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By Amanda Horton
5
66 ratings
The podcast currently has 38 episodes available.
Lynd Ward hits all my favorite aspects of the mercurial world of art and design. Here is the son of a leader of the Methodist Church whose work unabashedly depicts the underside of the Depression Era city and the undead creatures of gothic horror (often in the buff). His work embodies the height of graphic narrative and the depth of pulp chunkiness. The elite halls of the gallery and chummy confines of the childrens’ library nook. Comfortable with brush or knife, his work carries an expressionistic zeal to it that would go on to influence comic books, illustration and printmaking well into the 21st. Century. Mighty impressive for a man whose work primarily consisted of no more than 2 to 3 colors per image.
TIMELINE
REFERENCES
Ward, Lynd (2009). Vertigo: A novel in woodcuts. Dover Publications, Inc.
Ward, Lynd (1974). Storyteller without words; The wood engravings of Lynd Ward. Abrams.
Ward, Lynd (2010). Six novels in woodcuts. Library of America.
Ward, Lynd (1965). Nic of the woods. Houghton Mifflin.
Jones, Stephen (2015). The art of horror: An illustrated history. Applause.
José Guadalupe Posada was a Mexican illustrator who worked in lithography and engraving, he was a very prolific image maker who completed an estimated 20,000 illustrations in his lifetime, with themes ranging from Día de los Muertos or Day of the Dead illustrations, political cartoons, popular illustrations, and daily life, as well as illustrations for “shocking” crime stories. He was also known to have created illustrations for a number of children’s books in the form of cheaply printed chapbooks with the printer Antonio Vanegas Arroyo, making them accessible to wide audiences. Yet despite his enduring legacy, his contributions are not often discussed in histories of graphic design, yet his story reveals a deep history of image making and mass production of images in Mexico, which includes the foundation of the Taller de Gráfica Popular, a collective founded by Leopoldo Méndez, Luis Arenal, and Pablo O’Higgins. Posada’s popular Day of the Dead icons, such as the Calavera Catrina, have captured the hearts and imaginations of many. Born in 1852 in Aguascalientes, Mexico, he made his way to Mexico City after a devastating flood upended his life. It is perhaps this move that allowed his work to be “discovered” by artists and historians after his untimely death in 1913. Though his work has been recognized by art historians, and he has been honored with a number of posthumous exhibitions of his work around the world, there is still work to be done to include his story in histories of graphic design. His images were geared to popular audiences, and a wide range of people had access to them and enjoyed them in his lifetime.
TIMELINE1852 - Born, February 2, Aguascalientes, Mexico
1860s - receives drawing instruction Municipal Academy of Drawing in Aguascalientes
1867 - Census records Posada as a Painter
1868 - Begins working with Trinidad Pedroza
1871 - First political Cartoon published in El Jicote
1872 - Pedroza and Posada move to León
1876 - Takes charge of Pedroza print shop
1888 - Moves to Mexico City
1888-90 - collaborates with the newspaper La Patria Ilustrada and the Revisita de Mexico
1910 - The Mexican Revolution begins
1913 - Died, January 20, Mexico City, Mexico
1920 - The Mexican Revolution ends
1937 - Taller de Gráfica Popular, collective founded by Leopoldo Méndez, Luis Arenal, and Pablo O’Higgins
Acosta, T. (2023, September 19). Dia de los Muertos: Its rich history, traditions and why not all Mexicans celebrate it. Arizona Republic. https://www.azcentral.com/story/entertainment/holidays/2023/09/19/origin-of-day-of-the-dead/70489251007/
Aguilar Montes de Oca, R. I. (2016). The Day of the Dead: One Ritual, NewFolk Costumes, and Old Identities. Folklore (Tartu, Estonia), 66, 95.
Britannica, T. Editors of Encyclopaedia (2023, October 19). León. Encyclopedia Britannica. https://www.britannica.com/place/Leon-Mexico
Bunker, S. B. (2012). Creating Mexican consumer culture in the age of Porfirio Díaz. University of New Mexico Press.
Casillas, M. L. (2013). Posada & Manilla: Illustrations for Mexican Fairy Tales. RM.
Doyle, S., Grove, J., & Whitney, S. (Eds.). (2019). History of Illustration. Fairchild Books.
Frank, P. (1998). Posada’s Broadsides: Mexican popular imagery, 1890-1910. University of New Mexico Press.
Greenspan, J. (2018, August 31). 6 things you may not know about the Mexican Revolution. HISTORY. https://www.history.com/news/6-things-you-may-not-know-about-the-mexican-revolution
Kennedy, P. (2022, December 7). José Guadalupe Posada: Skulls, Skeletons and Macabre Mischief. Illustration Chronicles. https://illustrationchronicles.com/Jose-Guadalupe-Posada-Skulls-Skeletons-and-Macabre-Mischief
Lagasse, P., & Columbia University. (2018). Díaz, Porfirio. In The Columbia Encyclopedia. Columbia University Press.
Mexican artist José Guadalupe Posada. (n.d.). Posada. https://www.posada-art-foundation.com/about-posada
Mexico. (n.d.). RSF. https://rsf.org/en/country/mexico
Recalls Disaster of 1888.; HUGE WATER WALL HITS LEON, MEXICO. (1926, June 25). The New York Times. https://www.nytimes.com/1926/06/25/archives/recalls-disaster-of-1888-huge-water-wall-hits-leon-mexico.html
Short biography — The Jean Charlot Foundation. (n.d.). The Jean Charlot Foundation. https://www.jeancharlot.org/short-biography
Taller de Gráfica Popular (Mexico City, Mexico) | The Art Institute of Chicago. (2001, July 4). The Art Institute of Chicago. https://www.artic.edu/artists/72887/taller-de-grafica-popular-mexico-city-mexico
Tyler, R. (1979). Posada’s Mexico. Library of Congress.
From its origins in the 1950s from the pages of books to software like MacDraw in the 1980s to CD Roms, and finally moving online in the 1990s, Clip Art’s evolution took place along with that of graphic design. Even though clip art was mostly created by unnamed designers and illustrators and sold in packages or libraries, there are many important figures we know of whose clip art contributed to the history of graphic design. Joan Shogren, an early computer art pioneer and clip art designer; Frank Fruznya, whose iconic clip art defined an era; and Sean Tejaratchi, whose cult hit zine series Crap Hound celebrates Clip Art and visually meditates on social issues. Ultimately, clip art is a misunderstood element of graphic design that holds an essential place in its history. Clip art in many ways paved the way for stock photo and stock illustration use that is common practice among designers today.
TIMELINE1928 – Tom Tierney born in Beaumont, Texas
1928– Dan X. Solo born
1932 – Joan Shogren born
1941 – Dover Publications founded
1947 – Jean Larcher born in Rennes, France
1949 – Tierney graduates from the University of Austin in Texas, majoring in painting and sculpture
1950s – Clip Art began to be produced in books for commercial sale, such as The Volk Corporation
1951 – Tierney serves in the US Military for 3 years
1952 – Frank Fruznya, prolific Clip Art illustrator, born in Illinois
1953 – Tierney movies to NYC to work as a fashion illustrator
1954 – Art Chantry born
1960s – Tom B. Sawyer created Clip Art for Harry Volk Jr’s Volk & Co’s “Clip Book of Line Art”series
1963 – Shogren designs set of rules to make the first computer art with Jim Larsen and Dr. Ralph Fessenden’s assistance at San Jose Univeristy in California
1963 – “Cybernation” exhibition of early computer art featuring Shogren took place at the San Jose State Partna Book Store
1962 – Solotype founded
1965 – Larcher graduates after studying typographic art at the Paris Chaamber of Commerce
1969 – Artist and illustrator Mitch O’Connell starts to freelance Clip Art illustration for Dynamic Graphics
1970s – Dover begins publishing Clip Art books
1970 – Sean Tejartchi born
1973 – Larcher begins freelance design work
1974 – Fruznya started to work for H&R; then was recruited to work for Dynamic Graphics
1976 – Tierney publishes his first paper doll book, “Thirty from the 30s” which attracted the attention of Dover
1979 – Peter Roizen and Heidi Roizen, brother and sister, co-found T/Maker
1981 – IBM introduces the first personal computer
1983 – Heidi Roizen takes over as president at T/Maker
1983 – ImageWriter printer released
1983 – VCN ExecuVision published IBM’s first Clip Art library
1984 – Shogren starts to work for T/Maker for ClickArt
1984 – T/Maker releases ClickArt Publications digital Clip Art collection
1984 – Brad Fregger creates Clip Art for Activision
1984 – Nova Development founded
1984 – MacPaint comes pre installed on Macintosh computers
1985 – “The Year of the Computer” mass production of personal computers helps change the world
1985 – LaserWriter printer is introduced
1986 – Graphic Source published Clip Art Books
1986 – Apple introduces the Macintosh Computer
1986 – Mac Plus released
1987 – MacPaint to longer pre installed on Macintosh computers
1987 – T/Maker introduced first vector Clip Art made with Adobe Illustrator
1988 – Adobe Systems released Adobe Illustrator
1989 – Company 3G Graphics published “Images with Impact!”
