"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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Privacy & Opt-Out: https://redcircle.com/privacy

"The object of this book is to bring together stories of the most important movements in the history of Europe during the Middle Ages, and to make familiar the names of the most important figures in those scenes. 

I have endeavoured to weave a tapestry in which, with due colour, may be traced the history of the rise and fall of the various nationalities and the circumstances and mode of life of each—in short, to give the young reader an approximation to the background for the study of his country's history which a wide reading gives to a person." 

(Summary from the Preface.)

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A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. 

Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense.

Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. (From Wikipedia.)

This is a collaborative reading.

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A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. 

Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense.

Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. (From Wikipedia.)

This is a collaborative reading.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. 

Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense.

Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. (From Wikipedia.)

This is a collaborative reading.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. 

Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense.

Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. (From Wikipedia.)

This is a collaborative reading.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy