In an investigation with The New York Times, FRONTLINE examines the commercial pressures, flawed design and failed oversight behind Boeing’s 737 Max jet and the crashes that killed 346 people.

"America After 9/11" traces the U.S. response to the September 11, 2001 terrorist attacks and the devastating consequences that unfolded across four presidencies.

This two-hour special offers an epic re-examination of the decisions that changed the world and transformed America. From the wars in Afghanistan and Iraq to the January 6 insurrection, "America After 9/11" exposes the legacy of September 11 — and the ongoing challenge it poses for the president and the country.

Un(re)solved is an investigative podcast series and part of a multiplatform project from FRONTLINE. What prompted the U.S. Department of Justice to investigate over 150 unsolved civil rights era killings? And what does justice look like for the families of the victims? Reporter James Edwards seeks answers to these questions, reflecting on his own family’s experiences along the way.

A co-production between FRONTLINE, Firelight Media and WORLD Channel, Death Is Our Business examines in intimate and moving detail how Black funeral homes in New Orleans have had to adapt to the devastating impact of COVID-19 in their community. While revealing the racial disparities of the virus’ toll, award-winning filmmaker Jacqueline Olive shines a light on how the coronavirus has rocked the Black community’s cherished cultural practices in a city that is no stranger to loss and grief.

As America chooses its next president in the midst of a historic pandemic, FRONTLINE investigates whose vote counts — and whose might not. With Columbia Journalism Investigations and reporters from the USA TODAY NETWORK, New Yorker writer Jelani Cobb reports on allegations of voter disenfranchisement, how unfounded claims of extensive voter fraud entered the political mainstream, rhetoric and realities around mail-in ballots, and how the pandemic could impact turnout.

I’m Not A Monster is a new multi-part investigative series from FRONTLINE, BBC Sounds, and BBC Panorama.

FRONTLINE is featuring the first few episodes of the series here for listeners of FRONTLINE Film Audio Track.

In episode 3, the Islamic State group forces Sam’s son Matthew to spread its propaganda. Josh searches the woods of Idaho looking for a man on an elk hunt. Then an obscure tweet leads him to Syria to try to find the family.

I’m Not A Monster is a new multi-part investigative series from FRONTLINE, BBC Sounds, and BBC Panorama.

FRONTLINE is featuring the first few episodes of the series here for listeners of The FRONTLINE Dispatch.

In episode 2, a man who says he’s a people smuggler offers to help the family, while a drive around a suburb in Indiana reveals their past. Sam’s father adds a new twist on who his daughter really is.

I'm Not A Monster is a new multi-part podcast series from FRONTLINE, BBC Sounds, and BBC Panorama. For the past four years, journalist Josh Baker has been trying to uncover the truth about an American family’s journey from Indiana to the Islamic State group’s caliphate and back.

In episode 1, a suicide bombing in Iraq and a home video from inside the ISIS caliphate begin the search for a family trapped in Syria. A desperate plea arrives from an American woman who says she wants to escape the Islamic State group with her young children.

With Justice Amy Coney Barrett’s confirmation to the U.S. Supreme Court days before the 2020 presidential election, Sen. Mitch McConnell solidified the conservative majority he had been seeking for decades. FRONTLINE tells the inside story of McConnell’s hard-fought effort to transform the nation’s highest court in “Supreme Revenge: Battle for the Court,” an updated version of our 2019 film.

From the pandemic to the polls, 2020 has been a time of tumult across a deeply divided America. FRONTLINE presents a post-election special on the lives, fears and hopes of Americans in the chaotic months leading up to the historic presidential contest. This documentary was filmed around the U.S. for much of the year, following Americans as they dealt with COVID-19 in their communities this spring, responded to George Floyd’s killing this summer, and then experienced the polarizing election and its aftermath this fall.