1994 – Crap Hound first published
1994 – Deluxe Corp buys remaining software lines from T/Maker, including ClickArt
1996 – Zedcor was the first company to offer Clip Art images as part of an online subscription service
1996 – Microsoft began to include Clip Art in it’s built in libraries
1996 – Animation Factory founded
1998-2001 – T/Makers ClickArt library sold each year due to large mergers and acquisitions to companies like Mattel and The Learning Company
1998 – Crap Hound ceases publishing
1999 – Animation Factory sold
2003 – Fruznya quits Dynamic Graphics after anonymously being the Clip Art world’s star illustrator in the 80s and 90s
2005 – Jupitermedia purchased Creatas, now owning all of Dynamic Grapahic’s clip art library
2005 – Tejaratchi begins to publish Crap Hound again
2009 – Jupitermedia went out of business
2009 – Fruzyna moves to Paradise, Michigan with his partner to paint
2012 – Solo passes away
2014 – Tierney passes away
2014 – Microsoft discontinues it’s Clip Art library in favor of Bing Image Search
2015 – Dat Boi, an Animation Factory asset, becomes an early internet meme
2015 – Larcher passes away
Arntson, Amy E. (1988). Graphic Design Basics. Saunders College Publishing.
Borrell, J. (1988, January). Verbatim: An Interview With Heidi Roizen. MacWorld, 74–86.
Boudrot, T. (1989, October). New Graphics Take the Rough Edges Off Clip Art. Electronic Learning, 9(2), 54–56.
Brock, D. C. (2019, October 8). Slide logic: The emergence of presentation software and the Prehistory of PowerPoint. Computer History Museum. Retrieved November 15, 2021, from https://computerhistory.org/blog/slide-logic-the-emergence-of-presentation-software-and-the-prehistory-of-powerpoint/?key=slide-logic-the-emergence-of-presentation-software-and-the-prehistory-of-powerpoint
Chantry, A., & Rochester Monica René. (2015). Art Chantry Speaks: A Heretic's history of 20th-century graphic design. Feral House.
Clip Art Images: Definition, history, examples and sources. blog.icons8.com. (2020, September 7). Retrieved November 15, 2021, from https://blog.icons8.com/articles/clip-art-images/
Cretan, J. (2011). Macpaint.org: Clip Art Historical Gallery. Retrieved November 15, 2021, from http://www.macpaint.org/clipart.html
Devroye, L. (n.d.). Dan X. Solo. Luc Devroye, School of Computer Science, McGill University. http://luc.devroye.org/solo.html
Eskilson, S. (2019). Graphic design: A New History. Yale University Press.
Fregger, B. (2018, November). Joan Shogren Computer Art Pioneer. http://fregger.com/Joan/index.html
Garber, M. (2014, December 2). A Eulogy to Clip Art, in Clip Art. The Atlantic. Retrieved November 15, 2021, from https://www.theatlantic.com/technology/archive/2014/12/a-eulogy-to-clipart-in-clipart/383322/
Grant-Marsh, S. (Ed.). (1994, September). Editors' Choice: The Best Products Featured in MacWorld. MacWorld, 201–221.
Heller, S. (2012, May 25). Dan X. Solo, Type Revivalist, Dies. PRINT Magazine. https://www.printmag.com/daily-heller/dan-x-solo-type-revivalist-dies/
Heller, S. (2022, June 6). The Daily Heller: Art Chantry Reconsidered in His Own Words. PRINT Magazine. https://www.printmag.com/daily-heller/the-daily-heller-the-real-art-chantry-reconsidered/
Heid, J. (1987, August). Getting Started with Macintosh Graphics. MacWorld, 193–202.
Historic Zinesters Talking. (2009, October 24). Crap Hound Zine -- Sean Tejaratchi. Slide Share. https://www.slideshare.net/StaffDay/crap-hound-zine-sean-tejaratchi
Leifpeng. (2008, June 19). Tom Sawyer and Harry Volk. Retrieved November 15, 2021, from https://todaysinspiration.blogspot.com/2008/06/tom-sawyer-and-harry-volk_19.html.
Lopez, G. (2016, May 27). Dat boi, explained. Vox. https://www.vox.com/2016/5/27/11789968/dat-boi-o-shit-waddup
Mak, A. (2022, March 29). A Reminder That GIFs Didn’t Always Move. Slate Magazine. https://slate.com/technology/2022/03/the-history-of-gifs.html
Manely, D. (2016, December 2). History of clip art via Wikipedia. OldCuts. Retrieved November 15, 2021, from https://www.oldcuts.co/blogs/news/history-of-clip-art-via-wikipedia
Middleton, C., & Herriot, L. (2007). Instant graphics: Source and remix images for professional design. RotoVision.
Original Apple Macintosh 18 Page Brochure (Dec 1983). DigiBarn ads: Original Apple Macintosh 18 Page Brochure (Dec 1983). (1998). Retrieved November 15, 2021, from https://www.digibarn.com/collections/ads/apple-mac/index.htm.
Paper Doll Author Tom Tierney. (2022). Dover Publications. https://www.doverpublications.com/tomtierney/
Pot, J. (2014, December 5). Clip Art is gone! here's how to find free images instead. MUO. Retrieved November 15, 2021, from https://www.makeuseof.com/tag/clip-art-gone-heres-find-free-images-instead/
Sandberg-Diment, E. (1985, November 26). Personal Computers; Desktop Publishing Comes of Age . New York Times, p. 4.
Sanders, S., & Larchuk, T. (2014, December 3). Microsoft says goodbye to clip art. NPR. Retrieved November 15, 2021, from https://www.npr.org/sections/alltechconsidered/2014/12/02/368060012/microsoft-says-goodbye-to-clip-art
Sawyer, T. B. (n.d.). Illustration Artwork. Thomas B. Sawyer. Retrieved November 15, 2021, from http://thomasbsawyer.com/illustrationartwork.html
Solenthaler, B. (2021, November). The Bart&Co.. historic clip art collection. Flickr. Retrieved November 15, 2021, from https://www.flickr.com/photos/bartsol/sets/72157627595663028.
Smith, E. (2018, August 30). The history of Clip Art: They sold it in books. Tedium. Retrieved November 15, 2021, from https://tedium.co/2018/08/30/clip-art-history/
Sutton, B. (2014, December 4). In honor of the death of Clip Art, a brief illustrated history of Clip Art. Hyperallergic. Retrieved November 15, 2021, from https://hyperallergic.com/166533/in-honor-of-the-death-of-clip-art-a-brief-illustrated-history-of-clip-art/
Tejaratchi, S. (2014). Crap Hound (Vol. 5). Show & Tell Press.
The Microsoft 365 Marketing Team, & Thomas, D. (2014, December 14). CLIP art is now powered by Bing Images. Microsoft 365 Blog. Retrieved November 15, 2022, from https://www.microsoft.com/en-us/microsoft-365/blog/2014/12/01/clip-art-now-powered-bing-images/
Tom Tierney Studios. (n.d.). Tom Tierney Studios. Retrieved November 1, 2022, from https://www.tomtierneystudios.com/
Vogt, P. J., & Goldman, A. (Hosts). (2016, April 14). Bbay King (No. 61) [Audio podcast episode]. In Reply all. Gimlet. https://gimletmedia.com/shows/reply-all/emhwx6/61-baby-king
Zantal-Wiener, A. (2017, August 27). Clip art through the years: A nostalgic look back. HubSpot Blog. Retrieved November 15, 2021, from https://blog.hubspot.com/marketing/clip-art-history
Most books, not all, but most, follow conventions of book design that have been in place for literally hundreds of years. With very few exceptions, it wasn’t until the 1960s when authors began to play around with story structure that there were any books that also played with the structure of the book itself. And it was later still that graphic design started adding another layer to the storytelling in popular literature. The colors, the typography, the page layouts all came to be used in service of the story. In House of Leaves, when the story starts getting really weird, so does the page layout. In The Illuminae Files, the pages look like reports, transcriptions, and electronic messages and include diagrams and drawings. These books, and the others like them, ask something extra of the reader, but give back an experience that may delight some and infuriate others. However readers feel about this type of weird book design, these books push the boundaries of book design into new and exciting territory.
FURTHER READINGPale Fire by Vladimir Nabokov
theMystery.doc by Matthew McIntosh
The Black Locomotive by Rian Hughes
Only Revolutions by Mark Z. Danielewski
Hopscotch by Julio Cortazar
Bats of the Republic by Zachary Thomas
The Raw Shark Texts by Steven Hall
City of Saints and Madmen by Jeff Vandermeer
Parabola by Lily Hoang
Extremely Loud and Incredibly Close by Jonathan Safran Foer
The People of Paper by Salvador Plascencia
Maxwell’s Demon by Steven Hall
Aarseth, E. (1997). Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins University Press.
Abrams, J.J. & Dorst, D. (2013). S. New York: Mulholland Books.
CloudCuckooCountry. (2022, November 15). Ergodic Literature: The Weirdest Book Genre [Video]. YouTube. https://youtu.be/tKX90LbnYd4?si=GYwECYZ4FdOzF9SO
Coe, J. (2011, October 28). Composition No. 1 by Marc Saporta - review. The Guardian. https://www.theguardian.com/books/2011/oct/28/composition-no-1-saporta-review
Danielewski, M. Z. (2000). House of Leaves. New York: Pantheon Books.
