We’re celebrating our one-year anniversary with this interview, and so I wanted to introduce a special guest for today: Nur Nasreen Ibrahim, talented writer, journalist and dear friend.

We’re going to talk—mostly—about Nur’s latest work: an essay for the collection Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond (Harper Perennial: 2021), edited by Halimah Marcus.

Horse Girls confronts, investigates, and fleshes out the trope of the “horse girl”: the idea that all a young girl wants is to learn how to ride a horse, famous in from “Black Beauty” to “My Little Pony”. And Nur’s essay talks about her experiences riding horses growing up in Pakistan: bringing in themes of colonialism, the urban-rural divide, and growing up.

But, also, we’ll talk about Nur’s experience as a writer, both in the United States and in Pakistan, and her path to literature.

Nur is a journalist, writer, and producer based in New York City. Originally from Lahore, Pakistan, she writes speculative and literary fiction, as well as personal essays. Her fiction and nonfiction has been included in anthologies and collections from Harper Perennial, Catapult, Hachette India, Platypus Press, The Aleph Review, Salmagundi magazine, Barrelhouse, and more. She is a two-time finalist for The Salam Award for Imaginative Fiction. She is a 2021-2023 recipient of the Lighthouse Writers Book Project Teaching Fellowship.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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