In a slight change from our usual programming, Paul and Sanja discuss the backlash against the new Steven Wilson album, The Future Bites - and ask why so many prog fans seem resistant to change. Why did Marillion lose fans when it came to Holidays In Eden and Brave? Why did the band run scared of the prog label for so long, and what even is prog anyway? Most importantly, why is Paul entirely responsible for Steve Rothery's Ghosts of Pripyat?

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