Gus Clemens on Wine explores and explains the world of wine in simple, humorous, fun posts

Gus Clemens on Wine explores and explains the world of wine in simple, humorous, fun posts

By Gus ClemensArtsHistoryFood
Download on the App Store

Gus Clemens on Wine explores and explains the world of wine in simple, humorous, fun posts episodes

  • Alcohol risks 10-9-2024

    This is the weekly column

    Scare headlines: “Drinking any alcohol is a cancer risk.” Well, okay, the question is how much of a risk?

    In this discussion, remember the adage popularized by Mark Twain: “Three types of lies. Lies. Damn lies. And statistics.” Stories about cancer risk with alcohol often can be taken with a grain of salt.

    No question alcohol can put you at a greater risk of cancer. But how much greater risk? That is where the statistical hanky-panky emerges. A popular reference comes from the Canadian Centre on Substance Use and Addiction’s 2023 Guidance on Alcohol and Health: Final Report. A bottom line: limit consumption to no more than two alcoholic drinks a week.

    The devilish detail is the comparison of no-alcohol risk and the risk of some alcohol—usually two glasses of wine a day. Here are the findings:

    • The breast cancer risk for no-alcohol females is 17.3 of 100,000 deaths (1.73%). Two-a-day drinkers increase their risk to 22 of 100,000 deaths (2.2%).

    • The colorectal cancer risk for no-alcohol people is 9.2 of 100,000 deaths (.92%). Two-a-day drinkers is 11.1 of 100,000 (1.1%).

    • The liver cancer risk for no-alcohol people is 3.2 of 100,000 deaths (.32%). Two-a-day drinkers is 3.6 of 100,000 deaths (.36%).

    • The oesophagus cancer risk for no-alcohol people is 1.5 of 100,000 deaths (.15%). Two-a-day drinkers is 2.1 of 100,000 deaths (.21%).

    The statistical trick is to state increased risk in relative terms, not absolute terms. Breast cancer risk is 17.3 of 100,000 among non-drinkers and 22 of 100,000 for drinkers. The increase in drinkers is 27% measured in relative terms—22 is 27% more than 17.3. In absolute terms, the increase is .47% (17.3 plus .47 equals 22). If a woman drinks two glasses of wine a day, she increases breast cancer risk by less than one-half a percent.

    That is the reason the anti-alcohol zealots harp on relative and not absolute numbers. One is alarming but misleading. Two-a-day female wine drinkers do not increase their death rate by 27%. They increase their cancer chances from 17.3 per 100,000 to 22 per 100,000.

    No one argues that excessive alcohol does not pose significant health risks. But misleading the public about the risks of moderate consumption is not the way to affect this issue. Go ahead and have that glass of wine with your meal tonight. It is very unlikely to kill you. And the bonhomie you enjoy with that meal has its own benefit of increasing joy and enriching your life, which studies show helps prolong life.

    Last round

    What do elves use to make sandwiches? Shortbread. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Wine name revolution 10-2-2024

    This is the weekly column

    If you go into almost any wine shop, liquor store, or supermarket wine section in the United States—and now in most places in the world—you will find wine bottles arranged and named by the variety of grape used to make the wine.

    When the bottle contains a predominant percentage of a single grape variety (generally 75% in the U.S., 85% in Europe) it can be labeled as a varietal wine. It has not always been that way, and you have an iconic American wine family to thank for the change.

    The classic naming convention came from Old World wine countries—France, Spain, Italy, Germany,  and other European countries. The name came from the appellation—Bordeaux, Burgundy, Rioja, Priorat, Chianti, Barolo.

    Sophisticated wine drinkers understood designations. Bordeaux—blend of cabernet sauvignon, merlot and a few other grapes. Burgundy—pinot noir. Rioja—tempranillo. Priorat—garnacha and carignan. Chianti—sangiovese. Barolo—nebbiolo.

