Joe, Brandon, and Allan take a break from the major content providers to look at a few honorable mentions you may not have found yet. While there are numerous issues with AI in the entertainment industry, that is not going to stop fresh content like the new Bigfoot Vlogs. While they are certainly for an adult audience, they are entertaining. On the other end of the spectrum is Miniscule, a CGI enhanced set of shorts featuring the secret lives of bugs. You never knew ladybugs were such trouble makers. Allan also brings up Nautilus, which has finally made it to AMC. Don't expect an award winning show, instead, make lots of popcorn and get entertained. They wrap up with a mention of the Australian show, Mr. Inbetween. If you like the idea of "a day in the life" of a hitman. This might be a show for you.

Joe is impressed with season 2 of The Sandman. Brandon and Allan guide everyone thru the parts that make this production hold up. The casting made some bold choices that happily worked out. The cast and crew are all obviously familiar with the source material and are making good on-screen decisions with the performances. Good source material plus a crew that has chemistry with each other and the story equals a well-made and enjoyable show.

Joe and Allan get educated by Brandon and special guest Andy Lockley on how the new movie "Superman" side steps most of the pitfalls of the rank and file super hero movies and comes in with an old fashioned good time at the movies. Leave your troubles at the door and get that cool bucket of popcorn. Then, settle into that comfy new theatre seat, relax, and let the movie do the rest.

Joe and Allan are joined by Scott J. Carroll for a show about the business of art and content. Their special guests are Lin and Nicki Workman. Lin is a renown artist and he and his wife have been on the business side for decades. If you want to know what it is like to work a table at a convention or how to turn your talent into a career, they have lots of tips, tricks, and advice for you.

Max opens with a convention devoted completely to cats. Next, the crew brings up movies like Ratatouille and A. I. and how the animation and CGI technologies have grown over the years. Brandon points out while the tech make change, the back story of family drama and trauma remains consistent from movie to movie.

Brandon and Joe start off with creating art and/or music. Inspiration is a great trend. Next, the whole crew get into the 50th anniversary of Jaws. This movie launched careers, set records, inspired movie makers for decades, and made music a tangible character that toyed with your emotions. The whole Geek Patrol agreed that this movie set the standards.

Joe and Brandon break into a spirited debate, who was the better father, Darth Vader or James T. Kirk? Red shirts versus light sabers and black body armor. Who do think? Which team are you on?

The guys start of with a few tales of animals in WWII in honor of D-Day. Brandon leads a review of the upcoming Frankenstein movie by Guillermo del Toro. Joe and Allan are both looking forward to this new take on the popular movie monster. Max wraps up the show with a shout out to the birthday of Hirohiko Araki, the author and artist of "JoJo's Bizarre Adventure".

Brandon is back and has a surprising review on Thunderbolts. It actually has heart, plot development, and character development. All of which has been sadly lacking in a lot of the new movie releases over the last couple of years. Then Joe is shocked at his new go to shows to just relax over, cooking shows. Not just the British cooking completions, but shows featuring the cuisines of different parts of the worlds. Allan smiles a lot.

Joe opens the show with a few updates on issues with Furries. Then, they move on to Allan's question. "What about IP fatigue?". So far this year, the movies getting the most attention have had little or nothing to do with pre-existing movie universes. Movie theaters don't need additional issues, however, fewer people are buying movie tickets. Are we losing interesting in the same super heroes, dinosaurs, secret agents, and monsters in movie after movie?