Why are millions of people flocking to hi-tech immersive shows like Van Gogh Alive, Frida Kahlo, King Tut, and Shakespeare's The Tempest? Or cultural monoliths like The Office and Stranger Things? Does this form of art lessen the value of classic art, or does its popularity and Instgram-ability help introduce new generations? And what's going on when best-loved Hollywood shows are codified this way? We ask art critics for their take.

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