    When California wines stunned the world at the Judgment of Paris in 1976 the contestant wines were identified as Cabernet Sauvignon and Chardonnay, but that was not the norm. Back then, many American wines were labeled with names like “Claret”—cabernet sauvignon, maybe. “Burgundy”—pinot noir, maybe. “Hearty Burgundy”—not pinot noir, but a blend of zinfandel, petite sirah, and carignan. “Champagne”—any sparkling wine made any way, to the fury of winemakers in the Champagne region of France. The Mondavi family, led by Robert, realized most Americans were just getting into wine and needed something simpler. When Robert left the family’s Charles Krug operation to found his own winery in 1966, he began labeling his wine by the variety used. For the most part. When it came to sauvignon blanc, then considered déclassé, not the hot white it is today, Mondavi blinked and appropriated its French name “Pouilly-Fumé” to create “Fumé Blanc,” a blend of mostly sauv blanc with a splash of sémillon—but with enough sauv blanc to be labeled as a varietal. Today, it is among the winery’s best sellers.

    The American naming revolution largely won the day. Old World wineries still use their historical names, but likely you can read the varietal or variety-blend somewhere on the label. Almost every New World wine will carry the varietal or variety-blend information.

    The revolution made figuring out wine easier for people to figure out. And is an important reason for wine’s unprecedented increase in popularity the past half century. Thanks, Bob.

    Last round

    My English teacher looked at me and said: “Name two pronouns.” I said: “Who, me?” Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Wine barrels 9-25-2024

    This is the weekly column

    Winemakers: To oak or not to oak, that is the question. Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take up oak to craft your wine to shake the spheres of ordinary.

    Oak and wine were made for each other. The wood and how it is treated introduces flavors compounds and textures. Oak barrels allow slow oxygenation, which engenders complexity and depth. Malolactic fermentation in oak converts tart malic acid into softer lactic acid, creating a creamier, buttery texture. The winemaker must decide if oak is in the wine’s future. For some whites, the answer is no. For reds, usually yes.

    Next decision—which oak to use. There are some 600 species of oak trees. They are divided into two main groups: red oaks and white oaks. In North America alone there are about 90 native species.

    American white oak (Quercus alba) has wide grain and high levels of lactones, delivering flavors of vanilla, coconut, marshmallow, volume, creaminess, and sweetness. It usually receives a medium toast (flame treatment inside the barrel). It often is used for bold wines—cabernet sauvignon and petite sirah—because its robust flavors and higher oxygen ingress complement such wines.

    European white oak (Quercus petraea) has finer grains. It has a more subtle influence on wine than American oak and imparts elegant flavors of vanilla and spice, and thus is preferred for lighter wines—pinot noir and chardonnay. The tight grains also mean a more measured integration of flavors, often preferred for premium wines. At medium toast, French oak imparts notes of coffee, chocolate, leather, and mushrooms. Wine must spend more time in French oak than American oak to attain these flavors.

    Eastern European oak, particularly from Slovakia, Hungry, and Romania, are similar to French oak. They can be more subtle than French oak and provide more delicate flavors.

    Bourbon barrels are another category, pioneered in the 20th century by Chilean mega-maker Concho y Toro with its American label, 1000 Stories. It involves using American oak, blackened and heavily charred to make bourbon and whiskey in first use. In second use with wine, the barrels deliver caramel, burnt sugar, dried herbs, coffee, and vanilla. Wine finished in bourbon barrels are only part of a blend—around five percent—but add smoothness and another layer of flavors with hint of its bourbon back story. They also are a booming category in wine because they are smooth and delicious. Wood you not be interested in trying this category?

    Last round

    I only know 25 letters in the alphabet. I don’t know Y. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Great wine comes from great vineyards 9-18-2024

    This is the weekly column

    What makes a great wine? There is a hard and fast answer: “great wine comes from great vineyards.”

    What makes a great vineyard?

    • Terroir. This is big net answer because the French term includes soil composition, climate, topography, even the culture and experience of the vineyard-winery workers.

    • Soil. Different grape varieties thrive in different types of soil. Merlot is particularly suited for clay soil that holds water. Cabernet sauvignon prefers gravelly soil that drains well. Chardonnay enjoys limestone soil. Sauvignon blanc’s ideal is sandy loam. The mineral content of the soil also can enhance character and complexity.

    • Climate. Well, of course. In particular, diurnal shift—the change in temperature from day to night—is a precious quality. Hot day engenders ripeness and tasty fruit, while cool nights develop balancing acidity.

    • Topography. In cool climates in the Northern Hemisphere south-facing slopes maximize heat and sun exposure. In warm climates, east, north, or northeast facing slopes help avoid overheating. Water drainage, slope, and elevation all can play a part.