Digital Humanities Initiative. (2019, March 14). Mark Z. Danielewski at SDSU Library, Standard Video [Video} YouTube. https://youtu.be/wwCp8Y6k_BI?si=s7zFZZOpPDuIXBrm
Forbidden Planet TV. (2021, July 29). Rian Hughes Stokes up the Black Locomotive [Video]. YouTube. https://youtu.be/emge3qLMatM?si=WNWzNZgXrHwNA-mz
Hill. L. (2013, October 27). A Long Time Ago, in A Universe More Analog. The New York Times. https://www.nytimes.com/2013/10/28/books/j-j-abrams-and-doug-dorst-collaborate-on-a-book-s.html
Hughes, R. (2020). XX. New York: The Overlook Press.
Kaufman, A. & Kristof, J. (2015). Illuminae. New York: Alfred A. Knopf.
Kaufman, A. & Kristof, J. (2016). Gemina. New York: Alfred A. Knopf.
Kaufman, A. & Kristof, J. (2018). Obsidio. New York: Alfred A. Knopf.
Little Book Owl. (2015, December 15). Q&A w/ Amie Kaufman & Jay Kristof [Video]. YouTube. https://youtu.be/jZ3_ulIEEe4?si=c6mXnEdBKTLaf5Ju
Roth, G. [VMSpod]. (2023, July 12). Virtual Memories #546 - Rian Hughes [Video]. YouTube. https://www.youtube.com/watch?v=js0DYgMzKwQ
Roth, G. [VMSpod]. (2020, November 24). Virtual Memories #409 - Rian Hughes [Video]. YouTube. https://youtu.be/Iw_kuUqxyjM?si=8J9cEIZa2P5ToJHq
Star Sessions. (2014, May 18). J.J. Abrams & Doug Dorst Delve into S: A Multi-Layered Book Experience [Video]. YouTube. https://youtu.be/Adpb9Dn0PoM?si=lHXLynpj5Oj7fq07
Tales of the Ravenous Reader. (2018, April 11). Interview w/ Amie Kaufman & Jay Kristof | The Illuminae Files [Video]. YouTube. https://youtu.be/gJl4eDRDM04?si=qetFYjnb9KIx6kOh
Talks at Google. (2016, August 11). The Familiar|Mark Z. Danielewski|Talks at Google [Video]. YouTube. https://youtu.be/mw0bGiVDTMI?si=mn19emWU4ttp_CWh
Tyer, B. (2014, February 20). Untangling S., Doug Dorst’s Novel Within a Novel. Texas Observer. https://www.texasobserver.org/untangling-s-doug-dorsts-novel-within-novel/
Zambra, A. (2014). Multiple Choice. New York: Penguin Books.
The History of Tarot decks intersects with symbology, or the study of symbols as well as their history, mass production of text and images, and popular culture, all of which are fields of study in the history of graphic design, and yet this subject has not been included in mainstream histories of design. Is this a reflection of the mystical, romanticized history of the cards, and one that implies a connection to divination or fortune telling? It is also a history that connects with the history of alchemy, and science, as well as with religious studies, esoterism, and occult, and yet the cards themselves emerged from secular roots. Tarot cards are not quite viewed as art and yet not celebrated as graphic design. The cards began as a simple game in Renaissance Italy, only gaining their association with esoterism in the 1700s when they were falsely connected with Hermeticism, and instilled with a completely fabricated Egyptian heritage. This history grew to include a connection to secret societies. Some of the most well-known decks of the 20th century and beyond were illustrated by women, including Moina Mathers, Lady Freida Harris, and Pamela Colman Smith and yet they are more associated with the men who dictated their design. Tarot cards have continued to evolve, transitioning away from being viewed as a tool for fortune telling and toward a new age tool for self-reflection, introspection, and self-help.
TIMELINE1430s – Tarochi card game invented in Itlay
1450 – Visconti-Sforza deck made by Bonifacio Bembo
1491 – Sola-Busca deck made by Nicola di maestro Antonio
1770 – Jean Baptiste Alliette publishes A Way to Entertain Oneself With Cards
1776 – Antoine Court de Gebelin associates Tarot with esoterism and the occult
1781 – Antoine Court de Gebelin publishes Le Monde Primitif or the Primeval World
1855 – Éliphas Lévi piublishes Transcendental Magic
1888 – Hermetic Order of the Golden Dawn founded
1906 – Jugendstil Tarot Deck designed by Ditha Moser
1907 – Images of the Sola Busca deck donated to the British Museum
1910 – Waite & Pamela Coleman Smith collaborate on the Waite Colman Smith Deck historically known as the Rider Waite deck
1944 – Aleister Crowley writes The Book of Toth, cards and illustrations by Lady Frieda Harris
1973 – The Tarot of Witches deck is created by Scottish artist and illustrator Fergus Hall for the film Live and Let Die
1977 – The Waite Colman Smith Deck goes into mass production
1978 – The Fantod Pack, a Parody deck designed by Edward Gorey is published
1984 – Mary K. Greer writes Tarot for yourself
1984 – Salvador Dali produces his Tarot deck
1992 – HIV Tarot produced by artist Kim Abeles
Archetype. (2016). In J. L. Longe (Ed.), Gale Virtual Reference Library: The Gale encyclopedia of psychology (3rd ed.). Gale. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/galegp/archetype/0?institutionId=1845
Auger, E. E. (2004). Tarot and Other Meditation Decks: History, Theory, Aesthetics, Typology. McFarland.
Boley, M. (2023, April 10). Oracle Decks: What They Are and How To Use Them - Mental Musings - Medium. Medium. https://medium.com/musings-with-meg/oracle-decks-what-they-are-and-how-to-use-them-c037251a7a84
Dummett, M. (2007). Six XV-Century Tarot Cards: Who Painted Them? Artibus et Historiae, 28(56), 15–26. http://www.jstor.org/stable/20067158
Farley, H. (2009). A cultural history of tarot : From entertainment to esotericism. Bloomsbury Publishing Plc.
Farley. (2006). The evolution of the 'mother' in Tarot. Hecate, 32(2), 68–87.
Gerstler, A. (1994). Kim Abeles. www.artforum.com. https://www.artforum.com/print/reviews/199401/kim-abeles-54441
Grimoire. (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/chambun/grimoire/0?institutionId=1845
Hermetic Order of the Golden Dawn. (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/chambun/hermetic_order_of_the_golden_dawn/0?institutionId=1845
Hundley, J., Fiebig, J., & Kroll, M. (2020). Tarot. Taschen.
Maille, P. (2021). The Cards: The Evolution and Power of Tarot.
Parkinson, N. (2013). The Colour Reference Library, Royal College of Art, London. Journal of Design History. https://doi.org/10.1093/jdh/ept004
Richman-Abdou, K. (2020). The spellbinding history of tarot cards, from a mainstream card game to a magical ritual. My Modern Met. https://mymodernmet.com/history-of-tarot-cards/
Roya, W. (2019). Debunking common myths about playing cards - Tarot & China. PlayingCardDecks.com. https://playingcarddecks.com/blogs/all-in/debunking-common-myths-about-playing-cards-tarot-cards
Schechter. (2020). Tarot's Italian Roots: For Devotees Of This 600-Year-Old Esoteric Art, A Trip To Milan Is In The Cards. National Geographic, 237(2), 34.
Schneider, M. (2015, February 24). Edward Gorey’s ‘anxious, irritable’ tarot card set is predictably perfect. DangerousMinds. https://dangerousminds.net/comments/edward\_goreys\_tarot\_card\_set
tarot. (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/chambun/tarot/0?institutionId=1845
Waite, A(rthur) E(dward) (1857–1942). (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/chambun/waite_a_rthur_e_dward_1857_1942/0?institutionId=1845
Wintle, S. (2022, July 17). A Moorish Sheet of Playing Cards — The World of Playing Cards. The World of Playing Cards. https://www.wopc.co.uk/spain/moorish/a-moorish-sheet-of-playing-cards
Wintle, S. (2023, July 19). Mamluk Playing Cards — The World of Playing Cards. The World of Playing Cards. https://www.wopc.co.uk/egypt/mamluk
The history of graphic design has traditionally skewed toward designers from white hegemony. Where white men (and some women) tend to fill the pages, webpages, and galleries that celebrate design. As humanity evolves, we must realize the value of making space for more diverse voices in the design world. This episode elevates Black designers who have successfully fought against the forces of white supremacy and oppression to take back control of representation. Starting with Abolitionist broadsides, this episode examines how mostly white creators of broadsides, used to support the antislavery movement, were hindered by what we now call the “White Savior Complex” and that the tone of abolitionist imagery and vocabulary was marked by the perceived superiority of the white Northern audience. Next, we look to the famous “I AM A MAN” protest signs of the Civil Rights marches. These protest signs have endured and evolved into modern iterations as a piece of living history highlighting the fight for racial equality which continues to be an inspiration for art and design practices today. The episode also takes a deep dive into the life and work of Archie Boston. Archie Boston is a graphic designer known for creating subversive, self-aware work in the advertising and design industry. The genius of his designs is that he often appropriates and retrofits racist imagery, similar to how Black vernacular has reclaimed certain racial slurs. Rounding out the discussion is a survey of current design collectives and groups of professional creatives such as the Design Justice Network. This episode discovers insightful parallels between Black representation in the Abolition era and today, clearly demonstrating that the best advocates for Black freedom and equality are Black people. Graphic design in the hands of Black activists becomes a powerful force for positive change and strengthening communities.
