Before we get to this week’s episode, I have a question for you. And that question is … do you have any questions for me? I ask because we’re coming up on the 500th episode of The Sewers of Paris next month, and to celebrate I’m going to be doing a special Q&A episode where I answer questions from listeners. So if you have anything you’d like to ask — whether it’s about the show, or for recommendations, or about pop culture and queer history — please send it along to at matt@mattbaume.com.

Also, a head’s up that may be of interest: This week sees the release of Part 1 of Wicked — a musical inspired by The Wizard of Oz. And although, when I initially heard about the film, years ago, my first reaction was “oh, there’s no way that’ll be any good” … folks, I’ve seen it, and it is, in fact, very good. So to mark the movie’s release, I’m releasing special episode of my companion podcast, Matt’s So-Cast Pod, where we talk about the strange parallels between the musical Wicked and the TV show My So-Called Life — both written by the same woman, Winnie Holzman.

And also, on this week’s Sewers of Paris, we’re diving deep into the archives for a chat about why The Wizard of Oz has had particular resonance for gay men ever since the book was first published over a hundred and twenty years ago. My guest is Josh Trujillo, who was so obsessed with Oz that as a kid he attended Oz conventions, and discovered that they served as a sort of meeting-place for older closeted gay men who felt unable to meet in public or in bars.

We spoke back in 2015 — it was the third-ever episode of this podcast! So my apologies that the audio quality is at times a little peaky. Nevertheless I hope you’ll enjoy this trip back in time.