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"That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
By Tasha Huo & Josh Hallman4.9
115115 ratings
"That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg

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