TIMELINE - ARCHIE BOSTON1943 – b Clewiston, Florida
1961 – started attending Chouinard Art Institute
1964 – interned at Carson/Roberts
1965 – worked at Hixson And Jorgensen Advertising
1966 – became art director at Botsford Ketchum
1967 – started Boston & Boston Design with his brother Bradford
1969 – left Boston & Boston and rejoined Botsford Ketchum
1973 – started Archie Boston Design
1977 – received master’s degree from the University of Southern California
1977 – started lecturing at California State University Long Beach (CSULB)
2001 – published Fly in the Buttermilk: Memoirs of an African American in Advertising Design & Design Education
2009 – published Lil' Colored Rascals in the Sunshine City
1830s – Abolitionist Broadsides, weaponized advocating to free slaves
1900 – WEB Du Bois and Black Data, Infographic Activism
1963 – March on Washington protest signs.
1966 – Boston and Boston advertisements, “Ku Klux Klan”, “For Sale”
1968 – I AM A MAN, Memphis Sanitation Strike
1980s – Archie Boston Graphic Design, “I don’t want to marry your daughter”
2016/2017 – Martin Typeface designed by Tré Seals inspired by I AM A MAN, Memphis Sanitation Strike posters
2021 – Black lives matter protest posters
Archie Boston Graphic Design files. (n.d.). Online Archive of California. https://oac.cdlib.org/findaid/ark:/13030/c8183dtf/
Archie Boston papers, 1963-2018 and undated - Archives & Manuscripts at Duke University Libraries. (n.d.). David M. Rubenstein Rare Book & Manuscript Library. https://archives.lib.duke.edu/catalog/bostonarchie
Barrett, L. (2014, February 12). “Am I not a man and a brother?” : The political power of the image. The Black Atlantic. https://sites.duke.edu/blackatlantic/2014/02/10/am-i-not-a-man-and-a-brother-the-political-power-of-the-image/
Barry, N. (2022, January 4). Project 3, Phase 1: - Nouria Barry - Medium. Medium. https://medium.com/@nouriabarry/project-3-phase-1-e6fe0757b57b
Black Disabled Lives Matter Riso Poster with Stickers Pack Bundle — jenwhitejohnson.com. (n.d.). https://jenwhitejohnson.com/Black-Disabled-Lives-Matter-Riso-Poster-with-Stickers-Pack-Bundle
Boston, A. (2001). Fly in the buttermilk: Memoirs of an African American in Advertising, Design & Design Education.
Boston, A. (2009). Lil’ colored rascals in the Sunshine city.
Daniel, J. (2015, February 18). Four Corners – an interview with Archie Boston. Design Week. https://www.designweek.co.uk/issues/september-2013/four-corners-an-interview-with-archie-boston/
Epplett, A. (2022). Abolitionist Broadsides and Anti-Slavery Imagery — Coalition of Master’s Scholars on Material Culture. Coalition of Master’s Scholars on Material Culture. https://cmsmc.org/publications/abolitionist-and-anti-slavery-imagery
Frederick Douglass Project: In the Classroom: the Abolitionist Movement Packet | RBSCP. (n.d.). https://rbscp.lib.rochester.edu/2890
Gaiter, C. (n.d.). Strikethrough: Typography Messages of Protest for Civil Rights. https://archive.bipocdesignhistory.com/. https://archive.bipocdesignhistory.com/ST-General
Hayes, J. (2021). Africobra: Messages to the people.
Hoffmitz Milken Center for Typography (HMCT). (2020, October 21). Archie Boston lecture [Video]. YouTube. https://www.youtube.com/watch?v=oe5EVDoySwc
Jan. 6, 1832: New England Anti-Slavery Society founded - Zinn Education Project. (2023, January 18). Zinn Education Project. https://www.zinnedproject.org/news/tdih/anti-slavery-society/
McDonald, A. (2019, September 12). New Exhibit: “No One Can Suppress Archie Boston” - The Devil’s Tale. Duke University Libraries. https://blogs.library.duke.edu/rubenstein/2019/09/12/new-exhibit-no-one-can-suppress-archie-boston/
Munro, S. (2021, July 27) Zoom Interview Archie Boston and the Author.
Rapp, A. (September 1, 2008). "Archie Boston's Design Journey". AIGA. Retrieved 2022-01-28.
Reckdahl, K., & Rabut, A. (2020, March 12). This New Orleans artist challenges the way people see things. The New York Times. https://www.nytimes.com/2020/03/09/arts/bmike-artist-new-orleans.html
Toppins, A. (2020, August 18). Beyond the Bauhaus: I AM A MAN. AIGA Design Educators Community. https://educators.aiga.org/beyond-the-bauhaus-i-am-a-man/
George Herriman was a cartoonist, illustrator, and pioneer of the cartoon comics genre, and is perhaps most known for his long-running and wildly popular comic strip Krazy Kat. Woodrow Wilson, the 28th President of the United States, and John Jacob Astor, a wealthy business tycoon, were some of the famous fans of Herriman’s comics. Astor went so far as to name his dog Ignatz for the mouse that was Krazy Kat’s constant companion. Herriman’s work was not only popular but also influential and was said to have inspired cartoonists Patrick McDonnell, the creator of the strip Mutts, and Bill Watterson, creator of Calvin and Hobbes. There are even rumors that Walt Disney was inspired by Krazy Kat in his creation of Mickey Mouse, and visual similarities between the two characters are striking. Krazy Kat wasn’t just a goofy comic strip as it also provided social commentary containing themes of spirituality, surrealism, philosophy, literary allegories, the study of phrenology, as well as veiled commentary on racism. Although subtle, his allegories about racism reflect his opinion on the absurdity of social, economic, and political discrimination based on skin color. Many of the storylines in Krazy Kat were in fact hidden reflections of the artist’s own struggles, as a Creole man of mixed-race heritage, passing for white even at the time of his death. Herriman knew the consequences that would ensue if anyone found out about his racial ancestry, he intended his secret to die with him and not even his own daughters knew.
TIMELINE1880 – b New Orleans, Louisiana
1890 – Herriman and family moved from Louisiana to LA; likely begins passing as white
1892 – Attended St. Vincent's Collegiate course
1896 – 16, Herriman joined the St. Vincent Lyceum; Excelled at Honors English, penmanship, geography, languages
1897 – Herriman worked at the first newspaper The Los Angeles Herald at 17 years old; Made first illustrations there.
1901 – Herriman first meets William Randolph Hearst & works for Evening Journal New York American.
1902 – Herriman married Mabel Lillian Bridge
1901-1922 – Herriman moved across the country working for multiple printing agencies
1911 – Krazy Kat & Ignatz's 1st official appearance under The Dingbat Family comics.
1913 – Krazy Kat finally is a stand-alone comic strip for The Evening Journal.
1922 – Permanent residence in LA under different papers for William Randolph Hearst from 1922 to his death.
1944 – died in his sleep at the age of 64
1971 – Herriman’s racial identity is discovered by Arthur Berger
Bellot, G. (2017, January 19). The gender fluidity of Krazy Kat. The New Yorker. https://www.newyorker.com/books/page-turner/the-gender-fluidity-of-krazy-kat
Fikes, R. (2021, January 19). George Joseph Herriman (1880-1944) https://www.blackpast.org/african-american-history/herriman-george-joseph-1880-1944/
Tisserand, M. (2016). Krazy: George Herriman, A life black and white. HarperCollinsPublishers
Walker, T. (2020, February 20). Influential comic artist George Herriman. The Dream Foundry. https://dreamfoundry.org/2020/02/14/influential-comic-artist-george-herriman/
An indigenous cowboy-artist from small-town Oklahoma, Tommy Wayne Cannon was born to Caddo and Kiowa parents in the Fall of 1946. Growing up he attended school in Gracemont and took an interest in the arts. As an adolescent, Cannon was self-taught in the arts and entered his works in regional art competitions through the Southern Plains Indian Museum. His success in these competitions, as well as his proficiency in multiple mediums, won him a scholarship to the Institute of American Indian Arts in Santa Fe, New Mexico. It was here that Cannon’s passion for art was met with an environment of tools and people that allowed for further exploration and refinement of his skills. In school, Cannon adopted his moniker “T. C.” Cannon, which is how he would be known professionally once his career began. The IAIA was not accredited as a College at the time, so Cannon enrolled at the San Francisco Art Institute but was disappointed in the lack of community he had grown accustomed to at the IAIA. He dropped out of school and enlisted in the Army, serving in combat in the late-stage offensives of the Vietnam War. Upon returning he attended Central State University (now UCO) in Edmond, Oklahoma where he met his wife, Barbara. Upon graduation, he produced work for a showcase alongside one of his IAIA mentors that toured the US and Europe. In preparation for his next showcase, solo at the Arbach Gallery in NYC, Cannon spent six years in his studio creating a large body of work. Tragically, just a few months prior to his showcase in May of 1978, Cannon was killed in a car accident in Santa Fe. He was only 31 years old.
