A young black man was dead. A young white cop was quickly fired. If that sounds surprising, you don’t know the half of it. This is a shocking story about police and the use of lethal force. Just not the one you might expect.

This story was done in collaboration with ProPublica. It was reported by Joe Sexton and produced by Sophie McKibben. You can read an accompanying print piece written by Joe Sexton <a href="https://www.pbs.org/wgbh/frontline/article/i-dont-want-to-shoot-you-brother" rel="nofollow" target="_blank">here</a>.

A young black man was dead. A young white cop was quickly fired. If that sounds surprising, you don’t know the half of it. This is a shocking story about police and the use of lethal force. Just not the one you might expect. This story was done in collaboration with ProPublica. It was reported by Joe Sexton and produced by Sophie McKibben. You can read an accompanying print piece written by Joe Sexton here.

A young black man was dead. A young white cop was quickly fired. If that sounds surprising, you don’t know the half of it. This is a shocking story about police and the use of lethal force. Just not the one you might expect.

This story was done in collaboration with ProPublica. It was reported by Joe Sexton and produced by Sophie McKibben. You can read an accompanying print piece written by Joe Sexton <a href="https://www.pbs.org/wgbh/frontline/article/i-dont-want-to-shoot-you-brother" rel="noopener noreferrer">here</a>.

I Don't Want To Shoot You, Brother

FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time.This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters <a href="https://frontline.donorsupport.co/page/listenandgive">here</a> by making a contribution to keep this work going.  Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

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FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time. This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters here by making a contribution to keep this work going. Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time.This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters <a href="https://frontline.donorsupport.co/page/listenandgive" rel="noopener noreferrer">here</a> by making a contribution to keep this work going.&nbsp; Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

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