
Sign up to save your podcasts
Or
Why do we see purple as the colour of royalty? It all starts on the Mediterranean coast with some unassuming, and eventually very unfortunate, seasnails.
Travel back to ancient times with colour specialist Victoria Finlay and National Gallery host Beks Leary to trace the story of Tyrian purple through time.
Victoria has written several books about colour – including 'Colour, Travels through the Paintbox' and 'The Brilliant History of Color in Art' – which involved travelling across the globe to the very places that ancient pigments and dyes came from. Her most recent book is about the hidden histories of fabric.
-----
Watch the full episode on YouTube: https://youtu.be/kcPMFsafav8
You can email us with any questions via [email protected]
Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast
-----
To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast
-----
Paintings mentioned:
Peter Paul Rubens, ‘La Découverte de la Pourpre un phenicien trouve grace a son chien un coquillage produisant la teintre rouge’, about 1636. Musée Bonnat, Bayonne, France © Musée Bonnat, Bayonne, France / Photo Josse/Scala, Florence https://webmuseo.com/ws/musee-bonnat-helleu/app/collection/record/1923
Raphael, ‘The Dream of a Knight’, about 1504. The National Gallery, London https://www.nationalgallery.org.uk/paintings/raphael-the-dream-of-a-knight
Lorenzo Costa, 'Portrait (supposed to be of Battista Fiera)', 1490-5. The National Gallery, London https://www.nationalgallery.org.uk/paintings/lorenzo-costa-portrait-supposed-to-be-of-battista-fiera
Master of the Bruges Passion Scenes, 'Christ presented to the People', about 1510. The National Gallery, London https://www.nationalgallery.org.uk/paintings/master-of-the-bruges-passion-scenes-christ-presented-to-the-people
Further reading:
Victoria Finlay, Color: A Natural History of the Palette, 2002
Victoria Finlay, Colour: Travels through the Paintbox, 2002
Victoria Finlay, The Brilliant History of Color in Art, 2014
Victoria Finlay, Fabric: The Hidden History of the Material World, 2021
Marcus Aurelius, Meditations, composed around 2nd century AD
Find out more about the Tito Bustillo Cave here: https://www.centrotitobustillo.com/en/cueva-tito-bustillo
Julius Pollox, Onomasticon, composed around 2nd century AD
Pliny the Elder, Historia Naturalis [Natural History], published around 77 AD
Find out more about the Church of San Vitale in Ravenna, Italy: https://www.turismo.ra.it/en/culture-and-history/religious-buildings/basilica-san-vitale/
Silius Italicus, Punica, composed around the late 1st century AD – see Book XV for the passage on Scipio’s choice
Find out more about technical analysis of Raphael’s ‘The Dream of a Knight’ in the National Gallery’s Technical Bulletin: https://www.nationalgallery.org.uk/technical-bulletin/roy_spring_plazzotta2004
_____
Episode Credits:
Guest: Victoria Finlay
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Tom Gulliver
Editor: Jeanne Kenyon
Theme music: Theo Elwell
4.3
66 ratings
Why do we see purple as the colour of royalty? It all starts on the Mediterranean coast with some unassuming, and eventually very unfortunate, seasnails.
Travel back to ancient times with colour specialist Victoria Finlay and National Gallery host Beks Leary to trace the story of Tyrian purple through time.
Victoria has written several books about colour – including 'Colour, Travels through the Paintbox' and 'The Brilliant History of Color in Art' – which involved travelling across the globe to the very places that ancient pigments and dyes came from. Her most recent book is about the hidden histories of fabric.
-----
Watch the full episode on YouTube: https://youtu.be/kcPMFsafav8
You can email us with any questions via [email protected]
Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast
-----
To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast
-----
Paintings mentioned:
Peter Paul Rubens, ‘La Découverte de la Pourpre un phenicien trouve grace a son chien un coquillage produisant la teintre rouge’, about 1636. Musée Bonnat, Bayonne, France © Musée Bonnat, Bayonne, France / Photo Josse/Scala, Florence https://webmuseo.com/ws/musee-bonnat-helleu/app/collection/record/1923
Raphael, ‘The Dream of a Knight’, about 1504. The National Gallery, London https://www.nationalgallery.org.uk/paintings/raphael-the-dream-of-a-knight
Lorenzo Costa, 'Portrait (supposed to be of Battista Fiera)', 1490-5. The National Gallery, London https://www.nationalgallery.org.uk/paintings/lorenzo-costa-portrait-supposed-to-be-of-battista-fiera
Master of the Bruges Passion Scenes, 'Christ presented to the People', about 1510. The National Gallery, London https://www.nationalgallery.org.uk/paintings/master-of-the-bruges-passion-scenes-christ-presented-to-the-people
Further reading:
Victoria Finlay, Color: A Natural History of the Palette, 2002
Victoria Finlay, Colour: Travels through the Paintbox, 2002
Victoria Finlay, The Brilliant History of Color in Art, 2014
Victoria Finlay, Fabric: The Hidden History of the Material World, 2021
Marcus Aurelius, Meditations, composed around 2nd century AD
Find out more about the Tito Bustillo Cave here: https://www.centrotitobustillo.com/en/cueva-tito-bustillo
Julius Pollox, Onomasticon, composed around 2nd century AD
Pliny the Elder, Historia Naturalis [Natural History], published around 77 AD
Find out more about the Church of San Vitale in Ravenna, Italy: https://www.turismo.ra.it/en/culture-and-history/religious-buildings/basilica-san-vitale/
Silius Italicus, Punica, composed around the late 1st century AD – see Book XV for the passage on Scipio’s choice
Find out more about technical analysis of Raphael’s ‘The Dream of a Knight’ in the National Gallery’s Technical Bulletin: https://www.nationalgallery.org.uk/technical-bulletin/roy_spring_plazzotta2004
_____
Episode Credits:
Guest: Victoria Finlay
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Tom Gulliver
Editor: Jeanne Kenyon
Theme music: Theo Elwell