This week we dive into Mark's years on the FAC and PPL boards, fighting for artists' rights while Marillion were being short-changed by their old EMI deal. The lawsuit that followed and the after-the-event insurance gambit, the sleepless night when EMI claimed Marillion had no legal standing because Marillion Limited had been dissolved! Plus the Portugal writing session that ended in a tactless row with H over a lyric, and the six-month silence that followed.

This week Mark calls in from Peter Gabriel's Real World Studios — with a quick video tour and the story of meeting Peter Gabriel for the first time.

Then into deputising for Adam Wakeman in Travis (with "drink beer" written across half the setlist) and a candid post-mortem on Somewhere Else — the dropped pre-order, the EP that never was, Mike Hunter's confidence taking a hit, and which songs hold up (and which really don't). Plus "Almost a Midwife Mark", and the tweet that got Mark to delete Twitter, tour meet-ups, and a Marillion quiz coming for Patreon members.

This week we answer your questions. If you have a question for inclusion on a future episode ask it on our Patreon "Questions questions" chat.

This week we speak with manager Lucy Jordache about her 30-plus-year journey, from a teenage Marillion fan to EMI catalogue manager, band manager, and Ian Mosley’s wife. Along the way, she discusses taking a pay cut to get into the music industry, a rocky first meeting with Fish, and how she and Ian got together. Plus, a frank conversation about what the future might hold for Marillion

This time we discuss how Marillion took a leap nobody else had dared, and accidentally changed the music industry. Lucy Jordache’s evolving role, and why the band chose not to capitalise on their invention. How sharing everything brought Marillion closer together. Mixing stress and why risk has always been Mark’s default setting. Also: Noel Gallagher delivers a deadpan insult, Mark bets on tripe, and Tallulah arrives with twelve names.​​​​​​​​​​​​​​​​

This week we chat with Erik Nielsen. He was a 22-year-old help desk worker in Cleveland, Ohio when a woman he was seeing dragged him to a Marillion gig and changed his life. He ended up as Marillion's keyboard tech, moved into Mark's spare room, got deported, and — almost by accident — helped invent a model of direct-to-fan music commerce that the whole industry now takes for granted. Hear the inside story of the Freaks mailing list, the [email protected] inbox, the Guinness logo rip-off, and why Erik eventually swapped the Marillion kebab hut for working for Elton John.

This week we cover Marillion's short stint with Rod Smallwood (Iron Maiden's manager) and the Sanctuary empire, how Mark met Tallulah's mum and the origin of the song Rich. Also, the birth of music crowdfunding: how a single post on the Freaks mailing list led to fans raising $60,000 to fund a US tour. Also featuring: Neil Armstrong at a soundcheck, a phone call from the International Space Station, and a Delta Airlines domain name dispute. Next week: Eric Nielsen joins to share his memories of his time working with Marillion.

This week, Mark and Tallulah answer some listener questions. Covering everything from the choices they might have made differently in life to a fight that almost broke up the band.

This week Mark and Tallulah talk through a difficult chapter in the band’s past: being dropped by EMI, ongoing money problems, Mark nearly ending up homeless, and the lack of support from their manager who suggested day jobs for the band might be the way forward. The conversation stays surprisingly light, including stories from Mark’s tumultuous love life.

In this episode Mark and Tallulah sit down with producer Dave Meegan to explore the making of Brave.

Dave takes us inside the long nights, impossible standards, and creative tension that shaped one of Marillion’s most ambitious albums — from a French château to Liverpool over more than 7 months.

We talk about why Brave took so long, the danger of rushing creativity, and the fragile moments where everything finally locks into place.

An honest look at what it really costs to make something that lasts.