Lorenzo Senatore is both a member of the American Society of Cinematographers (A.S.C.) and the Italian Association of Cinematographers (A.I.C.).  Just a few of his credits as Cinematographer include, THE OUTPOST (2019), HELLBOY (2019), MEGAN LEAVEY (2017) and RISEN (2016). In a recent chat with Dara Naficy, (GlobeScreen’s Managing Director), he shared his experiences working with many directors including Neil Marshall, Rod Lurie and Kevin Reynolds. He also shares for listeners his views on coverage on set, coordinating physical production with visual effects photography, some of his influencers and advice for new Directors of Photography breaking into the movie industry. GlobeScreen would like to thank Millennium Media for making this Episode possible.  

London-based Alice Searby has been active in the world of casting for many years. As Casting Director she recently cast both the BBC Films, Pathé & Ingenious Media co-production JUDY, starring Renée Zellweger and Paul Feig’s LAST CHRISTMAS, from Universal Pictures and starring Emilia Clarke. She got her start as a Casting Associate on a wide variety of features including THE GOLDEN COMPASS, AN EDUCATION, J. EDGAR, INVICTUS, and BROOKLYN.  She is currently busy with several more features in pre-production.  In a conversation with Zef Cota, she spoke about her journey into casting, how it is great for those getting into casting to really be passionate about both theater and film, and some memorable stories about the casting process, from a few of her projects.

Formed in 2020, Hometeam is a joint venture of Co.MISSION Content Group and Magic Seed Productions that is defining the future of remote production for TV, films, brands and agencies. Co-founders Harrison Winter, Lagan Sebert and Brandon Bloch recently spoke to GlobeScreen Director of Podcasts, Zef Cota, about the company and how it intends to stay relevant in a post-pandemic entertainment industry. Recent clients of the Hometeam remote production solution include NBC’s The Voice, HBO Max’s Legendary and Trillions of Questions, No Easy Answers, a feature-length documentary for Google. For more information visit www.wearehometeam.com.

In Part 2 of our podcast about VFX, Matthew Bristowe recalls his time at both London based One of Us and Technicolor, where he was Head of Production on movies such as JURASSIC PARK: FALLEN KINGDOM (2018), STAR WARS: THE LAST JEDI (2017), FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (2018), and the first two seasons of Netflix’s THE CROWN. He also shares some of the VFX challenges he worked on for TNT series THE ALIENIST. In his current role as Managing Director at London based animation studio & post house, Jellyfish Pictures, he discuses his latest feature project for DreamWorks Animation and the unique way the company’s people have a hand in deciding which productions to develop internally. Listen in to find out more.

25 year visual effects veteran Matthew Bristowe has overseen many high-profile productions in senior roles at Technicolor, One of Us, Prime Focus, MPC and currently, Jellyfish Pictures. In Part 1, of a two-part podcast, he discusses his time at MPC as a Digital Intermediate Supervisor on titles such as 28 DAYS LATER (2002), TROY (2004), PRIDE AND PREJUDICE (2005), THE WIND THAT SHAKES THE BARLEY (2006) and SLUMDOG MILLIONAIRE (2008). Later, while Senior Vice President at Prime Focus World, he talks about his groundbreaking stereographic work on Alfonso Cuaron’s GRAVITY (2013), for which he won the Advanced Image Society’s Lumiere Award. He also recalls his stereography work for HARRY POTTER & THE DEATHLY HALLOWS (2011) and EDGE OF TOMORROW (2014).

Christina Moore is an accomplished Production Designer based in London. She is currently Production Designer on SKY ATLANTIC/ EPIX (in the US), television show BRITTANIA. In 2020 she was Production Designer for Jessica Swale’s SUMMERLAND, with Gemma Arterton, released by IFC Films in the US. Previously in her career, she was Supervising Art Director on both HBO’s JOHN ADAMS and several seasons of GAME OF THRONES. She talks to Zef Cota about the art of Production Design in general, juggling the worlds of design for both film and television and experiences working with various directors. She also recalls her unique career start, as Storyboard Artist on Ang Lee’s SENSE AND SENSIBILITY.

Los Angeles based Millennium Media, founded in 1996, is behind some of the film industry’s most successful movies to date, including THE EXPENDABLES, LONDON HAS FALLEN, OLYMPUS HAS FALLEN, BROOKLYN’S FINEST, RAMBO: LAST BLOOD and most recently THE OUTPOST. Other titles soon to be completed by the indie studio include THE ASSET with Michael Keaton and THE HITMAN’S WIFE’S BODYGUARD, both of which Lionsgate will release next year. The studio’s Co-President, Jonathan Yunger, recently had a conversation with Zef Cota about Millennium’s various productions, his day-to-day responsibilities, experiences as a Producer, plus much more.

Annarie Boor is a London based Producer & Talent Manager. She recently spoke to Zef Cota, Director of GlobeScreen Podcasts, about the journey that took her from professional ballet dancer in South Africa to indie filmmaker based in the UK. Topics discussed include the various projects her company, Tapping Frog Productions, is engaged in, how the company approaches talent management and the activities of her mentoring organization, Mentor Through Film.