Handel’s Messiah is one of the great Christian works of Easter. Jeff Lloyd Roberts follows the creation of a new production by the Glyndebourne opera company, looking at the challenges of mounting a huge choral piece and touring with it during a time of rising Covid rates. While most oratorios put the spotlight on the soloists, Handel’s Messiah has the chorus at its heart. We hear from performers in one of the foremost choruses in international opera, as they take on a piece that wholeheartedly showcases its singers in everything from the exhilarating He Trusted in God to the rapt wonder and stillness of Worthy is the Lamb. Conductor Ben Glassberg discusses the challenge of finding a new way to tell the story of Christ’s birth, crucifixion and resurrection in such a well-known and well-loved work. Image: The Glyndebourne chorus rehearses Handel's Messiah (Credit: Richard Hubert Smith) Show less

Glyndebourne's Messiah

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Agatha Christie is the world's most translated author, with her work being available in over 100 languages. And one of her most beloved characters, Miss Marple, is about to be resurrected with the help of 12 contemporary authors. In The Studio talks to two of those writers: Dreda Say Mitchell who specialises in a different type of crime story, the gritty gangster genre, and Kate Mosse, who is known for her historical sagas. They reveal how they rose to the challenge of reinventing one of the most famous characters in 20th Century fiction.

Miss Marple returns

Maggie O’Farrell’s historical novel Hamnet was published in 2020 to great critical acclaim, winning the Women's Prize. It tells the story of a gifted herbalist, Agnes Hathaway, who is married to a young William Shakespeare. We follow her on her journey as they meet, marry, and later come to terms with the death of their 11-year-old son, Hamnet. Now, the Royal Shakespeare Company is putting Hamnet on stage for the first time in Shakespeare’s birthplace of Stratford-upon-Avon. Presenter Dan Hardoon follows the RSC’s Acting Artistic Director Erica Whyman throughout the rehearsal process. We also hear from award-winning playwright Lolita Chakrabarti on the challenges of adapting the novel for the stage, and from cast and crew as they get ready for opening night.

Erica Whyman: Directing Hamnet

Beyond Belief - The Life And Mission Of John Hume is a new drama musical about the Irish politician who was one of the architects of the Northern Ireland peace process. Marie-Louise Muir goes behind the scenes of the production staged in Hume's home city of Derry with its director Kieran Griffiths. She follows his young company of actors rehearsing for a major production which will be streamed live globally on the 25th anniversary of the signing of the historic peace accord, the Good Friday Agreement.

Kieran Griffiths: telling the John Hume story

The poet Nikita Gill has written several volumes of poetry, and enjoys engaging poetically with her audience using social media. Her work often explores Greek Myths, and her latest project continues with that theme as she embarks on a series of four books, each one focusing on a single goddess. For this episode of In The Studio, we join her as she starts with Hekate, often known as the Goddess of Witchcraft, and about whom little is known, other than that she was brought up in the underworld by Styx. Nikita describes Hekate as a dark anti-feminine goddess and a protest against what is expected of women which is what appealed to her. But how do you go about creating a life for someone who is so mysterious? And as Nikita will also be illustrating her work, how will she decide how to visually portray her? Follow Nikita across several months as she works towards completing her first draft of this exciting new work.

Nikita Gill: Imagining Hekate

Nick Duncalf meets artist Theo Jansen at his studio in Delft, as he creates his latest Strandbeests, multi-legged creatures designed to walk the sands of Holland’s North Sea coast. Outside his workshop, the grass is littered with bleached plastic pipes; the skeletons of strandbeests past. He has been building these creatures for decades. Each year, new creatures - some the size of shopping trolleys, some the size of cars - are designed, tested, and allowed to run free across the sands. At a battered work table, Theo toils over sections of pipe, heating and bending and attaching pieces of what will become the skeletons of the new beests. In recent years, the Strandbeests have become internet stars, hugely popular on Instagram and Youtube. Theo began this project in 1990, when he was 42 years old. He tells Nick of his annual quest to bring these creatures to life, and to prepare them to battle the elements on the beach. Each year brings new challenges, new dreams, new failures, and new triumphs. Aged 74, Theo will not have another 33 years to continue his work. He is confronting the time limitations of this project, and his own legacy as an artist. There is a renewed sense of urgency in his work, and his boundless energy, enthusiasm and optimism mean that this year’s strandbeests will be more ambitious than ever.

Glyndebourne's Messiah

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