    • Vineyard management. When nature gives you advantages, it is up to you to make the most of them. That includes decisions on farming methods. What to plant and how to plant. Pruning and canopy management are vital, a task that demands experienced vineyard workers.

    Where do these elements exist? The glory of wine, engendered by wine grape diversity, is there are places all over the world where you can make good wine. From the drenching rains of Minho province in Portugal to vineyards in the Atacama Desert in Chile—the driest place on earth—to the cold climes of the Niagara Peninsula and Okanagan Valley in Canada, clever humans have figured out what grape variety, vineyard configuration, and management decisions work in their special place in creation.

    After the interplay of these elements in the vineyard, the job of making great wine then falls to the artistry of winemakers. There is an almost universal agreement among great winemakers: their job is to largely stay out of the way and allow the vineyard to express itself. After all, “great wine comes from great vineyards.”

    Tasting notes

    • Serego Alighieri Possessioni Garganega e Sauvignon del Veneto 2021: Fresh, fruit-forward blend of garganega (the main grape of Soave) and sauvignon blanc. $20 Link to my review

    • DeLille Cellars Métier Cabernet Sauvignon, Columbia Valley 2021: Bold but approachable. Saturated with dark fruit flavors. $23-30 Link to my review

    • Texas Hills Vineyard Sangiovese, Texas High Plains, Newsom Vineyards 2015: Delicious Texas interpretation of the great red grape of Tuscany. Almost decadent ripeness. $25 Link to my review

    Last round

    Thank you for explaining the meaning of “many.” It means a lot to me. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Five enemies of wine 9-11-2024

    This is the weekly column

    Wine is your friend, especially when sipped with friends during a convivial meal. You are obliged to protect it from its enemies.

    Classic factors that negatively impact wine quality:

    • Oxygen. Exposure to oxygen can be wine’s valued friend or its mortal enemy. The key is moderation. Readers know of my advocacy of decanting—exposing wine from a freshly opened bottle to air to soften tannins, blow off odors, integrate elements. That exposure is relatively brief, measured in minutes or small number of hours. It is a common technique for red wines that also can improve some whites.

    But too much oxygen is the most significant threat to wine. Too much during the winemaking process can darken white wines to a brownish hue and rob red wines of vibrant color, shifting them into orange or russet shades. Too much oxygen in opened wine will flatten its flavors and aromas. Eventually it will turn the wine into vinegar.

    • Light. Ultraviolet light, both from the sun and artificial lighting, degrades wine’s flavors and aromas. That is why many wines come in dark bottles and should be stored in a dark environment.

    • Heat. Higher temperatures accelerate aging and eventually spoil the wine. One telltale sign of excessive heat exposure is a cork that has lifted, also leakage of wine out of the bottle. It is best to store wine between 45 and 65 degrees F, with 55 degrees the ideal.

    • Vibrations. Constant movement disturbs sediment and messes with the aging process. This especially is important for wine put down for aging.

    • Humidity. Some humidity—70% is ideal—helps keep corks from drying out. Too much humidity will not affect the wine, but can lead to mold growth that damages labels.

    These are things to think about, but not to obsess over. Wine is a tough hombre. Even when abused by oxygen, light, heat, vibrations, and humidity, it usually remains drinkable. It just will not deliver the same tasty pleasure you get when you treat it right.

    Tasting notes

    • Chateau Ste. Michelle Dry Riesling, Columbia Valley 2021: Incredibly delicious. Ste. Michelle has delivered this amazing value, wonderful riesling for years. $10-14 Link to my review

    • Vallformosa Mistinguett Brut Rosé NV: Simple, safe, tasty sparkling that will offend almost no drinker or any pocketbook. $14 Link to my review

    • Trefethen Family Vineyards Estate Grown Chardonnay, Oak Knoll District, Napa Valley 2021: Mellow, well balanced, classic Napa chard, well-done oak and malo. $28-33 Link to my review

    • Compris Vineyard Midnight Journey Syrah, Chehalem Mountains AVA 2021: Savory, smooth delight scores all points you look for in a syrah. $50 Link to my review

    Last round

    What kind of exercise do lazy people do? Diddly-squats. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • How to be a good wine snob 9-4-2024

    This is the weekly column

    Wine snobbery is a detestable trait. But you can be a “good” wine snob. Here’s how.

