In 330 BC, Alexander the Great conquers the city of Persepolis, the ceremonial capital of the Persian Empire. His troops later burn it to the ground, capping centuries of tensions between the Hellenistic Greeks and Macedonians and the Persians.

That event kicks off Rachel Kousser’s book Alexander at the End of the World: The Forgotten Final Years of Alexander the Great (Mariner Books, 2024), which tells the story of how Alexander—the unbeaten military genius and the most powerful man in that part of the world—decided to keep going, chasing rebellious ex-Persians and launching an unprecedented invasion of India.

But what drove Alexander to keep marching? What was the kind of empire Alexander wanted to build? And why did he eventually turn back at the Indus River, his soldiers begging for him to return home?

Rachel Kousser is the chair of the Classics department at the Graduate Center, City University of New York and a professor of ancient art and archaeology at Brooklyn College. She is also the author of The Afterlives of Greek Sculpture: Interaction, Transformation, Destruction (Cambridge University Press: 2017) and Hellenistic and Roman Ideal Sculpture: The Allure of the Classical (Cambridge University Press: 2008).

She can be followed on Instagram at @rkousser.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexander at the End of the World. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Shanghailanders (Spiegel & Grau: 2024), the debut novel from Juli Min, starts at the end: Leo, a wealthy Shanghai businessman, sees his wife and daughters off at the airport as they travel to Boston. Everyone, it seems, is unhappy.

The novel then travels backwards through time, giving answers to questions revealed in later chapters, jumping from person to person: Leo, Eko, their daughters Yumi, Yoko and Kiko, and other peripheral members of the household, as we come to learn why Shanghailanders’ core family is just so dysfunctional.

In this interview, Juli and I talk about Shanghai, her decision to write the book in reverse chronological order, and what we gain when those from a non-white perspective write about expatriates.

Juli Min is a writer and editor based in Shanghai. She studied Russian and comparative literature at Harvard University, and she holds an MFA in fiction from Warren Wilson. She was the founding editor of The Shanghai Literary Review and served as its fiction editor from 2016 to 2023.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Shanghailanders. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Baseball’s introduction to the Philippines. The slot machine trade between Manila and Shanghai. A musical based extremely loosely on the life of the sultan of Sulu.

These are just a few of the historical topics from Lio Mangubat’s Silk, Silver, Spices, Slaves: Lost Tales from the Philippine Colonial Period (Faction Press: 2024), a collection of 13 essays on stories from Filipino history as a Spanish and then American colony. All the stories come from Lio’s podcast, The Colonial Department, which features long-lost stories from the country's past under Spanish, British, American, and Japanese rule.

In this interview, Lio and I talk about what inspired his essay collection, his conversation with Albert Samaha (an earlier podcast guest!) and what’s missing in how we talk about the Philippines

Lio is also the editor in chief of publishing house Summit Books, and is based in Manila. Find him on Instagram at @liomangubat and @thecolonialdept.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk, Silver, Spices, Slaves. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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The spice islands: Specks of land in the Indonesian archipelago that were the exclusive home of cloves, commodities once worth their weight in gold. The Portuguese got there first, persuading the Spanish to fund expeditions trying to go the other direction, sailing westward across the Atlantic.

Roger Crowley, in his new book Spice: The 16th-Century Contest that Shaped the Modern World (Yale University Press: 2024) covers six decades of exploration, conflict and conquest, starting from the Portuguese capture of Malacca in 1511 to the Spanish founding of Manila and the start of the galleon trade in 1571.

Roger Crowley is a narrative historian of the early modern period. He is the author of five celebrated books, including City of Fortune: How Venice Won and Lost a Naval Empire (Faber & Faber: 2011) and Conquerors: How Portugal Forged the First Global Empire (Random House: 2015).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Spice. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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It’s the 1930s. Amarendra Chandra Pandey, the youngest son of an Indian prince, is about to board a train when a man bumps into him. Amarendra feels a prick; he then boards the train, worried about what it portends.

Just over a week later, Amarendra is dead—of plague. India had not had a case of plague in a dozen years: Was Amarendra’s death natural, or premeditated—perhaps orchestrated by Benoy, his half-brother and competitor for the family riches?

The case is the subject of Dan Morrison’s book The Poisoner of Bengal: The 1930s Murder That Shocked the World (Juggernaut, 2024), who investigates how an Indian prince was able to get his hands on the plague, the scandalous murder trial that followed, and Benoy’s surprising post-independence epilogue.

