The Springs-and-Autumns period is a strange period in Chinese history. Coming after the decline of the Zhou, and before the famous Warring States Period, this period of Chinese history features a large number of small states with no powerful hegemon, no strong sense of the mandate of heaven, rules of chivalry that wouldn’t seem out of place in medieval Europe, and roles passed down through lineage–and not awarded on the basis of merit.

Historian Yuri Pines calls this period China’s "aristocratic age” in his book titled, appropriately, China's Aristocratic Age: Politics and Power in the Springs-and-Autumns Period (Princeton UP, 2026).

Yuri Pines is the Michael W. Lipson Chair in Chinese Studies at Hebrew University of Jerusalem. He is the author of The Everlasting Empire: The Political Culture of Ancient China and Its Imperial Legacy, The Book of Lord Shang: Apologetics of State Power in Early China, Zhou History Unearthed: The Bamboo Manuscript Xinian and Early Chinese Historiography, and other books.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of China’s Aristocratic Age. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Chapal Rani was one of India’s most famous performers of jatra, Bengal’s popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage.

He’s also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani’s life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance.

Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world’s oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don’t Let Him Know.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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The life of Puyi, the last emperor of China, often feels like a spectacle—in no small part due to the 1987 Oscar-winning film The Last Emperor. Yet the true story being Puyi, as well as his wife, the empress Wanrong, is more complicated. Two foreigners were asked to tutor both Puyi and Wanrong: Reginald Johnston and Isabel Ingram, both of whom provide fresh insights into how China’s final emperor and empress lived their lives.

Historian Paul French draws upon these sources, and others, for his latest work: The Last Emperor of China: Twilight of the Forbidden City (St. Martin's Press, 2026) to tell a very different story about the life of Puyi and Wanrong: their marriage, the political shenanigans of the early Republic, and how Johnson and Ingram shaped the final chapter of the imperial court.

Paul is the author of many works of history, including Midnight in Peking, City of Devils, Destination Macao, Bloody Saturday: Shanghai’s Darkest Day, and Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Today, we’re welcoming novelist Tom Lin back to the show, whose new novel Babylon, South Dakota (Little, Brown and Company: 2026) moves his fascination with the American West into stranger and more uncanny territory.

A Chinese family moves to a new farm in South Dakota; after the government takes an interest in a plot near their home for some Cold War-era experiments, the family’s life gets much odder, and much stranger. Babylon, South Dakota’s Cold War setting gives the novel a chance to explore nuclear dread, government conspiracies, and even an interest in the paranormal that’s reminiscent of the viral internet phenomenon, the SCP Foundation.

Tom Lin was born in China and immigrated to the United States when he was four. A graduate of Pomona College, he also holds a PhD from the University of California, Davis. His first novel, The Thousand Crimes of Ming Tsu, won the Andrew Carnegie Medal for Excellence. He teaches English and creative writing at the University of Iowa.

Listen to our interview with Tom Lin on The Thousand Crimes of Ming Tsu here!

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Babylon, South Dakota. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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What’s going on in the Chinese economy? China reported GDP growth of just 4.3% last quarter. Consumption is sluggish, exports are booming, electronics manufacturers and chipmakers are reporting huge profits as car sales slump.

Joe Ngai and Nick Leung dive into the Chinese economy in their latest book The Next China Is Still China: An Insider's Playbook for Winning in the New Era (Scribner, 2026), which came out earlier this year. The book is motivated by a question many executives asked amid new U.S. tariffs and COVID-driven supply shocks: Is there another economy that can replace China’s massive consumer market and deep manufacturing base? The answer: No.

Joe Ngai is a McKinsey senior partner and chairman of the firm’s offices in Greater China. Frequently seen on media such as CNBC and Bloomberg, he has been named one of Forbes China’s 100 Most Influential Chinese Leaders, and he has also appeared on Bloomberg Businessweek China’s “Person of the Year 2025” list.