TIMELINE1946 — Born in Lawton Oklahoma
1961 — Age of 15, sold his first works to the Southern Plains Indian Museum
1964 — Enrolled in the Institute of American Indian Arts
1965 — The Voting Rights Act assured Native Americans right to vote
1967 — Begins tour of Vietnam under the 101st Airborne; While away, Rosemary Ellison included him in a traveling exhibition
1968 — Returns from war
1972 — Finishes his degree at Central State University in Edmond, Oklahoma, graduating with a Bachelor of Fine Arts
1972 — Included in, and toured with, a Smithsonian exhibit. Over the next six years he would go on to produce a large body of work in anticipation of his solo showcase.
1975 — Became Artist-in-Residence at Dartmouth.
1978 — Died in a car crash in Santa Fe, New Mexico. Aged 31 years old.
1978 — His showcase is posthumously opened at the Arbach Gallery in New York
1988 — Inducted into the National Hall of Fame for Famous American Indians
101st Airborne Division - Army Unit Directory. (n.d.). Together We Served. https://army.togetherweserved.com/army/servlet/tws.webapp.WebApp?cmd=PublicUnit&type=Unit&ID=231#membersinthisunit
101st Airborne Division (Air Assault) :: FORT CAMPBELL. (n.d.). US Army. https://home.army.mil/campbell/index.php/101st
Action Painting & Gestural Painting | IAIA - Action/Abstraction Redefined. (n.d.). IAIA - Action/Abstraction Redefined. https://abstraction.iaia.edu/exhibition/action-gestural/?page=3
Color Field Painting movement Overview. (n.d.). The Art Story. https://www.theartstory.org/movement/color-field-painting/
Fauntleroy, G. (2018, July 16). Perspective: T.C. Cannon [1946–1978]. Western Art & Architecture. https://westernartandarchitecture.com/august-september-2018/perspective-t-c-cannon-1946-1978
Fritz Scholder | Biography. (n.d.). Fritz Scholder official Website. http://www.fritzscholder.com/biography.php
Kapplow, H., & Kapplow, H. (2018). The Bold Yet Too-Brief Art Career of T.C. Cannon. Hyperallergic. https://hyperallergic.com/446024/tc-cannon-peabody-essex-museum/
Krutak, L. (2018, January 23). Treasures Of The Iacb: T.C. Cannon, Who Shot The Arrow, Who Killed The Sparrow (1970). U.S. Department of The Interior. https://www.doi.gov/iacb/treasures-iacb-tc-cannon-who-shot-arrow-who-killed-sparrow-1970
Levy, M. (n.d.). TC Cannon. Medic in the Green Time. http://medicinthegreentime.com/tc-cannon/
Making History: Celebrating 60 years of IAIA and 50 years of MOCNA. (2022). Institute of American Indian Arts (IAIA). https://iaia.edu/making-history-celebrating-60-years-of-iaia-and-50-years-of-mocna/
New Mexico Red : T. C. Cannon : Color Field Paintings | IAIA - Action/Abstraction Redefined. (n.d.). IAIA - Action/Abstraction Redefined. https://abstraction.iaia.edu/exhibition/color-field/detail.php?artwork=t-c-cannon--new-mexico-red-1967
On Drinking Beer In Vietnam in 1967 , Edition 6-100 | Cannon, T. C. (Caddo/Kiowa). (n.d.). New Mexico Digital Collections. https://nmdigital.unm.edu/digital/collection/mcna/id/1154/
Pallant, C. (2015, March 4). The Essence of Forever. This Land Press - Made by You and Me. https://thislandpress.com/2015/03/04/the-essence-of-forever/
Purvis, R. (n.d.). SFAI and IAIA. ORBITS. https://matrix277.org/Object-61
Schjeldahl, P. (2019, April 8). T. C. Cannon’s Blazing Promise. The New Yorker. https://www.newyorker.com/magazine/2019/04/15/t-c-cannons-blazing-promise-peter-schjeldahl
T.C. Cannon. (n.d.). Pierson Gallery, American Fine Art & Antiques – Tulsa, OK. https://piersongallery.com/t-c-cannon.html
TC Cannon. (n.d.). Windsor Betts. https://windsorbetts.com/artist/tc-cannon
T.C Cannon: At The Edge of America | PEM Native American Art. (n.d.). PEM | Peabody Essex Musuem. https://www.pem.org/exhibitions/t-c-cannon-at-the-edge-of-america
Watson, M. J. (n.d.). Cannon, Tommy Wayne. Oklahoma Historical Society | OHS. https://www.okhistory.org/publications/enc/entry?entry=CA044
Waiting for the Bus (Anadarko Princess) by T.C. Cannon.
(n.d.). Oklahoma Arts Council.
https://www.arts.ok.gov/art_at_the_capitol/State_Art_Collection.php?c=sac&awid=177
Women have long been a part of bookmaking, design, and publishing, dating as far back as handmade illuminated manuscripts, created before the printing press. In the 18th and 19th centuries, women were known to run some very successful book binderies, including Jane Steel, Katherine Waghorn, Jane Aitken, and Lorina Watkins. Most often women took over when their husbands or fathers died. Other women supported their husbands' work by setting type, such as Bertha Goudy, wife of noted book and type designer Frederic Goudy. Women also became very successful book designers following the era of book reform known as the Arts & Crafts period which resulted in the Private Press Movement. The Private Press movement was concerned with making high-quality books that were beautiful expressions of book design and a departure from the low-quality mass-produced books emerging from the industrial age and the Victorian era. Women were gaining entry into the design world as part of the Arts & Crafts movement, schools associated with the movement were cropping up all over Europe and in the United States as well, and women were enrolling in these schools in numbers not seen before. Historians note the high number of women who matriculated from the Glasgow Arts & Crafts school surpassed the number of men. As such it makes sense that we would find women designers in the history of the Private Press movement. Designers such as Margaret Armstrong and Amy Sacker designed book covers and interior pages during the era. Primarily ignored in many histories of art and design is the history of bookbinding. However, this history is also tied to the Arts & Crafts and the Private Press movement, bookbinding was another avenue of paid labor for women.
TIMELINE10th Century – Ende, Spanish Illuminator of Manuscripts signs her work
18th Century – women begin owning and operating bookbinderies; women and girls were also employed in large numbers folding and stitching pages
1839 – Jane Burden (Morris), born
1859 – Jane Burden (Morris), marries William Morris
1863 – Alice Cordelia Morse, born
1867 – Margaret Armstrong, born
1867 – Amy Sacker, born
1879 – Alice Cordelia Morse attends the Cooper Union (segregated school for girls)
1880-1890 – Designing book covers becomes a professional practice
1885-1889 – Alice Cordelia Morse works for Tiffany & Co. designing stained glass; in 1889 she leaves Tiffany to begin a freelance career designing book covers
1889 – Jane Burden (Morris) designed the cover for Wilfrid Scawen Blunt’s In Vinculis
1890 – Armstrong’s first book cover design was for Sweet William by Marguerite Bouvet
1890-1940 – Margaret Armstrong's career as a book designer, produced some 270 book designs
1891 – Kelmscott Press founded by William Morris and Emery Walker
1901 – Amy Sacker received awarded a medal for designs at the Pan-American exposition
1893 – Morse chaired the Sub-Committee on Book-Covers, Wood Engraving, and Illustration of the Board of Women Managers for the Woman’s Building at the World’s Columbian Exposition
1897 – Society of Arts & Crafts in Boston founded, active members included Amy Sacker, Sarah Wyman Whitman, Julia DeWolf Addison, and Mary Crease Sears
1910 – Women begin to dominate the modern decorative movement
1914 – Jane Burden (Morris), dies
1918 – Le Corbusier and Amédée Ozenfant, announce a hierarchy of art and craft with women and craft at the bottom
1923 – Alice Cordelia Morse donates her book cover designs to the Metropolitan Museum Library
1937 – Bookmaking on the Distaff Side, a book published by women printers
1944 – Margaret Armstrong, dies
1961 – Alice Cordelia Morse, dies
1965 – Amy Sacker, dies
This should not be considered a complete list of women in book design & bookbinding history, this is just a list of names uncovered for the research of this episode and intended to show that there is a wealth of names that could be included in histories of graphic design. This list focuses on women from the past, there is also a wealth of women designers who have worked more recently in book design, this too could become a future episode.
Battershill, C. (2022). Women and Letterpress Printing 1920-2020: Gendered Impressions. Cambridge University Press.
Breuer, G., & Meer, J. (2012). Women in Graphic Design 1890-2012. Jovis Verlag.
Dubansky, M., Frelinghuysen, A. C., & Dunn, J. M. (2008). The Proper Decoration of Book Covers: The Life and Work of Alice C. Morse.
Dubansky, M. (2009, May). Alice Cordelia Morse (1863–1961). The Met’s Heilbrunn Timeline of Art History. https://www.metmuseum.org/toah/hd/mors/hd_mors.htm
Edna Beilenson, 71, graphic arts expert and book publisher. (1981, Mar 04). New York Times (1923-) Retrieved from https://libproxy.uco.edu/login?url=https://www.proquest.com/historical-newspapers/edna-beilenson-71-graphic-arts-expert-book/docview/121888575/se-2
Ethel Reed, Artist. (1896). Bradley, His Book, 1(3), 74–76. http://www.jstor.org/stable/20443160
Fanni, Fanni, Maryam, Flodmark, Matilda, Kaaman, Sara, Walkup, Kathy, Börjel, Ida, Baines, Jess, Wikander, Ulla, Humlesjö, Inger, Waaranperä, Ingegärd, Cartmail, Gail, Dobney, Megan, & Josefsson, Kira. (2020). Natural enemies of books.
