Following their debut ‘Virtual Reality’, progressive metalcore band Dreamwake is now gearing up to release their sophomore album, ‘The Lost Years’, via UNFD – a record that expands their sonic world even further. At its core, The Lost Years is a conceptually ambitious and deeply personal body of work – one that invites listeners into a richly textured sonic universe while confronting the passage of time and the spaces in between who we were and who we become. It will be released on August 8th, 2025.

An experience like no other, while having so many recognisable parts, Dreamwake do the impossible here. Creating something that is more akin to sensations, where listening to it with multitudes of daily distractions isn’t an option, and a word like unique isn’t hyperbolic in the slightest. There hasn’t been anything like this all year (and longer) and may not be until the next time Dreamwake release something.

Check out the full review here: https://www.gbhbl.com/album-review-dreamwake-the-lost-years-unfd/

We spoke to the entire band, getting their individual perspective on the release and the work that went into making it a reality. We also talk about the depth it has, the journey the band has been on to refine their sound, their creative chemistry, and so much more.

Find out more here: https://unfdcentral.com/artists/dreamwake/

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UK-based artist, producer and songwriter Jessie returns with I’m A Mess — a raw, grunge-infused anthem that marks a bold sonic departure from her recent Nashville Vignettes EP.

Out 1st August 2025, the single channels the distorted energy of Nirvana, Blur and The White Stripes, while staying rooted in the folk-driven storytelling that defines her work.

Following on from Little Miss London — a standout track from her 2022 album Sticky Floors — I’m A Mess continues the narrative arc, shifting from external chaos to internal reckoning. Where Little Miss London captured a lipstick-smudged stranger on a midnight train, I’m A Mess turns the lens inward, exploring Jessie’s own vices, coping mechanisms and the beauty found in imperfection.

With a vocal that moves from gravel to falsetto and a full-band arrangement that hits hard and honest, I’m A Mess is both a cathartic release and a declaration of self-acceptance and surrender. It’s a track that celebrates the mess — not as a flaw, but as a part of becoming.

I’m A Mess is available on all major streaming platforms now.

We had the pleasure of speaking with Jessie, not just going into detail about the new single, but also Jessie’s incredible career to date, her creative drive, the work that goes into everything, the future, and so much more.

Find out more here: https://linktr.ee/jessdippermusic

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Extreme metal supergroup Sinsaenum are back and back with a beast of a record! Their long-awaited brand-new album, 'In Devastation', will be released on August 8th, 2025, via earMUSIC.

The release marks the band’s first new material since the tragic passing of legendary drummer Joey Jordison (Slipknot, Murderdolls) in 2021. Both the single and album serve as a cathartic tribute to Jordison and to guitarist and founder Frédéric Leclercq’s late father, whose deaths profoundly shaped the emotional and creative direction of the project.

Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison’s tech and a trusted member of the band’s touring family.

We spoke to Frédéric Leclercq about the new album, the emotion behind it, the work that went into creating it, and what it means to release it. It’s not all about looking back though, as we also discuss how the band is looking forward while honouring the past, what the future looks like, and so much more.

Find out more here: https://sinsaenum.com

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Scottish heavy hitters, Hammer will self-release their new album ‘Trapped’ on August 1st, 2025. An album with themes inspired by the band’s collective interests in gaming and horror.

Hammer realised, Hammer defined, Hammer as they stand today, and Hammer ready to mess you up. Featuring unexpected depth, impressive variety, and undeniable intensity, the Scottish metallers have aimed high with this release and hit the mark. Not just because of focus, but because it’s the perfect distillation of who and what they are right now. Capable of delivering unrelenting ferocity across all areas of the band, but confident enough to let every single aspect of the band shine. Then, throw in a thick lathering of cynicism, anger, horror, and more, connected to the ‘entrapment’ vein that runs through the entire thing, and you’re left with an album that slaps hard.

Read our full review here: https://www.gbhbl.com/album-review-hammer-trapped-self-released/

We caught up with three members of Hammer (James Andrews – vocals / Dave Farrell – guitars / Piotr Kasprowicz – bass), talking about the new album, the work that has gone into it, the ‘entrapment’ vein, the ups and downs of the creative journey, why it is such a seminal release for the band, and so much more.

Find out more here: https://linktr.ee/hammertheband

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Shock rock legends GWAR are back to wreak havoc once again with their new multimedia release, The Return of Gor Gor, due 25th July 2025 via Pit Records/Z2 Comics. This multi-format assault on the senses includes brand-new studio recordings, ferocious live performances, and an exclusive 32-page comic detailing the epic return of Gor Gor, GWAR's long-lost, three-ton Tyrannosaurus Rex. This release is a collaboration between GWAR and Z2 Comics, ensuring fans get the ultimate immersive experience.

The Return of Gor Gor features three brand-new GWAR songs mixed by Kurt Ballou (Converge, GodCity Studios) and four live tracks captured at The Masqueradein Atlanta, GA during GWAR's 2024 tour, mixed by Chris Ronan Murphy.

Gor Gor has returned and has stories to share. Spoilers: it’s a little weird. Of course it is though, this is GWAR, and they’ve been delivering the weird and wonderful (amongst other less savoury words to describe them) for 40 years. Can you freaking believe it!? Love them or loathe them, no one can deny the impact this band has had and that’s not changing anytime soon.

