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We dial in on Christmas Day from sleeping gas San Francisco to talk about the two-day power outage (caused by Yasha psi powers), CIA mind control, the Luddites, Trump’s holiday Epstein file dump, Eyes Wide Shut and Kubrick, Russia, Marquis de Sade…

Happy Holidays!

DO NOT LISTEN TO THIS PODCAST. SPEND TIME WITH YOUR FAMILY AND LOVED ONES INSTEAD.

PS: We’ll be holding a live event in SF on Jan 4 to talk about Vampire Valley, the internet as a pacification project, and the spectacle that’s grinding us all down. More info coming soon! And, as always, contribute to Yasha’s film. He can’t make it without your help!

We dial in to talk about my Silicon Valley Soviet immigrant tech bro origins story, my early anti-tech documentary attempts, and the anti-Silicon Valley series I’m making now — Vampire Valley. I’m raising money for the doc right now. So pitch in if you have some extra cash!

As we discuss, looking back on it now, there was pretty much no way that the internet would not have turned into the parasitic technology that it is today. On the one hand, it was a tech that had been built by the Pentagon for technocratic control — to surveil, predict, and manage populations. On the other, it was commercialized inside a hyper-consumerist society in the grips of neoliberalism and deregulation, a society that was already full of manipulative marketing techniques and propaganda, managed through an increasingly centralized mass media. So it’s no wonder that when these two systems collided in America in the 1990s, the worst of all possible worlds emerged — the internet that we all inhabit today.

—Yasha

PS: We’re also planning a surprise event in San Francisco in a few weeks. We’ll have more info on that soon.

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This is a free preview of a paid episode. To hear more, visit www.nefariousrussians.com

We went to a private preview of Cover-Up, the new Sy Hersh documentary that comes out next month, and stayed for a Q&A with Laura Poitras, its director. In this ep we give our honest appraisal of the film. And, sadly, it’s not a positive one.

There are a lot of problems with the film — overproduced yet clunky, boring, superficial, intellectually not there at all, very Wikipedia-like, and with an outdated pre-Trump America feel to it. But perhaps its main crime is that it wasted an opportunity to talk to Hersh about the mythology of journalism in America and journalism’s ultimate lack of power. He spent his entire life exposing secrets — the My Lai Massacre, the CIA’s Operation CHAOS, torture at Abu Ghraib — and yet in that same span of time, America kept getting worse and more corrupt and unequal and more violent and more unaccountable. We’re at point where journalism doesn’t matter at all. And so what good was all his journalism? Was it just a game? Entertainment? A way to pass the time and make a living? A path to fame? A relief valve for society?

None of the problems with the film are Sy Hersh’s fault. It seems like he actually gets it. The problem is that Laura Poitras is just not that bright.

I guess you could say there is an unintended message in this film and it’s this: Information by itself is not power. You need organization to turn information into power, and journalism by itself does not provide that.

At the end of the ep we discuss a Laura Poitras scandal that few know about. It includes her, Jacob Appelbaum, Julian Assange, a very expensive mattress in Berlin, and her documentary Risk.

—Yasha

PS: We discussed the mattress scandal in detail in a previous episode: Triple Threat: Julian Assange.

PPS: We also previously reviewed The Beauty And The Bloodshed, a Laura Poitras doc about Nan Goldin and her fight against the highly respected Sackler family, which is actually quite good.

Posting the Q&A Will Menaker and I did after Pistachio Wars screened in NYC’s Roxy Cinema on November 6th, 2025.

Chinatown made flesh, insane consumerism, our dead ender industrial civilization, people worked to death so that a few can live in Beverly Hills... Watch Pistachio Wars first and then listen to our discussion. Film’s streaming now on your favorite oligarchic platform!

—Yasha

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If you’re in New York this weekend, make sure you come out to our talk/book discussion on AI and the politics of technology. Music by Michelle Shocked!

This Sunday at the KGB BAR in NYC. 7pm!

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We get back into our old groove of recording right before bed. We talk movies. Specifically we talk about the horrible, senile sequel to the genius original Spinal Tap. Nobody asked for this film. Nobody wanted this film. And really, you can barely call it “a film.” It shouldn’t exist. Should never have been made. Evgenia discusses Christopher Guest’s pioneering approach to filmmaking and goes deep on his aristocratic background (he is a baron), discussing how his comedic interests are always about looking down: he satirizes the bumbling middle class while treating his own English aristocratic social strata seriously and respectfully.

PS: We also talk about dumb AI, influencers doing MMA cage fights, and more…

PPS: If you are in Oakland, LA, or NYC come out to Yasha’s Pistachio War screenings.

SUPPORT THE ARTS! SUBSCRIBE!

Want to know more? Read Evgenia’s essay about art and senility.

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We come back from our break to do some light but cutting literary gossip and criticism. Our focus: the millennial essayist Sam Kriss.

Kriss is one of the last erudite men of letters and blesses us all with his uber long Substack pieces that weave medieval history and current politics and go for tens of thousands words. Brevity is soul of the wit, as some dead British guy said. But to Kriss verbosity is essential — he needs to make his readers so confused and overwhelmed and so stuffed with facts and obscure tangents that they end up being convinced this is the work of inexplicable genius rather than a product of an insecure over-educated empty vessel.

Enjoy the episode.

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This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nefariousrussians.com/subscribe

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We’re posting part two of our conversation with Dmitriy Khvorostov (aka Artur Dugin, son of Alexander Dugin) about politics, art, and culture in Russia today — specifically we discuss what Russian traditionalists think about America’s new right.

If you missed part one, you can listen to it here: Sovereign Art.

We had a small 35th anniversary screening of Ghost at Kingston last Saturday and I had a talk with Bruce Joel Rubin, who wrote the screenplay and won an Oscar for it.

The movie was the biggest box office hit in 1990 even though it was an original screenplay and a story that was both melodramatic, funny, scary, and spiritual at the same time. “Just like life,” as Bruce would say. It’d be hard to imagine a movie like that would be noticed today or even made when every movie has to be a remake of a new installment of an existing franchise. Bruce also wrote Jacob’s Ladder, which was filmed at the exact same time in New York as Ghost and came out the same year, too. They are in a way the same story, just different manifestations of it.

—Evgenia

PS: There was a problem with recording the audio at the event so I’m using my iPhone recording here instead. It starts about a minute into the talk.

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A YASHA LEVINE VAMPIRE CASTLE TRANSMISSION

With the Charlie Kirk assassination, political influencers are freaking out. It’s dawning on them that the Spectacle is not just an abstract entity. They’re realizing deep down inside that all the hate and misery they pump out into the Spectacle can be made flesh. And that this flesh can be killed. And that this flesh can be theirs.

I wrote about this yesterday but since no one reads anymore, I decided to record a video from the safety of my bathroom. As always, remember:

DON’T SHARE.

DON’T SUBSCRIBE.

GET OFF YOUR MACHINES.

—Yasha

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nefariousrussians.com/subscribe

This is a free preview of a paid episode. To hear more, visit www.nefariousrussians.com

We dial Moscow to talk to art curator and philosopher Dmitriy Khvorostov (aka Artur Dugin, son of Alexander Dugin) about art in Russia and about current attempts by Russians to find a new sovereign identity after the war and their rupture with the west. You can follow Dmitriy on Telegram at Sovereign Art.

PS: This is part one of a two-part conversation. The second half — about what Russian traditionalists think about America’s new right — will be posted soon.