    • Respect the preferences of others. Never be condescending or judgmental. Basically, don’t be a jerk. Good advice for many situations.

    • Be a life-long wine learner. Wine knowledge is vast and ever-evolving. Anyone who claims to know everything about wine just proved they do not. That applies to you and your fellow wine drinkers.

    • Enjoy wine. Wine is a palate pleasure, not a vehicle to flaunt status or a way to show off. Geez, please.

    • Accept and appreciate the preferences of others. If you want to be a “good” wine snob, work on “tasting through someone else’s mouth.” Who knows, you may have an epiphanic moment and discover a whole new lane of delectation—maybe you will find something you like that you did not expect to like.

    • If someone asks for wine advice, gently guide rather than dictate. Sublimate the tyranny of your proclivities. Instead, facilitate helping others find their own wine way.

    • Celebrate diversity. There are thousands of wines made thousands of ways. That is wine’s wonder and glory. It is not your way or the highway. If it is your way or the highway, then don’t let the door hit your butt on the way out to travel that lonely road.

    • Explore new horizons. When you celebrate diversity, you may stumble upon pleasures you never expected. That is the wonder of wine.

    • Patience is a virtue in almost all things, including wine. Allow others to learn about wine at their own pace, and allow yourself to do the same.

    This column strives to entertain and inform you about wine. Sixteen years ago, I wrote in my first column: “If a wine tastes good to you, then it’s good no matter how a wine expert responds.” I have stayed true to that proposition, and suggest you do the same. Thank each of you for being part of the journey.

    Tasting notes

    • J. Lohr Los Osos Merlot, Paso Robles 2021: Soft, creamy, plush mouthfeel, gains subtlety with exposure to air. Not complex, just a delicious, easy drinker. $12-17 Link to my review

    • San Simeon Sauvignon Blanc Paso Robles 2023: Bright, refreshing, good acidity, vivid fruit—all  you want from a sauv blanc from long-time quality maker. $18-20 Link to my review

    • Invivo X SJP Sarah Jessica Parker Pinot Noir, Marlborough, New Zealand 2022: Exciting, edgy NZ pinot. Real collaboration between quality maker and celebrity. Good texture and complexity. $19-27 Link to my review

    Last round

    What do you call Dracula when he has hay fever? The Pollen Count. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Malolactic fermentation/conversion 8-28-2024

    This is the weekly column

    Even if you only dip your big toe into wine wonkiness, you likely encounter the term “malolactic fermentation” or MLF. What is that?

    Well, this being wine, it actually is not fermentation, which involves yeast. It is a conversion, which involves bacteria. The primary bacteria is Oenococcus oeni—try saying that three times in a row after a couple of glasses of wine (or even before). The process is a decarboxylation conversion—malic acid turns into lactic acid. What does that mean in words of less than five syllables?

    Malolactic conversion reduces acidity and softens the taste of wine. It almost always is done with red wine. It usually is done with white wines where a rounder, creamier profile is wanted. Chardonnay is classic example, as are viognier, marsanne, roussane, and white Burgundy. On the other hand, MLF usually is prevented in sauvignon blanc, pinot grigio/pinot gris, riesling, vermentino, and other whites where acidity and floral aromas are prized.

    Wineries encourage MLF by inoculation of bacteria and control of temperature (warmer is better), acidity (lower is better—above 3.3 pH), and avoiding sulfur dioxide. Wineries discourage MLF by keeping temperatures lower, keeping pH less than 3.3, adding sulfur dioxide, sterile filtration, and other methods.

    If you enjoy a full-bodied, creamy, buttery, smooth chardonnay, you have MLF in an oak barrel to thank. If you prefer tangy fruit, great acidity, the powerful aromatics of sauvignon blanc or riesling, you have the prevention of MLF to thank.

    Almost all red wines undergo MLF. Some beaujolais nouveau wines skip MLF. Italian amarone typically does not undergo MLF. Just about every other red has MLF as part of its making regimen.

    Like their color, rosé wines fall in the middle. Classic Provence rosés usually avoid MLF. Darker rosés and rosés finished in oak are much more likely to have partial of full MLF.

    Sparkling wine MLF depends on the maker. Krug and Bollinger use full MLF. Louis Roederer often blocks MLF. Cristal—Louis Roederer’s prestige pour—experiences partial MLF.

