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Today on Art of the Cut, we’re talking to the winner of the Indie Spirit Award for Best Editing: Daniel Garber, about his work on the film How to Blow up a Pipeline.
Daniel’s other work includes the feature film, Cam - which was also a collaboration with his “Pipeline” director, Daniel Goldhaber. Daniel has also worked in documentary editing on films like Some Kind of Heaven, and the documentary series, Naomi Osaka. He was also an additional editor on the Sundance documentary Riotsville, USA, which we featured on Art of the Cut several years ago.
Don't forget that you can read along with the podcast at borisfx.com/blog/aotc, where there are great timeline screenshots, images of the Premiere Productions set-up, trailers and clips!
By Steve Hullfish, ACE4.9
3333 ratings
Today on Art of the Cut, we’re talking to the winner of the Indie Spirit Award for Best Editing: Daniel Garber, about his work on the film How to Blow up a Pipeline.
Daniel’s other work includes the feature film, Cam - which was also a collaboration with his “Pipeline” director, Daniel Goldhaber. Daniel has also worked in documentary editing on films like Some Kind of Heaven, and the documentary series, Naomi Osaka. He was also an additional editor on the Sundance documentary Riotsville, USA, which we featured on Art of the Cut several years ago.
Don't forget that you can read along with the podcast at borisfx.com/blog/aotc, where there are great timeline screenshots, images of the Premiere Productions set-up, trailers and clips!

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