Nick Leung is a McKinsey senior partner and member of McKinsey’s global board of directors. He is also a lead-director of the McKinsey Global Institute, the firm’s independent research arm, where he directs research on macroeconomics, global trade, and geopolitics.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Many of us have watched the classic 1962 movie Lawrence of Arabia, the somewhat fictionalized work based on the life of T. E. Lawrence during the Arab Revolt and the First World War.

But Lawrence was part of the Arab Bureau, an effort to better understand and influence the region as Britain fought the Ottoman Empire for control of the Middle East. Chastened by their intelligence failures at Gallipoli and Kut al-Amara, the British tried to do something unthinkable: Actually learn how local communities operated, and ensure that propaganda was culturally authentic.

It’s the subject of The Arab Bureau: The Story of Britain's Most Ingenious Intelligence Unit (Hurst, 2026), a new book from Eamonn Gearon which he calls the first in-depth investigation into what this intelligence agency did.

Eamonn is a global historian, specialising in the Middle East and North Africa and the history of intelligence, whose books also include The Arab Revolt. His doctoral research uncovered previously unknown Arabic documents which shed new light on British intelligence work in the region.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Arab Bureau. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It’s the latest repatriation effort by the U.S.’s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically.

Matthew Campbell’s The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back.

Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism’s highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Most people only know one of the Ryukyu Islands: the island of Okinawa, home to sandy beaches and one of the U.S.’s most important bases in Asia. There are lots of myths about this island chain, which stretch from southern Japan down to the island of Taiwan: That it owed loyalty to China, given its place in the imperial tribute trade; that it was a pacifist kingdom; that it was quasi-sovereign even within Japan.

Gregory Smits tackles a lot of these myths in his expansive history of the islands, titled The Ryukyu Islands: A New History from the Stone Age to the Present (University of Chicago Press: 2025). His book, and today’s conversation, dives into all the ways that the Ryukyu Islands will frustrate anyone trying to fit this place into an easy historical or political narrative. 

Gregory Smits is professor of history and Asian Studies at Penn State University. He is the author of several books, including Early Ryukyuan History: A New Mode (University of Hawaii Press: 2024), Maritime Ryukyu, 1050-1650 (University of Hawaii Press: 2019) and Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics (University of Hawaii Press: 1999)

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Ryukyu Islands. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Turkmenistan rarely makes international headlines–and when it did, it was often stories that highlighted things like the strange cult of personality that surrounded Saparmurat Niyazov, its first post-Soviet president, who named months after himself and made his memoir required reading.

Olivier Hein joins us on the show today to talk about Turkmenistan’s long history: as a possible origin for Zoroastrianism, the first monotheistic faith; the rise of Merv, at one point possibly one of the world’s largest cities; the emergence of the Turkmen; and how this region ended up becoming the crossroads of empires. Olivier’s work is now a book Mother of the World: The Remarkable History of Turkmenistan (Hurst, 2026)

Olivier Hein is a Mauritian-British author whose books include Star and Key: The Historical Adventure of Mauritius and Borneo: The History of an Enigma. Formerly a UN, UK and OSCE diplomat, posted to New York, Paris, Kosovo and Turkmenistan, he also contributes to The Chap magazine.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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In 2012, China debuted its first aircraft carrier, the Liaoning, a refurbished Soviet-era ship from Ukraine. The debut of the Liaoning was largely thanks to a longtime pressure campaign by Liu Huaqing, the onetime leader of the People’s Liberation Army Navy and the man responsible for transforming China’s naval strategy. (China now has three carriers, and is building a fourth).

When Liu began his career, China saw its military victories as coming primarily via land warfare; Liu, over decades, forced China to take naval combat seriously. Xiaobing Li writes about Liu’s life in his book China’s Mahan: Admiral Liu Huaqing and the Rise of the Modern Chinese Navy (Naval Institute Press, 2026), from his early career in the aftermath of the Chinese Civil War and finishing with his long push to start China’s aircraft carrier program.

Xiaobing Li, professor of history and Don Betz Endowed Chair in International Studies at the University of Central Oklahoma, is the author of The Dragon in the Jungle, Attack at Chosin, Building Ho’s Army, History of Taiwan, and The Cold War in East Asia. He is the executive editor of the Chinese Historical Review. Li served in the PLA in China.

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