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Look. Times are dark. So this week, we decided to tackle a somewhat lighter topic and look into Drake’s remarkably tone-deaf lawsuit against Universal Music Group—the label to which both he and (beef opponent) Kendrick Lamar are signed. In essence, Drake alleges that UMG used all their influence to make Kendrick’s Grammy-winning diss track “Not Like Us” a viral mega-hit. Which, like…yeah. Of course they did. They are in the business of producing viral mega-hits.
While the context of the lawsuit—namely, multiple violent attacks on Drake’s house—is quite serious, it’s hard not to find the whole thing ridiculous. After over a decade of industry machinations, Aubrey really had the nerve to sue UMG for…hurting his feelings? [Yes, it’s actually for defamation of character, but in the court of public opinion, those two are pretty much synonymous] Despite this, the actual content of the legal filing is fascinating—offering readers a guided tour of exactly what UMG is doing out there, hosted by someone who really knows how the sausage gets made. Payola? Selective copyright enforcement? Contract negotiation hardball? You betcha. THEN: Saxon and Sam get a little loose and take a jog through the Grammys. Album Of The Year? Sure. But also…who did you have for Immersive Audio?
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By Money 4 Nothing5
2828 ratings
Look. Times are dark. So this week, we decided to tackle a somewhat lighter topic and look into Drake’s remarkably tone-deaf lawsuit against Universal Music Group—the label to which both he and (beef opponent) Kendrick Lamar are signed. In essence, Drake alleges that UMG used all their influence to make Kendrick’s Grammy-winning diss track “Not Like Us” a viral mega-hit. Which, like…yeah. Of course they did. They are in the business of producing viral mega-hits.
While the context of the lawsuit—namely, multiple violent attacks on Drake’s house—is quite serious, it’s hard not to find the whole thing ridiculous. After over a decade of industry machinations, Aubrey really had the nerve to sue UMG for…hurting his feelings? [Yes, it’s actually for defamation of character, but in the court of public opinion, those two are pretty much synonymous] Despite this, the actual content of the legal filing is fascinating—offering readers a guided tour of exactly what UMG is doing out there, hosted by someone who really knows how the sausage gets made. Payola? Selective copyright enforcement? Contract negotiation hardball? You betcha. THEN: Saxon and Sam get a little loose and take a jog through the Grammys. Album Of The Year? Sure. But also…who did you have for Immersive Audio?
Subscribe to our Newsletter!

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