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Episode 305: Traditional acoustic blues has seen one of its periodic revivals, with more younger African American artists involved than any time I can remember. No survey of the scene would be legit without sizing up the career of 35-year-old Jerron Paxton, sometimes known as “Blind Boy” for a severe myopia that’s affected his life since his teens. We should be grateful he’s committed to music - as a revivalist of the old and a writer of the new in a range of styles from Delta to ragtime to stride to spiritual. His variety and vivacity bursts forward on Things Done Changed, his first album for Smithsonian Folkways Records. In a Zoom call from his base in New York City, we talk about his upbringing in Los Angeles and his approach to developing his advanced understanding of foundational American music.
4.7
4040 ratings
Episode 305: Traditional acoustic blues has seen one of its periodic revivals, with more younger African American artists involved than any time I can remember. No survey of the scene would be legit without sizing up the career of 35-year-old Jerron Paxton, sometimes known as “Blind Boy” for a severe myopia that’s affected his life since his teens. We should be grateful he’s committed to music - as a revivalist of the old and a writer of the new in a range of styles from Delta to ragtime to stride to spiritual. His variety and vivacity bursts forward on Things Done Changed, his first album for Smithsonian Folkways Records. In a Zoom call from his base in New York City, we talk about his upbringing in Los Angeles and his approach to developing his advanced understanding of foundational American music.
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