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After the success of Avengers, the MCU was burgeoning into a colossus, and Disney found itself in desperate need of Intellectual Property to enlist in it's conquest of popular culture. They take a risk: A cult director with a pedigree in sicko schlock, a far fletched cosmic setting, and a d-list cast of offbeat throwoffs including a talking raccoon and a tree. What did they get? A smash hit and a money printing machine. What did we get? A perfectly fine mainstream blockbuster. Nicole and Stu take a look at the movie that helped define blockbusters in the 2010s and probably the best movie the whole Marvel thing has yet produced - but in it's success, does more than any movie to expose the problems and limitations inherent to the 'Cinematic Universe' approach to film.
By Nicole Veneto, Tyrell James, and Cole4.4
4141 ratings
After the success of Avengers, the MCU was burgeoning into a colossus, and Disney found itself in desperate need of Intellectual Property to enlist in it's conquest of popular culture. They take a risk: A cult director with a pedigree in sicko schlock, a far fletched cosmic setting, and a d-list cast of offbeat throwoffs including a talking raccoon and a tree. What did they get? A smash hit and a money printing machine. What did we get? A perfectly fine mainstream blockbuster. Nicole and Stu take a look at the movie that helped define blockbusters in the 2010s and probably the best movie the whole Marvel thing has yet produced - but in it's success, does more than any movie to expose the problems and limitations inherent to the 'Cinematic Universe' approach to film.

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