In this episode Mark has a rambling conversation with Ian remembering his early days in Marillion and their time in Berlin recording Misplaced Childhood. 

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This week, Mark and Tallulah are joined by Simon Hanhart, recording engineer on  the Script for a Jester’s Tear, Fugazi and Real to Reel albums.

Simon shares his memories of working with Marillion during a pivotal time in both his and their careers - covering the highs, the lows, and everything in between. From relentless studio exhaustion to gold discs and unexpected sound design tricks, this episode is a candid, nostalgic, and often hilarious look behind the scenes of Marillion's early recording adventures.

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In this week’s episode, Mark and Tallulah discuss the short but notable tenure of drummer Jonathan Mover, the circumstances around his departure, and the arrival of Ian Mosley as his replacement. They also get into a few side stories, including a fire extinguisher prank gone wrong and some slightly obsessive behavior from Producer Nick. The conversation takes a few detours, including the differences between UK and American rock, the importance of band chemistry, and even Mark’s hair care routine.

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email your questions to us at [email protected]

In this week’s episode, Mark and Tallulah reflect on the writing of Marillion’s second album in Wales, and the pressure of creating new material on a tight deadline. They talk through the challenges that came with that process, both creatively and personally.

They also look back on the band’s first U.S. tour - Mark’s first time traveling abroad - including early encounters with American food, the potency of Long Island Iced Teas, and the start of drummer Andy’s fast decline.

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In this week’s episode, Mark and Tallulah continue their look at the making of Marillion’s first album and the band’s growing momentum. They share stories about playing the Marquee Club under fake names - leading to an unexpected run-in with a German airline - and performing Garden Party on Top of the Pops. The conversation also touches on the difficult decision to part ways with drummer Mick and bring in Andy Ward from Camel. Finally, they discuss the often tricky subject of how money gets divided in bands, and what fairness really means in that context.

A quick note: We’re now moving all subscriptions over to Patreon. Tune in to hear what new benefits come with the switch, and how you can make the move if you’re already one of our subscribers. Cheers!

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Buy Mark's Autobiography - Marillion, Misadventures and Marathons at

https://www.marillion.com/shop/merch/book06.htm

email your questions to us at [email protected]

This week Mark and Tallulah talk about managers — the good, the bad, and everything in between. They introduce John Arnison and reflect on Marillion’s first record deal with EMI, discussing what it was like to sign for the first time and the process of putting together their debut single.

Mark also shares what it was like to start a family young, and how that overlapped with the early days of the band — and the pressure that came with trying to navigate both.

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In this episode we answer some more of your questions

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In this episode, Mark and Tallulah cover the second half of Chapter 5, All Change. They talk through the painful process of firing former guest on the podcast and ex-Marillion member Diz Minnitt, the arrival of current bassist Pete Trewavas, and the short-lived involvement of manager David Stopps - part of what’s starting to feel like a revolving door.

Pete joins them in the second half to share his early memories of the band, including his first gig - featuring Fish on acid. An unconventional welcome, even by Marillion standards. They also reflect on the growing buzz during their Scottish tour, which, by the end, had them playing to noticeably bigger crowds, and, for the first time, success started to feel within reach.

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email your questions to us at [email protected]

This week, Mark and Tallulah wade into the first half of Chapter 5, All Change. It features the band's first time playing at the Marquee Club and a few tales from the dressing room that are probably best left off the official record (but naturally, aren’t).

The chapter captures that awkward in-between phase: gaining momentum, drawing crowds, but still broke enough to survive on potatoes and whatever resembled meat in the back of the fridge.

Mark looks back with a mix of affection and amusement—proof that even when things were falling apart, it still somehow felt like progress.

Become a member and get some great extras including unreleased Mark Kelly music

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Buy Mark's Autobiography - Marillion, Misadventures and Marathons at

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email your questions to us at [email protected]

This is a bonus episode with some of your questions answered by Tallulah and Mark.

Become a member and get some great extras including unreleased Mark Kelly music

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Buy Mark's Autobiography - Marillion, Misadventures and Marathons at

https://www.marillion.com/shop/merch/book06.htm

email your questions to us at [email protected]