    Malolactic fermentation—technically malolactic conversion—is an important winemaking tool. If you have read this far, you have more than dipped your toe into wine wonkiness.

    Tasting notes

    • Trefethen Family Vineyards Estate Grown Dry Riesling, Oak Knoll District, Napa Valley 2022: Sleek, crisp, delicate aromatics. $22-28 Link to my review

    • Sealionne Wines Halcyon Chardonnay, Chehalem Mountains AVA, Willamette Valley 2022: Unique flavors through fermentation mix of stainless steel, oak, amphora. $45 Link to my review

    • Three Sticks One Sky Vineyard Pinot Noir 2021: Superb, classic Sonoma pinot from highest vineyard in the AVA. Delicious fruit, depth, length, structure. $85 Link to my review

    Last round

    Double negatives are a big no-no. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    6 min
  • Commercialization defines wine 8-21-2024

    This is the weekly column

    Commercialization defines wine 8-21-2024

    Wine is fermented grape juice, an agricultural product like green beans and corn. But that is not how we think about wine. Why?

    We think of wine as a consequence of culture rather than agri-culture. Wine is treated like an aesthetic product, similar to the arts, with special terminology, in-depth discussion and analysis, reviews by experts.

    But wine also is a commercial product. It has been for thousands of years, and the special dynamics of it being a commercial product shaped wine and how you think about wine. In 2021, the most recent complete statistics, the world made 34 billion bottles of wine with a market value of $53 billion. Wine is a commercial product.

    Place—“terroir”—is a central belief in wine’s mythos. As far back as ancient Greece, elites believed wines from distant places were special. The simple folk drank locally produced fermented grape juice or beer. The rich and powerful drank wine. Commercial value was enhanced by the wine coming from a distant place.

    Gironde Estuary. Photo: Chell Hill

    That had a major impact on where “fine wine” came from. When you mention Bordeaux your first thought is about wine, not about an estuary. But the Gironde estuary is why great wine chateaus are located on Bordeaux’s left and right banks. The sea gave chateaus trade access to England and Northern Europe, where climate prevented wine production. When you can’t produce something in your back yard and must have it shipped to you, it takes on special value you are willing to pay for.

    All the great wine regions of France, Italy, and Spain—the world’s largest wine producers—are located on rivers that facilitate transport and trade. The situation creates a self-reinforcing loop. The chateaus of Bordeaux make money exporting a luxury product, then use the generated wealth to improve their product and reinforce the sophisticated image of their product and create more demand for it.

    Terroir is a real thing, but it is the product of winemakers using profits to experiment and learn about what works best on their piece of land. Commercial trade is the reason wineries were located where they are. Knowledge paid for by profits from commercial trade is the reason those places became the best places to make wine.

    I believe wine can be a mystical artistic expression of soaring human endeavors and the good graces of God and nature. But we got there because someone made fermented grape juice worth buying and someone else was willing to pay for it.

    Last round

    The past—history. The future—mystery. Today—a gift. That is why we call it the present. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • Did dinosaur extinction lead to wine? 8-14-2024

    This is the weekly column

    Did the extinction of dinosaurs play a part in the creation of wine? While it may sound far-fetched,  according to an article in the prestigious, peer-reviewed scientific journal Nature Plants, there is scientific evidence to support the theory.

    Researchers discovered fossil grape seeds in South America dating back 60 million years. Fossil grape seed evidence in India dates back 66 million years. The dinosaur extinction occurred 66 million years ago. Coincidence? Science indicates no.

    The extinction marks the end of the Cretaceous Period. Approximately 75 percent of all plant and animal species were lost, including all non-avian dinosaurs. That transformed the entire world. With large animals not around to eat or knock down trees, forests reset themselves, becoming much more dense and layered. Trees grew taller, and there were many more of them.

    Grape vines are tree climbers. Trees are their natural habitat. As trees grew up, grape vines were right there with them, climbing toward sunlight. Vineyard structures are simulated trees. The increase in birds and mammals also helped. Grape globes are designed to be eaten. Grape seeds are designed to survive digestion, then spread by animals that eat them.

    Soft, grape globes, of course, did not fossilize. Seeds did. Although grape seeds are tiny, scientists identified particular shapes and other morphological features. CT scans identified internal structures that confirmed the grape seed identity.

