From Titanic to Despicable Me, Fifty Shades of Grey to Oppenheimer, Mike Knobloch has helped define the sound of modern cinema. As President, NBCUniversal Music and Publishing for Universal Film, he’s spent his career shaping the way audiences experience music on screen—whether that’s through a sweeping score or a pop song that takes on a life of its own.


In this episode, brought to you by the Universal Composers Initiative, Jacqueline Coley talks with Mike about his journey from production assistant on Father of the Bride to one of the most influential music executives in Hollywood. He shares the high-stakes tension behind Titanic’s now-iconic theme, the unlikely struggle that led to Pharrell’s hit “Happy,” and what it means when a movie song reaches the elusive diamond certification.