In this week’s episode of Gig Gab, Robert Scovill brings his wealth of live audio expertise to the show. As a front-of-house engineer for legendary acts like Tom Petty, Prince, Kenny Chesney, and Rush, Scovill shares the art of balancing sound in massive stadiums while ensuring the audience gets a crystal-clear experience, especially in the crucial front-fill zone. He emphasizes the importance of integrity, stating that “facts are not truth” in the quest to blend technical perfection with the creative essence of the artists. He advises managing the trade-offs inherent to audio mixing, as live music remains a visual art form where “Always Be Performing” is key. Scovill discusses managing sound for Kenny Chesney’s stadium tour and recounts working with Matchbox 20 on a silent stage, sharing how cell phone videos can be instrumental in helping to reveal potential audio issues.
Scovill dives deep into drum audio techniques, recommending starting with stereo overheads and advising against isolating the drums in an “aquarium.” He also explores his favorite microphones and explains why in-ear monitors (IEMs) have positively impacted performers.
Scovill wraps up with stories from touring with Rush and insights into beamforming technology at U2’s innovative Sphere shows. Throughout the episode, he remains open to ideas and resources, underscoring the importance maintaining audio integrity and continually refining one’s craft in pursuit of perfect live sound.
Press play and enjoy, folks…and always be performing!
00:00:00 Gig Gab 429 – Monday, May 13th, 2024May 13th: National Apple Pie DayRobert Scovill — FOH sound … for the rest of us! (That is, when we’ve gone to see Prince, Tom Petty, Rush, Jackson Browne, and nowadays Kenny Chesney!)00:02:00 An Educator at his core00:03:05 Importance of IntegrityFacts are Not Truth00:06:33 This is Adult Audio – Doing Stadiums for the Kenny chesney Tour00:08:18 Open to All Resources and ideasDiction as a priorityLive Music is a Visual Art – Attendees Need TO See The Artist45ft off the ground (vs. 25ft in arenas)00:11:19 Making it sound good in front of the stage as it does everywhere elseThe Front Fill Zone – Separate PA with different mix, panning, positioningEAW Adaptive PA00:16:16 The Technique of Mixing Right In Front of The StageBalance the stage first“Audio is About Managing Trade-offs”Making Petty Sound Good00:24:33 Live stages… ampless vs. just drumsSilent Stages with Matchbox 2000:26:58 Beware Room ReflectionsCell Phone Videos Will Highlight This00:30:37 In-Ear Monitors… Because why not?IEMs Affect Performers…Positively!…so long as you can hear in an ensemble…and don’t sing too quietly00:35:34 Managing Drummers (and Singing Drummers)Start with Stereo Overheads00:39:34 Don’t Put the Drums in An AquariumIt’s a Last Resort!Drum Shields in The Sphere00:41:56 U2 at The Sphere00:44:20 Beamforming Sound at The SphereThe Sphere Aronofsky Movie00:46:54 Gear Gab: Microphones for Drums and Singing DrummersHeil PR-31BWBeyer M88Beyer M160Shure SM57Telefunken M80 as snare bottomLauten Snare MicEarthworks SR117Beyerdynamic Ribbon Mic00:54:26 Geeking out on Gear Gab00:56:04 Drum OverheadsRoyer Stereo RibbonTul Condenser Overhead MicrophonesAustrian Audio’s 414 Remake00:56:58 Reminiscing About Being on Tour With Rush01:00:49 The Emotions of Declining Rush01:02:27 Find Robert ScovillOn FacebookOn InstagramOn LinkedInRobertScovill.comThe Back Lounge01:04:20 Gig Gab 430 OuttroContact Gig Gab!@GigGabPodcast on Instagram[email protected]Sign Up for the Gig Gab Mailing ListThe post Nerding Out About Live Sound with Robert Scovill — Gig Gab 429 appeared first on Gig Gab.