Read our full review of the EP here: https://www.gbhbl.com/ep-review-gwar-the-return-of-gor-gor-pit-records/

We had the pleasure of speaking with lead vocalist Blöthar the Berserker about Gor Gor and his return. After all, how do you misplace a three-ton Tyrannosaurus Rex? But that’s not all. We break down the EP, look at 40 years of GWAR, muse over the iconic band’s staying power, and so much more.

Find out more here: https://gwar.net/

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Phoenix-based groovers and thrashers Incite present their most ferocious incarnation in the forthcoming full length, Savage New Times set for release on August 15, 2025, via Reigning Phoenix Music. A powerhouse of modern thrash metal, Savage New Times encapsulates the pure nature of Incite instilled with their unyielding drive and years of dedication to honing their sound.

A formidable sonic force in the thrash metal scene, Incite’s fierce and unforgiving music not only continues to prevail but is elevated through their growth. Incite will stop at nothing in striving to attain their most powerful version of themselves, and in Savage New Times they present a truly impressive and visceral sound. From the monumental pace of the album's aggressive opener "Lies" and the intense energizing rhythms of "Just a Rat" to the brutal groove driven "No Mercy No Forgiveness" and dark bloodthirsty title track, Savage New Times is a captivating display of power.

We had the pleasure of speaking with frontman Richie Cavalera about the new album, the work that has gone into it, the journey that Incite have been on, and what it has taken to get to this place. We live in Savage New Times, and Incite are leading the charge.

Find out more here: https://incite.rpm.link/savagenewtimesPR

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Surrey progressive punks DARKO will release their brand-new EP, ‘Canvas’, on July 18th, 2025, via Lockjaw Records. The EP serves as the final piece of the conceptual puzzle that ties all of the band’s recent releases together, relating to their Greyscale and Sparkle EP’s both lyrically and thematically.

What a journey we’ve been on with DARKO and what a culmination this is. Three EPs, one grand and inventive listen experience that might tell many individual stories, but overall, tells the story of DARKO’s evolution. They’ve grown so much over the past few years and this EP embodies that perfectly.

Read the full EP review here: https://www.gbhbl.com/ep-review-darko-canvas-lockjaw-records/

We spoke to vocalist Tom West and guitarist/vocalist Rob Piper about the new record and the incredible journey that DARKO has been on to reach this point. We dig into the detail behind this EP, the over-arching concept, the band's evolution, and so much more in this interview.

Find out more here: https://www.lockjawrecords.co.uk/bands/lockjawcrew/darko/

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UK heavy metal outfit Rites to Ruin released their highly anticipated debut album, 'Daughter of Hatred', on 30th June 2025.

The band, fronted by powerhouse vocalist Krissie Kirby (Triaxis), features a seasoned lineup of Matt Chambers (Triaxis, In the Absence of Light) & Lee Cartner on guitars, Paul Boschen (Burn thy Enemy) on bass, and Zak Skane (Democratus) on drums. Together, they craft a dynamic and hard-hitting sound that is both nostalgic and refreshingly contemporary.

Filled with heavy metal flair, and not just because of vocalist Krissie’s signature soaring vocals, Rites to Ruin bring NWOBHM kicking and screaming into the modern era. Stylishly combining retro head banging vibes with progressive creative thinking across ten mighty bangers. Putting it simply, it’s an album with depth, but it’s also an album that encourages head banging. A fist raising, chest thumping, head banger of a debut album.

Read our full review here: https://www.gbhbl.com/album-review-rites-to-ruin-daughter-of-hatred-self-released/

We spoke with vocalist Krissie and guitarist Matt about the debut record, and the journey that Rites to Ruin have been on. Delving into the ups and downs of the creative and recording process, the challenges they faced, the fun they had, Bloodstock 2025, what the future might hold, and so much more.

Find out more here: https://ritestoruin.co.uk/

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Following from their uncompromising and off-kilter 2022 debut album ‘Regurgitorium’, Why Patterns return with an ear assaulting about turn on their sophomore record ‘Screamers’. Out 11th July, 2025, via Human Worth.

16-minutes of madness, Why Patterns have strived to create something so distinctive, so abrasive, so interesting, and so lovable, provided you like a bit of noise.

Read our full review here: https://www.gbhbl.com/album-review-why-patterns-screamers-human-worth/

They're something special, and to try and understand what makes them tick, we spoke to dummer Dan McClennan about their new album, Screamers. Digging into the guts of it, their vision, how they have gotten to this place, and so much more.

Find out more here: https://whywhywhypatterns.bandcamp.com/album/screamers

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South African punk rock/metal band Lefokolodi released their long-awaited debut EP ‘The Milk Was Finished Cos We Were Thirsty’ on the 23rd of May 2025.

Going for anthems, all singing and bouncing anthems that every single person listening will feel compelled to join in with, Lefokolodi GET punk rock. Especially punk rock that sits on the heavier and more intense side of things. Delivering five raucous bangers that are filled with heart and soul and get well and truly jammed in the brain matter.

Check out our full review here: https://www.gbhbl.com/ep-review-lefokolodi-the-milk-was-finished-cos-we-were-thirsty-self-released/

We spoke to guitarist Shinesh and bassist Sidney about the EP, and the work they put into it. We talk vision, their individual journeys within Lefokolodi, satisfaction with what they have achieved so far, the future, and so much more.

Find out more here: https://www.instagram.com/lefokolodi/

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