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Weaponized Religion: From Christian Identity to the NAR:

Paperback: https://www.amazon.com/dp/1735160962

Kindle: https://www.amazon.com/dp/B0DCGGZX3K

John and Jed explore the intersection of music and prophetic performance in charismatic religious movements, with special focus on their personal experiences in Branhamite and New Apostolic Reformation sects. They begin by discussing the controversial use of the term “prophet,” with Jed reflecting on how his father was once revered as such in the International House of Prayer (IHOP). They unpack how music is used as both a tool of emotional manipulation and spiritual expression within these groups, emphasizing the repetitive structure of worship music and its psychological impact. The conversation leads into an in-depth look at the “harp and bowl” model at IHOP, blending spontaneous music and prayer in ways that often blur the lines between worship and performance.

The conversation grows more intense as they reflect on specific examples, such as Misty Edwards and the controversial use of emotionally charged, even romantic or sensual imagery in worship music. Jed shares stories of restrictive musical rules in his upbringing, such as prohibitions on drums or string instruments, while John recounts how William Branham’s teachings fluctuated based on cultural trends. They critique how religious groups often first demonize new cultural elements like specific music genres, only to adopt them later. Music becomes a lens through which they dissect manipulation, control, emotional repression, and the cracks through which genuine emotion still sometimes escapes. The dialogue concludes with an affirmation of music’s power to reveal the soul and the dangers of any system that seeks to control it too tightly.