Dan Morrison is an editor at USA TODAY's Washington bureau. His reporting from around the globe has appeared in outlets including National Geographic, the New York Times, BBC News and PRX's The World. He is also the author of The Black Nile (Viking: 2010), an account of his voyage from Lake Victoria to Rosetta, through Uganda, Sudan and Egypt.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Poisoner of Bengal. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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Melville Jacoby was a U.S. war correspondent during the Sino-Japanese War and, later, the Second World War, writing about the Japanese advances from Chongqing, Hanoi, and Manila.

He was also a relative of Bill Lascher, a journalist–specifically, the cousin of Bill’s grandmother. Bill has now collected Mel’s work in a book: A Danger Shared: A Journalist’s Glimpses of a Continent at War (Blacksmith Books: 2024), with photos detailing Mel’s early days as an exchange student in China, then his later work as journalist…and propagandist for Chiang Kai-shek in wartime Chongqing, then as a correspondent for Time and Life in the Philippines right as the Japanese invade.

Bill is also the author of the 2016 book Eve of a Hundred Midnights: The Star-Crossed Love Story of Two World War II Correspondents and their Epic Escape Across the Pacific (William Morrow: 2016), also about Mel Jacoby and his wife Annalee Jacoby. He is also a freelance journalist.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Danger Shared. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Does Southeast Asia “exist”? It’s a real question: Southeast Asia is a geographic region encompassing many different cultures, religions, political styles, historical experiences, and languages, economies. Can we think of this part of the world as one cohesive “place”?

Eric Thompson, in his book The Story of Southeast Asia (NUS Press: 2024), suggests that we can, as he tells the region’s history from way back in prehistory, through its time as Buddhist and Hindu kingdoms, the introduction of Islam and Theravada Buddhism, and ending in the present day.

Eric C. Thompson is Associate Professor in the Department of Sociology and Anthropology at the National University of Singapore. He is author of Unsettling Absences: Urbanism in Rural Malaysia (NUS Press: 2006) co-author of Attitudes and Awareness Towards ASEAN: Findings of a Ten-Nation Survey (Institute of Southeast Asian Studies: 2008) and Do Young People Know ASEAN? Update of a Ten-nation Survey (Iseas-Yusof Ishak Institute: 2016), and co-editor of Southeast Asian Anthropologies: National Traditions and Transnational Practices (NUS Press: 2019) and Asian Smallholders in Comparative Perspective (Amsterdam University Press: 2019).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Story of Southeast Asia. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”

But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.

And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.

In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.

Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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In 2009, Fudan University launched China’s first MFA program in creative writing, spurring a wave of such programs in Chinese universities. Many of these programs’ founding members point to the Iowa Writers Workshop and, specifically, its International Writers Program, which invited dozens of Mainland Chinese writers to take part between 1979 and 2019, as their inspiration.

In her book, The Transpacific Flow: Creative Writing Programs in China (Association for Asian Studies, 2024), Jin Feng explores why Chinese authors took part in the U.S. programs, and how they tried to implement its teaching methods in mainland China–clearly, a very different political and cultural environment.

In this interview, Jin and I talk about the Iowa Writers Workshop, the Chinese authors that attended, and the surprising links between U.S. and Chinese academia.

Jin Feng is Professor of Chinese and Japanese and the Orville and Mary Patterson Routt Professor of Literature at Grinnell College, USA. She has published four English monographs: The New Woman in Early Twentieth-Century Chinese Fiction (Purdue University Press: 2004), The Making of a Family Saga (SUNY Press: 2009), Romancing the Internet: Producing and Consuming Chinese Web Romance (Brill, 2013), and Tasting Paradise on Earth: Jiangnan Foodways (University of Washington Press, 2019), three Chinese books such as A Book for Foodies and numerous articles in both English and Chinese.

You can read an excerpt of The Transpacific Flow here.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Transpacific Flow. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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In 2016, journalist Clare Hammond embarked on a project to study the railways of Myanmar–a transportation network that sprawls the country, rarely used and not shown on many maps, and often used at the pleasure of the country’s military.

In her book On the Shadow Tracks; A Journey Through Occupied Myanmar (Allen Lane: 2024), Clare travels the lengths of Myanmar’s railways, from the south of the country through the conflict-riven border areas, finally ending up at Naypyidaw, the nation’s planned capital.

In this interview, Clare and I talk about Myanmar’s railways, her travels along them, and how they act as a symbol for Myanmar’s governments, past and present.

Clare Hammond is a British journalist. Based in London, she works for non-profit Global Witness, investigating issues relating to natural resources, conflict and corruption. In Yangon, where she lived for six years, Hammond was most recently the digital editor of Frontier, Myanmar's best-known investigative magazine, where she oversaw daily news coverage.

Those in London can join a photo exhibition of Myanmar’s railways on July 5-6, with prints sold to raise money for educational charity Prospect Burma. Details (and ways to buy prints for those in not in London) here.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of On the Shadow Tracks. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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