
Sign up to save your podcasts
Or
Guillermo del Toro has been called the leading fantasy filmmaker of this century. His movies include “Pan’s Labyrinth,” “Hellboy,” and “The Shape of Water,” which won four Academy Awards in 2018, including Best Picture and Best Director. He joined David Remnick to talk about his new film, “Nightmare Alley,” along with Bradley Cooper, who plays Stanton Carlisle, a grifter who seems to want to do the right thing but is unable to resist the pull of the con. Based on a 1946 novel by William Lindsay Gresham, “Nightmare Alley” is del Toro’s first film that isn’t somewhere in the fantasy genre; its dark depiction of American life is grounded in film noir. “We went to the root of it, American existentialism,” del Toro says, citing sources like the novel “The Day of the Locust” and the paintings of Edward Hopper. “It’s a discovery of America reckoning with its own ideals and its reality,” and a sense of tragic fate. “We knew that we needed to create not an up-and-down structure but a very steady, inexorable ramp.” The film, which was released in theatres in December, during the surge of the Omicron variant, begins streaming February 1st.
4.2
54965,496 ratings
Guillermo del Toro has been called the leading fantasy filmmaker of this century. His movies include “Pan’s Labyrinth,” “Hellboy,” and “The Shape of Water,” which won four Academy Awards in 2018, including Best Picture and Best Director. He joined David Remnick to talk about his new film, “Nightmare Alley,” along with Bradley Cooper, who plays Stanton Carlisle, a grifter who seems to want to do the right thing but is unable to resist the pull of the con. Based on a 1946 novel by William Lindsay Gresham, “Nightmare Alley” is del Toro’s first film that isn’t somewhere in the fantasy genre; its dark depiction of American life is grounded in film noir. “We went to the root of it, American existentialism,” del Toro says, citing sources like the novel “The Day of the Locust” and the paintings of Edward Hopper. “It’s a discovery of America reckoning with its own ideals and its reality,” and a sense of tragic fate. “We knew that we needed to create not an up-and-down structure but a very steady, inexorable ramp.” The film, which was released in theatres in December, during the surge of the Omicron variant, begins streaming February 1st.
9,106 Listeners
3,861 Listeners
90,648 Listeners
38,223 Listeners
3,309 Listeners
3,925 Listeners
501 Listeners
2,100 Listeners
27,517 Listeners
86,489 Listeners
111,397 Listeners
2,301 Listeners
6,755 Listeners
15,207 Listeners
1,451 Listeners
573 Listeners
423 Listeners