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Title: Perception of Death
Author: Louise Anderson
Narrator: Cathleen McCarron
Format: Unabridged
Length: 12 hrs and 54 mins
Language: English
Release date: 02-01-06
Publisher: Whole Story Audiobooks
Ratings: 4 of 5 out of 33 votes
Genres: Mysteries & Thrillers, Suspense
Publisher's Summary:
Erin Paterson runs her grandfather's law firm in Glasgow, and is an uncompromisingly aggressive negotiator. But the success of her practice is not echoed in her personal life. Erin's father has had a stroke. She can't stand her mother. Her sister's a flake and their brother, Leland, committed suicide. She's not doing too well with her boyfriend either, whom she discovers in flagrante the day that an old school friend, Lucy Grant, is murdered. From this moment, events unravel to test Erin's resolve to the maximum. Can she hold onto her job, even onto her life, when the past slithers out of the darkness to expose a secret in the family that no one dares confront?
Members Reviews:
Delightfully unlikeable main character
We cringe at the thoughts and actions of the main character, Erin, as she narrates this thriller. Her prim behavior and her priggishness misunderstanding of others is excruciating, though we do come to appreciate her rude brusqueness and even, eventually to endorse her point of view.
The story is complex and often graphic and it leads us all down a twisted and layered unfolding of events. When we, as listeners, have finally untangled all of the horrifying murders, undercurrents and hidden relationships and are genuinely pleased with ourselves and with Erin for being so clever, we discover that we and worst of all the protagonist who we have come to admire protectively, have all been utterly duped.
Good Enough
I will buy this author's next audiobook.
If I noticed that an audiobook I was thinking about buying was read by the woman who read this book, I would be more likely to to buy it because I would know that it had a good reader.
A book that can engage and hold my attention while I'm involved in some other activity - such as driving or pulling weeds- gets a 4 from me. (The equivalent to a "B".) A reader who doesn't get in the way of the story and can smooth over rough spots in the text also gets a B.
This book was engaging, the character development, typical of this genre, was particularly good. In other words the characters weren't trite, flat, and utterly predictable. However, it is not so good that I could just sit and listen to it without having something else to do.
So for me it's a 4. Good enough to engage.
I Lost Sleep Over This One
Two nights running I found myself after midnight not wanting to turn off this book. Regardless of what I had to do the next day, I wanted to know what was going to happen next.
Yes, some of it is over the top but I found myself rooting for the heroine who is faced, it seems with a crisis a minute.
Most of the action is set in Glasglow and the reader uses a Scots accent, but it is laid on lightly enough that this American reader had no trouble following. She was also very good with the creepy phone call parts.
Dangling ending
The book held my attention and I enjoyed the narrator but the ending left way too many loose threads including a new one which left me thinking "What a stupid book!". I assume there will be a sequel which I will skip because I don't want to listen for hours and be left hanging again.
Great Book, Where's the Ending?
Once I got used to the accent, I was very enthralled with the book, even as the previous reviewer said, there's a crisis a minute.