After an enjoyable but ultimately financially draining two years in Paris, and a brief visit to his mother in Dresden, Casanova is making his way back home. But en route, he stops off in Vienna, the glittering home of the Hapsburg monarchy, headed by Empress Maria Teresa. What life lessons will he learn and what stories will he tell in the Austrian capital?

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Intro and outro music is Estate from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

“The great Doge of Venice, Giacomo Tiepolo, was brave, wise and energetic. He was a winner. Before he became Doge, he had obtained victories over his enemies everywhere he went. And once he was the Doge, whenever and wherever there was a war he came out victorious”. That’s quite a write-up from our hype-man chronicler Martin da Canal. Does Doge Giacomo Tiepolo live up to it? Today, we consider his life and works, trying to draw together the political and cultural narratives that we’ve been talking about over the past few episodes.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Ezzelino da Romano is remembered in the mythology of north-eastern Italy as a cruel and vicious ruler who inflicted inhuman punishments on his enemies. And maybe he was. But the more that you look at the surrounding situation, the harder it becomes to separate fact from fiction, and heroes from villains. As the wars between the Pope and the Western Emperor heat up again, Venice’s interests require her to pick a side. Things are going to get messy.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

In 1232, Venice received a visit from a short, ginger-haired man in his late 30s. But this was no ordinary visitor. This was the most powerful man in the known world; the convenor of the most brilliant court in Europe; the man who was referred to by an English chronicler as “Stupor Mundi” – the Wonder, or Astonishment, of the World. It's Emperor Frederick II's world, and we're all just living in it.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

In the autumn of 1260, a new fashion arrived in Venice from the continental European mainland. It had started just a few months earlier in the central Italian city of Perugia, and somehow it had caught the mood of a worried, uncertain population, concerned about the capricious nature of human existence and eager to atone for the evils of a fallen society. The flagellants were in town. Seemingly out of nowhere, ordinary people were going around in groups whipping themselves in a frenzy of piety. Suddenly, hurting yourself for Jesus was all the rage.  What in the name of all that is holy was going on?

This week we’re looking at religious devotion in 13th century Venice, and tracing the social and cultural legacy that it left on the Republic, some of which you can still see today.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

We're joined by Monica Cesarato this week to discuss the artisan tradition in the city of Venice. In our main narrative, we're reaching the mid-13th century, when dozens of professional guilds start to appear in the city, defining the working landscape for ordinary Venetians. Monica talks to us about the background to some of those crafts, and how that artisan legacy still persists in the city today. 

You can find Monica's website here: https://www.monicacesarato.com/blog/

Her podcast, Venice Talks, is available wherever you get your podcasts, and you can also find it here: https://www.monicacesarato.com/blog/venice-talks-podcast/

Her book "Andar per Bacari" looks at some of the best locations and recipes for typical Venetian cicchetti, and is available in English here, (or probably at another well-known online bookseller near you): https://editorialeprogramma.it/shop/regioni/veneto/andar-per-bacari-english-version/

And as ever, you can Email us at [email protected], or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Gloria, used under Creative Commons licence from musopen.org

Today we’re looking at the life of Doge Pietro Ziani – the man who picked up the baton after the death of Enrico Dandolo and presided over the chaotic situation that we’ve been narrating over the past few episodes. Contemporary Venetian writers praise his wisdom, his fairness, and his desire for peace. Are they right, or are they just blowing smoke in our eyes? Join us as we examine the life of the wealthiest man in this increasingly wealthy city.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

This week we're looking around the Mediterranean at the international political events that provide the wider context to the stories that we’ve been telling lately. We’ll be travelling to Genoa, Sicily, Nicaea, Epirus, Outremer, and, very briefly indeed, introducing a new threat from the East that’s about to burst into our story.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Easter 1214. In Treviso, about 20 miles north of Venice, the city’s governors have decided to set up a week-long “court of solace and mirth”. There will be dancing and jousting, feasting and fine fooling. And the symbolic heart of the celebrations will be the splendid Castle of Love, which the area’s finest ladies, wearing their most ostentatious hats, will be defending against the symbolic assaults of teams of young men brandishing flowers, fruits, and spices. The whole game is an idiosyncratic fusion of ancient springtime celebrations of courtship, and the latest fashions of courtly love which have been taking hold in respectable societies across the chivalric states of western Europe. 

It’s a welcome distraction from the trials and tribulations of high politics and foolish wars. Until things go wrong. Tune in to find out more.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

1205. Venice wasn’t the only mercantile vulture who was looking at the carcass of the Eastern Roman Empire and realising that if she didn’t take advantage of this mess, someone else would. And if that someone else – most likely Genoa – turned out to be more effective at seizing the opportunities, then Venice’s hopes of commercial dominance would be severely dented. The Crusade had shaken the kaleidoscope and the pieces were still in flux. These were dangerous times for everyone, even for the apparent winners.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org