Garrett, M., & Thomas, Z. (2019). Suffrage and the Arts: Visual Culture, Politics and Enterprise. Bloomsbury Publishing.
Goudy, F. (1939). Bertha M. Goudy: Recollections by one who knew her best. The Village Press.
Harlan, R. D. (1975). Review Article: Oral Histories of San Francisco Printing [Review of Book Printing with the Handpress; Brother Antoninus: Poet, Printer, and Religious; Artist and Printer; Comments on Some Bay Area Fine Printers; Recollections of the Grabhorn Press; The Colt Press; Fine Printing and the Grabhorn Press; The Grabhorn Press and the Grace Hoper Press; Fine Printers of the San Francisco Bay Area; Two San Francisco Bookmen; Recollections of San Francisco Printers; A Life in Printing; Literary San Francisco; Bookselling and Creating Books; Photoengraving, 1910-1969; The Schmidt Lithography Company; San Francisco Printers, 1925-1965; A Printed Word Has Its Own Measure; Untitled Interview; Printing and Book Design, by L. Allan, Dorothy Allan, Brother Antoninus (William Everson), Malette Dean, F. P. Farquhar, Edwin Grabhorn, Jane Grabhorn, Robert Grabhorn, Katherine Grover, Sherwood Grover, J. D. Hart, Warren R. Howell, Haywood Hunt, Lawton Kennedy, O. Lewis, D. Magee, Walter Mann, Max Schmidt, Jr., Herman Diedrichs, … A. Wilson]. The Library Quarterly: Information, Community, Policy, 45(2), 202–205. http://www.jstor.org/stable/4306509
In Full Bloom: Margaret Armstrong’s Decorated Publishers’ Bindings Revisited. (n.d.). metmuseum.org. Retrieved January 5, 2023, from https://www.metmuseum.org/exhibitions/listings/2022/in-full-bloom
Jaudon, & Kozloff, J. (1977). Art Hysterical Nations of Progress and Culture. Heresies, 4, 38.
Kirkham, P. (2002). Women Designers in the USA, 1900-2000: Diversity and Difference (2d Printing). Yale University Press.
Pankow, D. (n.d.). Fields of Gold | American Decorated Trade Bindings and Their Designers, 1890–1915 | Cary Graphic Arts Collection. RIT. https://www.rit.edu/carycollection/fields-gold
Tidcombe, M. (1996). Women Bookbinders, 1880-1920. Amsterdam University Press.
Women’s work. (n.d.). Brooklyn Museum. https://www.brooklynmuseum.org/eascfa/dinner_party/womens_work
Zonis, K. (2021, November 16). The Book-Cover Designs of Alice C. Morse | Cooper Hewitt, Smithsonian Design Museum. Cooper Hewitt Smithsonian Design Museum. https://www.cooperhewitt.org/2014/03/26/the-book-cover-designs-of-alice-c-morse/
If it seems like the underground comix scene was a raucous and raunchy boys club, that’s fairly accurate. However, there were plenty of women artists who reacted against the sexist depictions of women in comix, of which there was plenty. Their complaints about how women were being portrayed was seen to be just more censorship heaped on the male comix artists. Rather than just be quiet and go away, women like Trina Robbins, Willy Mendes, Linda Barry, Mary Fleener, and many others started drawing, bringing their own voices into the underground comix scene. Their experience in comix wasn’t all smooth sailing either. The women creating comix also insisted on absolute artistic freedom and the space to explore difficult topics, but it came at a price just like it did for the male comix artists. Undercover police, raids, and lawsuits while not necessarily the norm, seemed to be always looming. While some comix titles managed to run longer than others, the heyday of comix was all but over by the mid 1970s. However, the influence of underground comix is evident in the comics and graphic novels being published today that are willing to have serious discussions about equally serious topics.
TIMELINE1880s – Comics began publication in American newspapers
1895 – The Yellow Kid by Richard Outcault first published
1914 – Krazy Kat by Geroge Herriman first published
1920s – Tijuana Bibles began to be published
1930s – Comic book began in America
1931 – Alice Schenker (born Alice Olsen) born in Racine, WI
1933 – Jerry Siegel and Joe Shuster created Superman
1936-1939 – The comic magazine format became popular
1936 – Victor Moscoso born in Spain
1937 – Frank Stack born in Houston, TX
1938 – Gary Arlington born in San Jose, CA
1938 – Trina Robbins born in Brooklyn, NY
1939 – “She Saw The World’s Fair” published by Wesley Morse
1939 – Harvey Pekar born in Cleveland, OH
1939 – Richard “Grass” Green born in Fort Wayne, IN
1940-1950s – Comic burnings became common in America
1940 – Gilbert Shelton born in Houston, TX
1940 – Manuel “Spain” Reodriguez born in Buffalo, NY
1941 – Vaughn Bodé born in Utica, NY
1941 – S. Clay Wilson (Steven Clay Wilson) born in Lincoln, Nebraska
1941 – Jack “Jaxon” Jackson born in Texas
1942 – Rand Holmes born in Nova Scotia
1942 – Dan O’Neil born
1943 – Joel Beck born in Ross, CA
1943 – Robert Williaams born in Los Angeles, CA
1944 – George Herriman dies
1944 – Howard Cruse is born in Birmingham, AL
1943 – Robert Crumb born in Philadelphia, PA
1944 – Rick Griffin born in California
1944 – Bill Griffith born
1944 – Kim Deitch born in Los Angeles, CA
1944 – Max Gaines establishes Educational Comics
1944 – Mervyn “Skip” Williamson born in San Antonio, TX
1945 – Lee Mars born
1947 – Jerry Siegel and Joe Shuster sued in NY Supreme Court to regain their rights to Superman; they lose the case and their jobs at DC Comics
1947 – Jay Lynch born in Orange, NJ
1947 – Max Gaines dies in a boat crash; son William Gaines takes over EC Comics
1948 – Art Spiegelman born in Stockholm, Sweden
1948 – Barbara “Willy” Mendes born
1948 – Aline Kominsky-Crumb born in Long Beach, NY
1949 – Marry Wings born Mary Geller in Chicago, IL
1950s – Student Press Movement starts
1950 – Educational Comics becomes Entertaining Comics under William Gaines
1950 – Gary Panter born in Durant, OK
1951 – Mary Fleener born
1952-1956 – Harvey Kurtzman is the editor of MAD Magazine
1953 – Roberta Gregory born in Los Angeles, CA
1954 – “Seduction of the Innocent” by psychiatrist Frederick Werthan published
1954 – Comics Code Authority established
1954 – Victor Moscoso starts at Cooper Union Art School in Manhattan
1955 – William Gaines starts humor magazine, MAD Magazine
1955 – Charles Burns born
1956 – After being cited by the CCA, EC comics diverts resources to new title MAD Magazine
1956 – Ralph Bakshi starts animating at Terrytoons
1956 – Alice and Don Schenker marry
1956 – Lynda Barry born in Richland Center, WI
1957 – Harvey Kurtzmaan’s Trump magazine published
1957 – Peter Baagge born in New York
1957-1960 – Spain Rodriguez studies at Silvermine Guild School of Art in New Canaan, CT
1958 – Moe Moskowitz moves to Bay Are and opens bookstore
1958 – Robert Crumb and his brother Charles publish satire magazine “Foo”
1958-1962 – Frank Stack and Gilbert Shelton edit University of Texas at Austin’s newspaper, The Texas Ranger
1959 – Victor Moscoso moves to San Francisco, CA
1960s – Underground comix movement started
1960 – MAD Magazine had circulation of 1.4 million
1960 – Rick Griffin met filmmaker John Severson at screening of Surf Fever movie
1960 – Harvey Kurtzman starts Help! Magazine
1960 – Phoebe Gloeckner born in Philadelphia, PA
1960 – Alison Bechdel born in Beech Creek, PA
1961 – Skip Williamson sells first comic to Help! Magazine
1961 – Daniel Clowes born in Chicaago, IL
1963 – In mainstream comics, Dell, DC and Marvel were the major publishers
1963 – Rick Griffin starts working at Surfer Magazine as a cartoonist, debuting “Murphy”
1963 – Rick Griffin is seriously injured as a passenger in a drunk driving accident
1963 – Spain Rodriguez starts work at the Western Electric Company Plant
1963 – Jay Lynch moves to Chicago to become a cartoonist
1956 – America gets involved in the Vietnam War
1963 – March On Washington
1963 – President John F. Kennedy assassinated
1963 – Betty Friedan’s “The Feminine Mystique” is published
1964 – Jack “Jaxon” Jackson publishes “God Nose”
1964 – After being promoted to director of cartoons at Terrytown, Ralph Bakshi left to run animation at Paramount Pictures
1962 – Frank Stack publishes “The Adventures of Jesus”
1962 – Harvey Pekar and Robert Crumb meet in Cleveland, OH and become friends and collaborators
1965 – Birth of the Underground Press
1965 – Rick Griffin picks up “Murphy” comics in Surfer after a pause