    While grape vines existed before the great extinction, the extinction created vast new, favorable conditions and ecological niches. The extinction did not cause the appearance of grape vines, it did favor their spread and diversification, as it did for all flowering plants.

    The next time you sip wine or munch on a raisin or a table grape, pause to thank the asteroid that slammed into Earth 66 million years ago. That event may have killed dinosaurs, but it helped give us grape vines. And wine.

    Tasting notes

    • FIOL Prosecco Rosé Millesimato 2021: Fresh, fruity, elegant, fun. Blend of 85% glera and 15% pinot noir. Ideal for a Sunday brunch. $18 Link to my review

    • Baron Philippe de Rothschild Mouton Cadet Blanc X Nathan 2023: Low acidity—for a sauv blanc—allows tasty fruit to shine. People not into sauv blanc will enjoy this effort. $16-19 Link to my review

    • Etude Pinot Gris, Grace Benoist Ranch Vineyard, Carneros 2022: Bright, fresh, easy drinker; delivers depth, aromatic intensity. $23-28 Link to my review

    • Rodney Strong Vineyards Russian River Valley Reserve Chardonnay 2021: Rich, premium pour. Skillfully touches all the bases of the oak and malo Russian River style; avoids cartoony excess. $46-50 Link to my review

    Last round

    Drinking wine usually is not the answer, but it does help you forget the question.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min
  • There is no definition for rosé 8-7-2024

    This is the weekly column

    August. For many, triple digit degree days. Time to beat the heat with chilled rosé.

    Except, what exactly is rosé? Surprisingly, in the often rigid, rule-ridden world of wine, there is no consensus definition of what is a rosé.

    Are not wines divided into red, white, rosé, and amber/orange? It might be nice, but they are not. Turns out, only white wine has a strict definition. At an event in London, renowned rosé specialist and Master of Wine Elizabeth Gabay stated: “I think we should get rid of the terms red, white, rosé and orange wine, because the gradations are not really there.”

    When asked if the International Organization of Vine and Wine (OIV) should come up with hard and fast definitions, she replied: “Absolutely not. I love the blurry line.”

    Samantha

    There is a generally accepted, but rough, division. White wines are fermented with no or only briefest contact with grape skins. Juice is separated from grape skins before fermentation begins.

    OIV also has a definition for white grapes when fermentation occurs during prolonged contact with skins, pulp, seeds, and stems. This is “amber” or “orange” wine, a reference to the wine’s color. There is some term turmoil about “orange” because the wine is not quite orange and it is not made with oranges, but there is agreement that so-named wines are made with a defined method.

    When it comes to red wine and rosé, however, the OIV does not have a precise definition. The organization does provide methods for assessing wine colors using spectrophotometry. The OIV states it “has a general definition for wine, but no specific definition for wine colours, which can be described according to the grape varieties and production methods, or by colour determination via analytical methods.”

    Specifically on rosé wines, the OIV comments: “For what concerns rosé wine, the main problem is a lack of a clear definition and therefore for many counties this category is included in red wine.”

    While the definition may not be precise, there is no question rosé is on the rise. Globally, white wine represents half of all wine produced. Red wine represents 42% and rosé 8%. But, in 2021 (last year for complete numbers), red wine production decreased 25% from its peak in 2004, white wine increased 13% from its low in 2002, and rosé increased 25% from its low in 2001.

    Rosé—you know it when you see it.

    Last round

    Why do scuba divers fall backwards off of the boat? Because if they fell forward, they’d still be in the boat. Wine time.

    Email: [email protected]

    Newsletter: gusclemens.substack.com

    Website:  Gus Clemens on Wine website

    Facebook:  facebook.com/GusClemensOnWine/posts/

    Twitter (X): @gusclemens

    Long form wine stories on Vocal: Gus Clemens on Vocal

    Links worth exploring

    Diary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.

    As We Eat Multi-platform storytelling explores how food connects, defines, inspires.

    Balanced Diet Original recipes, curated links about food systems, recipe reviews.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe
    5 min

About Gus Clemens on Wine explores and explains the world of wine in simple, humorous, fun posts

From the publisher's feed

Gus Clemens writes a syndicated wine column for Gannett/USA Today network and posts online reviews of wines and stories of interest to wine lovers. He publishes almost daily in his substack.com…