Film Radio - English Channel

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FRED Film Radio - English Channel episodes

July 05, 2024 “Pierce”, an interview with director Nelicia Low
Nelicia Low about her murderous fencing brother story "Pierce": "I do believe that movies should be fun. The more light you have in a movie, the darker the dark will be."
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16 min
July 05, 2024 “Xoftex”, an interview with director Noaz Deshe
Noaz Deshe on the refugee camp in "Xoftex" : "It is a place that is nor here, nor there, which means your mind is stateless."
The post“Xoftex”, an interview with director Noaz Desheappeared first onFred Film Radio.
15 min
July 05, 2024 “Celebration”, an interview with director Bruno Anković
"Celebration" tries "to understand how it is possible for young people to fall into this extreme right ideology, not only then, but also very much today."
The post“Celebration”, an interview with director Bruno Ankovićappeared first onFred Film Radio.
14 min
July 04, 2024 “The Complaint”, interview with the director William Sehested Høeg
William Sehested Høeg's "The Complaint", a nuanced exploration of modern corporate culture, and the pervasive influence of social media on personal identities.
The post“The Complaint”, interview with the director William Sehested Høegappeared first onFred Film Radio.
15 min
July 04, 2024 “Baldilocks”, interview with the director Marthe Peters
"Baldilocks" uses archival footage to delve into Marthe Peters' childhood battle with cancer. A journey of memory and a love letter to her parents.
The post“Baldilocks”, interview with the director Marthe Petersappeared first onFred Film Radio.
10 min
July 01, 2024 “The Invasion”, an interview with director Sergei Loznitsa
A talk with the immense filmmaker and documentary maestro Sergei Loznitsa on his latest non-fiction work, “The Invasion”, directed remotely from Berlin, where he resides, with the help of the talented cinematographers Evgeny Adamenko and Piotr Pawlus. The film premiered in Cannes, and is now screening at the 58th Karlovy Vary Film Festival in the Horizons section.
On the nature of the invasion of the title: “I’m not interested in showing the enemy – it never appears in the film: it’s the result of their action that appears, and we can see it in every minute of this film. We can feel that this war exists everywhere, and it influences society, and it transforms it, and this is what was interesting to me: how people find force and capacity, will and dignity, to protect themselves and to resist in these circumstances. And also, you can openly see that it’s impossible to defeat this people, impossible! […] People will resist until the last moment of their lives, and this gives strong emotion, and a strong image of a nation, and I wanted to show the Ukrainian people as a nation, because this nation is being created right now, it is being built right now, in this conflict – unfortunately, it has always happened like that in human history: people have united during wars, facing an aggression, against some enemy […]. This is unfortunate, I would prefer a better way to build a nation than that, but this is what I wanted to show.“
On obliterating culture: “I’m always asking myself how it is possible to destroy so completely culture, architecture, landscape, everything… On the front line, there’s no house left, they destroyed everything completely. What gives an enemy the possibility to destroy all these things that the culture produced: the monasteries, the churches, the buildings…? [Even after the barbarian invasions], they discovered all this knowledge from Greek or Roman times…, [but] with the way war happens now, it’s impossible. This territory is now a complete desert. Just to find all the mines, they calculate that it will take fifteen years to clean the territory… And the ground will be poisoned… I made a short film in a museum in Kyiv: thirty different civilisations were there. They have disappeared of course, but on this territory, there were many different civilisations, so this is much deeper than just this society and that society, this country and that country, this language and that language. It’s much deeper. Everything that’s happening now, I think that everybody should work on it. Of course, I understand that the Ukrainians have to protect themselves and fight and that they need weapons […], but it’s strange that in order to end this war, we have to bring in more and more weapons. There is something paradoxical in this sentence.“
On the episode where huge piles of books are destroyed: “This is a result, a reaction to the war, and it is understandable but you cannot accept that. I cannot accept that… And it’s not only Dostoyevsky, it’s all the books printed in Russian! Balzac, Zola… For me, it means destroying books as a concept because when you start with that, the next step is destroying your own books – and in the footage, I also found some books in Ukrainian! We have to think about that, or at least discuss that.“
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19 min
July 01, 2024 “Real”, an interview with director and soldier Oleh Sentsov
In "Real", "there is no action, there is no fighting, there is not even a visible battle. There is something else – the truth."
The post“Real”, an interview with director and soldier Oleh Sentsovappeared first onFred Film Radio.
7 min
June 18, 2024 “Inside out 2”, interview with director Kelsey Mann and producer Mark Nielsen
Disney and Pixar’s “Inside Out 2” marks the return to the mind of newly teenager Riley and “Anxiety” comes up
The post“Inside out 2”, interview with director Kelsey Mann and producer Mark Nielsenappeared first onFred Film Radio.
8 min
June 17, 2024 “The Bikeriders”, interview with director Jeff Nichols and actor Austin Butler
The Bikeriders by Jeff Nichols sees Austin Butler in the role of a mysterious motorcycle club member in the 60’s Chicago.
The post“The Bikeriders”, interview with director Jeff Nichols and actor Austin Butlerappeared first onFred Film Radio.
7 min
June 14, 2024 “40° N, 73° W”, Interview with director Sandy Williams
40° N, 73° W dive into the powerful exploration of overlooked histories with Director Sandy Williams. A conversation that reveals the intricate process behind capturing unscripted interviews and the significance of documenting forgotten narratives.
The post“40° N, 73° W”, Interview with director Sandy Williamsappeared first onFred Film Radio.
9 min

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