1965 – Schenkers launch Print Mint inside of Moskowitz’s bookstore
1965 – Spain Rodriguez spends summer in NYC creating cartoons for The Militant paper and joined anarchist group Resurgence Youth Movement
1965 – Robert Williams starts working as Art Director for Ed “Big Daddy” Roth
1965 – Robert Crumb starts taking LSD
1965 – Julie Doucet born in Saint-Lambert Quebec, Canada
1965-1966 – Mario Savia’s Free Speech Movement impacts Berkely’s campus
1966 – After graduating from San Francisco Art Institute, Victor Moscoso joins faculty
1966 – Art Spiegelman is Topps Bubblegum’s star artist
1966 – Spain Rodriguez has his first cover in paper East Village Other
1966 – Trina Robbins moved back to NYC from LA and worked for East Village Other as advisor and illustrator
1966 – Rick Griffin joins Jook Savages and designs posters for their art shows in San Francisco
1966 – Kim Deitch moves to NYC and gets “Sunshine Girl” published in The East Village Other
1966 – Joel Beck publishes “Lenny of Laredo”, “Marching Marvin” and “The Profit”
1966 – Print Mint publishes their first comix, a reprint of Beck’s “Lenny of Laredo”
1966 – NOW, of the National Organization for Women, was formed
1966 – Underground Press Syndicate established by East Village Other editor Walter Bowart
1966 – Weekly & monthly underground papers regularly publish Underground Comix
1967 – Robert Crumb leaves Cleveland, OH, his job at Americana Greetings, and wife Dana to move to San Francisco, CA
1967 – Gilbert Shelton’s “Wonder Wart Hog” published by Pete Millar
1967 – Victor Moscoso and RIck Griffin begin to collaborate on posters and Zap Comics covers
1967 – Rick Griffin commissioned for “Pow-Wow, a Gathering of the Tribes for a Human Be-In” held in Golden Gate Park’s polo grounds
1967 – Art Spiegelman comes up with the idea for Wacky Packs working for Topps Bubblegum
1967 – “Summer of Love” takes place in San Francisco for 9 months
1967 – Bijou Funnies, initially The Chicago Mirror, founded by Skip WIlliamson and Jay Lynch in Chigaco, IL
1967 – Art Spiegelman moves to San Francisco, CA
1967 – “Cavalier” Magazine serializes Robert Crumb’s “Fritz the Cat”
1967 – First drawings of Gilbert Shelton’s The Fabulous Furry Freak Brothers appear on a flier for short student film “The Texas Hippies March on the Capitol”
1967-1973 – Jay Lynch’s “‘Nard ‘n’ Pat” comic publication years
1968 – Rand Holmes moves to Vancouver, Canada and works for Georgia Straight a weekly underground tabloid and starts “The Adventures of Harold Hedd”
1968 – S. Clay Wilson moves to San Francisco and becomes friends with Robert Crumb, starts to contribute to Zap Comics
1968 – First issue of Zap Comix by Robert Crumb released
1968 – “Keep on Truckin’” one page comix published in Zap Comix by Robert Crumb
1968 – Robert Crumb sends for his wife Dana to join him in San Francisco
1968 – Robert Crumb first sees S. Clay Wilson’s comix work
1968 – Gary Arlington opens his comic book store in the Mission District in San Francisco, CA
1968 – Spain Rodriguez’s cover for Feb 2nd issue of East Village Other creates legal issues over depiction of a sexual act
1968 – Robert Crumb publishes “Zap”
1968 – Skip Williamson’s “Snappy Sammy Smoot (1968-1996) makes its debut in Bijou Funnies
1968 – Robert William’s controversial painting “Appetite for Destruction” is used as album art for the Guns ‘N’ Roses album of the same name
1968 – “Yellow Dog” comix anthology started by Joel Beck and John Thompson
1968-1973 – Skip Williamson’s Sammy Smoot character is played by Carl Reiner on the comedy TV show “Rowan and Martin’s Laugh-In”
1968-1975 – Considered the boom years of Underground Comix
1968 – Apex Novelties ran by Don Donaahue starts publishing comix
1968 – US Government outlaws LSD
1968 – Robert Crumb starts “Snatch Comix” published by Apex Novelties
1969 – Neil Armstrong lands on the moon
1969-1970 – “Odd Bodkins” by Dan O’Neil is published in the San Francisco Oracle
1969 – Whitney Museum Exhibition “Human Concern/Personal Torment: The Grotesque in American Art” showed some of Robert Crumb’s work
1969 – Roger Brand at the first comic convention panel for Underground Comix artists, declined to invite Trina Robbins
1969 – Rip Off Press founded by Gilbert Shelton, Jack “Jaxon” Jackson, Dave Moriarty and Fred Todd
1969 – Kim Deitch and Trinaa Robbins start dating
1969 – Bill Griffith and Jay Kinney meet and start idea for “Young Lust”
1969 – Vaughn Bode briefly edits “Gothic Blimp Works”; Kim Deitch begins to edit “Gothic Blimp Works”
1969 – Print Mint is raided by police over “Zap Comix” fourth issue (featured “Joe Blow” incest comic by Robert Crumb)
1969 – Schenkers arrested over violation of California Penal Code Section 311.2 (illegal distribution of pornography) due to publishing “Zap Comics” fourth issue
1969 – S. Clay Wilson contributes to “Jiz Comics” under pseudonym Howard Crankwood
1970s – Graphic Novel format began
1970s –Jack “Jaxon” Jackson creates historical narrative comix like “Comanche Moon”, “Los Tejanos”
1970 – Ed “Big Daddy” Roth’s shop closes and Robert Williams ends his tenure as Art Director
1970 – Chris Kirkpatrick, owner of New Yorker Book Store that sold Zap Comix, convicted
1970 – Bill Griffith moves to San Francisco, CA
1970 – Trina Robbins and Kim Deitch’s daughter Casey born
1970 – “It Ain’t Me Babe” the first women’s liberation newspaper, was published in Berkley
1970 – Kitchen Sink Press ran by Denis Kitchen founded
1970 – “Skull” published by Rip Off Press
1970 – Many Underground Comix artists met and created The Cartoon Workers Union
1970 – Robert William released collected “Coochy Cooty Men’s Comics” published by Print Mint
1970 – Last Gasp Eco Funnies ran by Ron Turner founded
1970 – “Young Lust” by Bill Griffith and Jaay Kinney published by Company & Sons
1970 – Robert Crumb meets with Ralph Bakshi and Steve Kraantz about making a movie out of his popular character Fritz the Cat
1970 – “Abortion Eve” comic produced by Joyce Farmer and Lyn Chevely
1970 – Spain Rodriguez releases “Zodiac Mindwarp” (East Village Other) and “Subert” (Rip Off Press)
1970 – Kim Deitch and Trina Robbins end their relationship
1971 – Gilbert Shelton’s Fabulous Furry Freak Brothers first released
1971 – Roberta Gregory attend CSU Long Beach and contributes “Feminist Funnies” to their newspaper
1971 – S. Clay Wilson contributes to “Bent” (Print Mint)
1971 – Aline Kominsky-Crumb grates with degree in fine art from University of Arizona
1971 – “Ms Magazine” founded by Gloria Steinem and art directed by Bea Feitler
1971 – Bill Griffith’s “Zippy the Pinhead” debuts in Real Pulp Comics #1 by Print Mint
1971 – Dan O’Neil and the Air Pirates (Bobby London, Shary Flenniken, Gary Hallgren, and Ted Richards) create “Air Pirate Funnies” published by Last Gasp
1971 – Lee Marr’s “Pudge” & “Girl Blimp” published
1971 – Roberta Gregory sells her first comic to “Wimmen’s Comix”
1971 – Disney filed suit in Northern District of California against the comic artists from the “Air Pirate Funnies”
1971 – Rip Off Press moves from Mowry’s Opera House to 17th Street
1971 – After moving back to NYC, Art Spiegelman once again returns to San Francisco, CA
1972 – “The Adventures of Harold Hedd” released in first collected volume, the second volume out the following year
1972 – “Tits ‘n’ Clits” All women comix anthology by Joyce Farmer and Lyn Chevely published first issue (Nanny Goat Productions)
1972 – Aline Kominsky-Crumb has comix debut in “Wimmen’s Comix” #1 with “Goldie a Neurotic Woman”
1972 – Robert Crumb and Aline Kominsky-Crumb meet at a San Francisco party
1972 – “Fritz the Cat” movie directed by Ralph Bakshi released
1972 – 2 all women’s comix anthologies started “Wimmen’s Comix” (Trina Robbins, Last Gasp) and “Tit’s & Clits” (Joyce Farmer and Lyn Chevelyl, Nanny Goat Productions)
1972 – Disney granted it’s injunction against Dan O’Neil and the other comic artists from “Air Pirate Funnies”; found guilty of copyright infringement and trade disparagement
1972 – “Bizzare Sex” started published by Denis Kitchen of Kitchen Sink Press
1972 – Print Mint hits 1 million issues of “Zap Comix” sold
