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Title: Chimeric Machines
Author: Lucy A. Snyder
Narrator: Julie Sears
Format: Unabridged
Length: 1 hr and 3 mins
Language: English
Release date: 03-31-14
Publisher: Lucy A. Snyder
Ratings: 5 of 5 out of 1 votes
Genres: Drama & Poetry, Poetry
Publisher's Summary:
This collection from rising author Lucy A. Snyder offers three dozen poems to delight listeners who enjoy sly wordplay and subtle allusion, high intelligence and fierce heart.
Critic Reviews:
"She's been through the trenches; she knows the way the world comes down. You can feel it in the work. You're not just looking at words in a book, you're regarding a life that's been opened up and splashed down on the page. This lady is not only courageous, she's fearless. We need more like her to give us that grand plucking of the guts." (Tom Piccirilli, author of The Midnight Road and Waiting My Turn to Go Under the Knife, from his introduction)
"There is nothing illusory or mechanical about these poems. They take us on a marvelously eclectic journey, with a cast that includes a black hole voicing its thoughts and a dead man coming 'Home For the Holidays.' Read and be dazzled." (Christopher Conlon, author of Mary Falls: Requiem for Mrs. Surratt and Midnight on Mourn Street)
Members Reviews:
Simply A Delight
Chimeric Machines is, simply, a delight. Fifteen of the thirty-eight included poems had been previously published, over nine years, in various pro and semi-pro markets, including Strange Horizons, Chiaroscuro, Lady Churchill's Rosebud Wristlet, and Greatest Uncommon Denominator Magazine. I should say up front that Lucy is one of a handful of my favorite poets--her creations tend to tweak me just so: elegant, grounded, visceral, playful, knowledgeable, erudite, educated...she knows a lot about a lot, including the feel of language, and puts it all to good use.
Tom Piccirilli's introduction is short, quirky, and a great way to set the mood before you dive in. Consider it a palate cleanser for the ever-fresh sashimi Lucy slices the world into. The book is broken into seven courses: Technica, Quiet Places, Dark Dreams, Crete Kentucky, Daughters of Typhon, Strange Corners, and Unshelled Evolution. Some sections are more coherent than others, but, for me, the first was the strongest punch. I made notes on each poem as I went, and so many of them, first time through, were just, "Yes. Oh Yes.", or "Delightful", or "*hee*". That's where she hits me.
The leading piece, "Modernism", is simple, but oh-so-elegant, beautifully wry, and hits on several levels. It's two brief stanzas, both relating the same scene, speaking on classical art and modern art, life, perspective, and it is...delightfully wrong, which is a mode I think Lucy aims for frequently.
"And There in the Machine, Virginia Finally Stood Up" is a prose poem, and not what you might expect from the collection's title, but perhaps all the more powerful for that. Three pages long, a lifetime, but I wouldn't do the themes justice by explaining them. The poem does them justice, in spades. My only qualm is that the end is perhaps a bit simple, and glib, in comparison. But there is a lot of glib, throughout, and it's something she does very well.
"Subtlety", which GUD originally published in Issue 2, gets a special call-out in the introduction, and it's well-deserved. From my slush notes, "I was hooked from the first stanza.