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You often hear “take it three stops down” or “four stops over,” but what does that actually mean?
In this episode of The Inner Circle podcast, Shane Hurlbut, ASC takes a deep dive with Ed Lachman, ASC into the El Zone System and standardizing exposure in the digital age.
Throughout this interview, the two ASC cinematographers discuss the lack of specificity in IRE values, waveform monitors, and false colors. In fact, they’re not consistent from one monitor platform to the next. Lachman explains how the El Zone System changes all that and brings the cinematography world into perfect harmony.
Did you like this episode of The Inner Circle podcast? Then, you’ll love our other episodes about all things filmmaking on Spotify and iTunes (and pretty much anywhere else you listen to podcasts)!
To watch the full video interview, become an All Access member today!
As an All Access member, you get full access to all other Finding the Frame interviews as well as every course and lesson instructed by industry professionals. On top of that, you gain entrance into our exclusive community and can use the FA app to enhance your skills while on the job!
Keep up with Ed Lachman, ASC here:
https://www.instagram.com/edlachman/
https://www.imdb.com/name/nm0005767/
Keep up with Shane Hurlbut, ASC here:
https://www.instagram.com/shanehurlbutasc/
https://www.shanehurlbutasc.com/
Learn filmmaking from artists at the top of their game. Try Filmmakers Academy and become a member: https://bit.ly/302orWv
Check out our blog filled with career advice, free assets, gear talk, and on set stories: https://bit.ly/3CzwFn2
Be apart of our community!
Instagram ►► https://bit.ly/3kR5JIO
Facebook ►► https://bit.ly/3Ig07BT
TikTok ►► https://bit.ly/3QZjWkZ
By Filmmakers Academy4.8
2828 ratings
You often hear “take it three stops down” or “four stops over,” but what does that actually mean?
In this episode of The Inner Circle podcast, Shane Hurlbut, ASC takes a deep dive with Ed Lachman, ASC into the El Zone System and standardizing exposure in the digital age.
Throughout this interview, the two ASC cinematographers discuss the lack of specificity in IRE values, waveform monitors, and false colors. In fact, they’re not consistent from one monitor platform to the next. Lachman explains how the El Zone System changes all that and brings the cinematography world into perfect harmony.
Did you like this episode of The Inner Circle podcast? Then, you’ll love our other episodes about all things filmmaking on Spotify and iTunes (and pretty much anywhere else you listen to podcasts)!
To watch the full video interview, become an All Access member today!
As an All Access member, you get full access to all other Finding the Frame interviews as well as every course and lesson instructed by industry professionals. On top of that, you gain entrance into our exclusive community and can use the FA app to enhance your skills while on the job!
Keep up with Ed Lachman, ASC here:
https://www.instagram.com/edlachman/
https://www.imdb.com/name/nm0005767/
Keep up with Shane Hurlbut, ASC here:
https://www.instagram.com/shanehurlbutasc/
https://www.shanehurlbutasc.com/
Learn filmmaking from artists at the top of their game. Try Filmmakers Academy and become a member: https://bit.ly/302orWv
Check out our blog filled with career advice, free assets, gear talk, and on set stories: https://bit.ly/3CzwFn2
Be apart of our community!
Instagram ►► https://bit.ly/3kR5JIO
Facebook ►► https://bit.ly/3Ig07BT
TikTok ►► https://bit.ly/3QZjWkZ

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