1973 – Rand Holmes travels to San Francisco, CA to get the second volume of “The Adventures of Harold Hedd” published by Last Gasp
1973 – Bill Griffith’s “A Sour Look at the Comix Scene, or Out of the Inkwell and Into the Toilet” runs in The San Francisco Phoenix
1973 – Undercover cop buys first issue of “Tits ‘n’ Clits” at San Francisco Bookstore Fahrenheit 451; owners charged with selling pornography and Farmer and Cheverly are forced to hide from law enforcement for 2 years
1973 – Aline Kominsky-Crumb moves onto Robert Crumb’s farm property as his girlfriend
1973 – “Come Out Comix” by Mary Wings self-published
1973 – Year of the Crash of Comix
1973 – Rick Griffin is a born again Christian
1973 – Gilbert Shelton’s The Fabulous Furry Freak Brother’s comics had sold 400,000 copies; eventually selling 45 million copies to date in 16 different languages
1972 – Haavery Pekar’s first story “Brilliant American Maniacs Series No. 1 Crazy Ed” published in “People’s Comics” with art by Robert Crumb
1972 – Justin Green publishes “Binky Brown Meets the Holy Virgin Mary”
1972 – Art Spiegelman publishes first 3 pages of Maus
1973 –Supreme Court’s Miller v. California decision rules that vendors can be jailed and retroactively fined for selling obscene materials, cannot plead ignorance to contents
1974 – Jay Lynch has a one week tenure as editor at Hustler Magazine
1974 – Lynda Barry attends Evergreen State College in Olympia, WA
1974 – Art Spiegelman self publishes “Ace Hole” and “Midget Detective”
1974 – Marvel releases “Comix Book”
1974 – S. Clay Wilson contributes to “Pork” (Co-Op Press)
1974 – “The Nine Lives of Fritz the Cat” directed by Ralph Bakshi released
1975 – The Schenkers working partnership with Bob and Peggy Rita dissolves and Print Mint slows down production and distribution
1975 – “Felch Comics” by Keith Green
1975 – Vietnam War ends, American troops withdraw from Saigon
1975 – Victor Moscoso starts attending Yale
1975 – Bill Griffith and Art Spiegelman create “Arcade” comix anthology
1975 – Vaughn Bodé dies at age 33
1976 – Harvey Pekar self publishes “How I Quit Collecting Records and Put Out a Comic Book with the Money I Saved” with art by Robert Crumb
1976 – “Wet Satin” erotic satirical all-women’s comics anthology published by Kitchen Sink Press
1976 – Aline Kominsky-Crumb moves off of the Crumb farm commune
1976 – Mary Wing’s “Dyke Shorts” is self-published
1976 – Roberta Gregory creates “Dynamite Damsels” (Self-published)
1976 – Copyright Act becomes law
1976 – Lee Marrs “The Further Fattening Adventures of Pudge, Girl Blimp” featured the first openly bisexual character in comics
1967 – Larry Fuller creates “Gay Heartthrobs”
1976 – Harvey Pekar’s “American Splendor #1” published
1976 – Aline Kominsky-Crumb and Diane Noomin start “Twisted Sisters”
1976-1077 – Punk scene emerges
1971 – Howard Cruse’s “Barefootz” first published
1977 – Kitchen Sink Press reprints Joel Becks comics under title “Joel Beck’s Comics & Stories”
1977 – Gary Panter moves to Los Angeles, CA
1977 – S. Clay Wilson releases comix with his most popular character “The Checkered Demon” (Last Gasp)
1977 – Gilbert Shelton’s character Fat Freddy’s cat from “The Fabulous Furry Freak Brothers” gets its own spin off comic
1977 – Robert Crumb divorces Dana
1978 – Gilbert Shelton moves to San Francisco, CA from Austin, TX
1978 – First graphic novel “A Contract With God” by Will Eisner is published by Baronet Press
1978 – Dan O’Neils appeal in the case of Dismney and the Air Pirates does not rule in O’Neil’s favor
1978 – Gilbert Shelton makes “Shakedown Street” album cover for The Grateful Dead
1978 – Paul Mavrides starts to collaborate on “The Fabulous Furry Freak Brothers”
1979 – Gilbert Shelton and wife/agent Lora move to Europe
1979 – The Supreme Court declines to take Dan O’Neil’s appeal case against Disney
1979 – Robert William publishes “The Lowbrow Art of Robt. Williams”
1979 – Mary Wings creates drug awareness book “Are Your Highs Getting You Down?” with a California Arts Council Grant
1979 – Denis Kitchen approaches Howaard Cruse about making “Gay Comix”
1979 – Rip Off Press ends
1979 – Art Spiegelman starts to teach at the School of Visual Arts in NY
1980 – First issue of “Gay Comix” (Kitchen SInk Press) released, edited by Howard Cruse
1980 – “Raw” comics anthology created by Art Spiegelman and Francoise Mouly
1980-1991 – Maus: A Survivor’s Tale by Art Spiegelman serialized
1981 – “Wimmen’s Comix” takes a 6 year hiatus
1981 – Daniel Clowes and his friends create “Psycho Comics”
1981 – Robert Crumb starts comix magazine “Weirdo” published by Last Gasp
1981 – Robert Crumb and Aline Kominsky-Crumb’s daughter Sophie is born; they move to Southern France
1982 – Last issue of “Bizzare Sex” released
1982 – Gilbert and Jamie Hernandez create “Love and Rockets” published by Fantagraphics
1983 – “Dykes to Watch Out For” by Alison Bechdel first published
1984 – Mary Fleener self publishes her first comic “Hoodoo”
1984 – Robert Crumb passes editorship of “Weirdo” to Peter Bagge
1985 – Print Mint, since renamed Reprint Mint, is sold by the Schenkers
1985 – Mary Wings “She Came Too Late” lesbian detective novel published
1985 – Topps Bubbglegum starts Garbage Pail Kids cards
1986 – Doubleday publishes the first of it’s two collected volumes of Harvye Pekar’s “American Splendor” with the next coming out the following year
1986 – Jack “Jaxon” Jackson publishes “Illustrated History of Ranching in Texas”
1986 – Peter Bagge resigns as editor at “Weirdo”; Aline Kominsky-Crumb takes over
1987 – Robert Crumb and Aline Kominsky-Crumb marry
1988 – “Dirty Plotte” by Julie Doucet was first self-published
1988 – Roberta Gregory self publishes “Winging It” and “Sheila and the Unicorn”
1989 – Jack “Jaxon” Jackon publishes “Rip Off Pres: The Golden Era #21”
1989 – Daniel Clowes first issue of “Eightball”
1989 – Roberta Gregory moves to Seattle and begins to work at Fantagraphics Books
1990 – Art Spiegelman receives a Guggenheim Fellowship to work on Maus’ second volume
1990 – Peter Bagge first publishes “Hate” (Fantagraaphics)
1991 – American Splendor’s once a year regular release stops with issue fifteen
1991 – Rick Griffin dies after motorcycle accident
1991 – Roberta Gregory’s “Naughty Bits” issue one self published
1991 – “Dirty Plotte” published by Drawn & Quarterly
1991 – Julie Doucet moves to NYC for one year and makes “My New York Diary”
1992 – Maus: A Survivor’s Tale by Art Spiegelman wins a Pulitzer Prize
1992 – “Wimmen’s Comix” publishes it’s last issue
1993 – Don Schenkers dies
1994 – Robert Williams first published “Juxtapoz Arts & Culture” Magazine
1995 – “Stuck Rubber Baby” by Howard Cruse published
1995 – “Black Hole” by Charles Burns first published by Fantagraphics
1995 – “Crumb” documentary about Robert Crumb by Terry Zwigoff is released
1996 – Mary Fleener’s “Life of the Party” released
1998 – Jack “Jaxon” Jackson creates “Lost Cause”
1999 – Joel Beck dies
2001-2003 – Roberta Gregory’s popular character Bitchy Bitch from “Naughty Bits” starred in the animated cartoon “Life’s a Bitch” on Comedy Network (Canada) and Oxygen Network (US)
2001 – Daniel Clowes “Eightball” story “Ghost World” is made into a movie of the same name
2002 – Rand Holmes dies
2002 – Phoebe Gloeckner’s “The Diary of a Teenage Girl” published by Frog Books
2003 – “American Splendor” the award winning movie about Harvey Pekar’s life starring Paul Giamatti is released
2005 – “Black Hole” by Charles Burns released as graphic novel by Fantagraphics
2006 –Jack “Jaxon” Jackson dies
2006 – “Fun Home: A Family Tragicomic” by Alison Bechdel published
2010 – Harvey Pekar dies
2015 – “Fun Home” the Broadway Musical wins a Tony for best musical
2015 – “The Diary of a Teenage Girl” by Phoebe Glockner made into a movie with the same name
2017 – Skip Williamson and Jay Lynch die within a week and a half of each other
2019 – Howard Cruse dies
2020 – Alice Schnker dies
2021 – Streaming channel Tubi releases 8 episode show “The Freak Brothers” based on Gilbert Shelton’s “The Fabulous Furry Freak Brothers”
2021 – Spain Rodriguez dies
2021 – S. Clay Wilson dies
2022 – Aline Kominsky-Crumb dies
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